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This Eastman SB55/v features a hand-rubbed Antique Varnish finish, and Lollar P90 bridge pickup. Eastman makes an astounding electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a great guitar with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

New deluxe model, featuring a gloss finish, and Fishman electronics. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

New deluxe model featuring a cutaway, gloss finish, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Keith Schexnayder is a local Memphis musician and luthier. Having always been an artist, guitar building is yet another outlet for his creativity. Keith's technical and woodworking background, combined with his strong desire to express himself musically, and his love for the guitar, inspired him to enter the world of lutherie. His instrument building is all about the art of combining musical tone with aesthetic beauty. This is not a parts guitar. Keith carved the neck and body, sprayed the finish, and assembled it himself. This guitar features a light-weight two-piece Louisiana Swamp Ash body, maple neck, and Indian Rosewood fingerboard. Very light at 6 pounds, 14 ounces. This is a great guitar, lovely in appearance, lovely in tone. Great woods, great parts, a great builder...all of this comes together in an outstanding guitar.

The all-new 12-string version of the E1D. Big, huge, wide-frequency 12-string, dreadnought tone! This is what a 12-string is supposed to sound like. Featuring Fishman electronics, and deluxe padded Eastman gig-bag.

The all-new 12-string version of the E1D. Big, huge, wide-frequency 12-string, dreadnought tone! This is what a 12-string is supposed to sound like. Featuring Fishman electronics, and deluxe padded Eastman gig-bag.

Designed to rival Grissom’s favorite vintage amps, the PRS DGT 15 is rich with character. With all the magic of smaller-wattage vintage tube amps, it is fully applicable in a modern setting thanks to its extensive highly-functional tone-sculpting controls. Starting with a 3-band TMB tone stack, the DGT 15 also includes a 3-position bright switch, boost, reverb, top cut, and presence front-panel controls. The bright switch can be set to on, off, or on except when the boost is engaged – so you can intricately manipulate the amp’s high-end. The Master Volume can be set to be on, off, or on only with the Boost. The tremolo circuit oscillates the power tube bias (old-school) and features speed and depth front panel controls to dial in to the exact preference.

Designed to rival Grissom’s favorite vintage amps, the PRS DGT 15 is rich with character. With all the magic of smaller-wattage vintage tube amps, it is fully applicable in a modern setting thanks to its extensive highly-functional tone-sculpting controls. Starting with a 3-band TMB tone stack, the DGT 15 also includes a 3-position bright switch, boost, reverb, top cut, and presence front-panel controls. The bright switch can be set to on, off, or on except when the boost is engaged – so you can intricately manipulate the amp’s high-end. The Master Volume can be set to be on, off, or on only with the Boost. The tremolo circuit oscillates the power tube bias (old-school) and features speed and depth front panel controls to dial in to the exact preference.

  This Custom 24 features a Pattern Thin neck carve, and a Yellow Tiger Finish
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
  The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.