Acoustics

  Here's a great sounding and playing USA made Taylor 414ce. Made in 2013. The acoustic/electric Grand Auditorium 414ce responds well to an array of playing styles thanks to Taylor’s proprietary body shape and the expansive tonal palette of ovangkol and spruce. Expect a blend of power and tonal definition, especially in the midrange, so whether you like to strum, flatpick or play fingerstyle, the 414ce makes a great playing partner. Appointments include white binding, progressive dot fretboard inlays, and a three-ring rosette, and the guitar features Taylor’s Expression System acoustic electronics along with a Venetian cutaway.
  Overall condition is excellent. Minor fret wear. Some surface minor scratches. These are slight mars and do not affect the playability. This guitar sounds and plays great with no problems, and with no repairs. Comes with original hard case.

  The WS is a wonderfully versatile guitar. Combining the best qualities of large and small bodied guitars, it is ideally suited for a variety of musical situations. A large, deep chamber gives the WS strong projection and rich bass. The narrow waist and tight upper bout allow for a ringing treble, good balance and clear definition of individual notes. Overall, the WS is impeccably balanced. The shapely curves and light weight make the WS a comfortable guitar to cradle or stand with. The extra deep cutaway encourages playing up the fretboard.
Soundboard
  All-graphite soundboard crafted using RainSong's Projection Tuned Layering technique. No soundboard braces. Abalone rosette. All-graphite body. No body braces. All-graphite neck and epoxy fingerboard fabricated using RainSong's Performance Shape Casting as a single piece. No truss rod. Custom Mother of Pearl sharks. Tusq Nut, saddle. Abalone inlaid Tusq bridgepins. Customized hardshell case. UV protective, high-gloss, clear urethane finish.
  This guitar is American made and in excellent cosmetic condition. It plays and sounds great. Comes with original molded hardshell case.

A late 1970's Gibson TB All American Mastertone Tenor Banjo. This is a reissue of the 1930's Gibson All American. The original models were made in small numbers, and discontinued in the 1930's. It was reintroduced in the 1970's, again in small numbers. It was Gibson's most expensive instrument when it was introduced, and is Gibson's most elaborate banjo. It is heavily gold plated, with a pearloid fingerboard featuring scenes from American history. The headstock and resonator are heavily carved by hand with American Eagles. The condition is near mint showing no wear. These were made in limited numbers, this one being number 6. It has an engraved leather case with the original cover. This instrument is highly prized by collectors due to its rarity and outstanding condition.

  This is a one-of-a-kind LV03R left handed upgraded with a spectacular, highly figured Rosewood back! We've never seen a better looking 03 series guitar! Larrivee's most popular body shape, the LV-03R offers a combination of spruce top with rosewood back/side. The tone is articulate and bright, but with all the lows you expect from a slope-shouldered smaller jumbo. The cutaway top, plus an L.R. Baggs Element pickup system, make this a perfect performance instrument for any style or situation.
  The LV-03R has a solid African Ebony fretboard & bridge, single piece Mahogany neck, Canadian maple binding, bone saddle, bone nut, and bone bridge pins. Other features include a mother-of-pearl logo, Grover 18:1 open back tuners, non-shrink tortoise pick guard, double action truss rod, durable acrylic satin finish, arch top case, and a lifetime warranty. Comes with a hardshell case.

  Here's a used Collings D1 VN. Made in 2014. This one was custom ordered with a few special upgrades - Walnut back and sides, Vintage Now neck profile and 2 5/16" bridge string spacing, tortoise fingerboard and pegged binding. Cool and rare options for a D1. The ultimate late 30's style Martin D-18 style guitar. This is a classic square-shouldered dreadnout acoustic, the Sitka Spruce and Walnut combination provides a unique combination of power and tonal complexity. Walnut yields an excellent balance with tonal characteristics that fall between Indian rosewood and mahogany, giving you the best of both worlds. The Sitka Spruce with Collings' Pre-war scalloped X-brcing provide tremendous volume and power. This guitar has all the clarity, sparkle, and distinction one could need to cut through in an ensemble situation. In excellent condition showing only the slightest amount of play. The neck is straight and true. The frets are in perfect condition. Comes with the original Collings hardshell case. This is a great playing and gorgeous sounding instrument all-around, in any playing environment.
  The Collings "Vintage Now" neck profile has slightly wider spacing at the saddle (2 5/16") with 1 3/4" at the nut. This neck is slightly larger than a standard (non-vintage) profile, but is not quite as large as some of the chunkiest vintage Martin necks. This neck has more of a vintage feel, but is more palatable than a standard Vintage neck to a lot of players. The neck shape is slightly rounder (less V) in the lower position and moves towards a modified V shape as you go up the neck. The neck depth (including the fingerboard) is typically .845" at the 1st fret and .960" at the 9th fret. The fingerboard width measures 2.195" at the 12th fret.

  While Taylor is primarily known for their fine acoustic guitars, they also build some beautiful and innovative electric guitars. Expanding on and combining elements of the SolidBody and the T5, the T3/B ("B" for Bigsby) is a great guitar that offers a wide range of tonal options to satisfy the demands of a diverse group of players. This one has a beautiful, highly figured quilted maple top with a natural finish. In mint condition. The neck is straight and true. Frets are perfect and show no wear.
  The Taylor T3/B semi-hollowbody electric guitar combines the incredible thinline body design of Taylor's T5 with a great-sounding complement of pickups and classic-style electric guitar hardware. One strum of the T3 and you'll know this isn't your typical semi-hollow; plug it in and you'll be blown away by the tone - as well as the flexible tonal options. This Bigsby trem-equipped version features a quilted maple top that's joined to a hollow sapele body with a wood block running down the middle. The sapele neck is very comfortable, and two humbucking pickups with selectors and coil taps give you plenty of sound configurations while you're playing the T3/B.
  Comes with original hardshell case.

Taylor's cutaway acoustic/electric Grand Auditorium 414ce has long been a staple of gigging and recreational players thanks to its musical versatility and clean, workmanlike aesthetic. Crafted with back and sides of solid African ovangkol and a solid Sitka spruce top, the 414ce now also features our V-Class bracing, a game-changing sonic engine that powers these tonewoods to produce more volume, longer sustain, and stronger projection. The more orderly movement of the top, courtesy of the new bracing design, also improves the intonation up and down the neck, making chords sing like never before, without sour notes or the “rub” of slight dissonance within certain chords. The difference comes through loud and clear, whether you’re on the couch, recording into a mic, or plugged in at a gig. The ovangkol/Sitka pairing yields a mix of powerful midrange frequencies, strong, clear treble notes, and deep yet balanced lows, and together with V-Class, make this a superb all-around guitar. Fingerpickers, flatpickers and strummers each will find something to love here. Appointments include crisp white binding, Diamond fretboard/peghead inlays in Italian acrylic, and proprietary ES2 electronics. The guitar ships in a deluxe hardshell case.

A Wild Honey Burst top and low-sheen finish heighten the old-soul aesthetic appeal of this Builder’s Edition Grand Pacific, which builds on a long tradition of rosewood/spruce dreadnoughts but breaks new ground with an entirely new Taylor sound. The round-shoulder dreadnought shape, featuring Taylor’s award-winning V-Class bracing, produces warm, seasoned acoustic tone in which individual notes overlap and blend smoothly together, while the low-end power common among dreadnoughts boasts greater clarity here. V-Class brings extra punch and sustain, along with improved intonation and musicality across the entire frequency spectrum. Together with rosewood’s harmonic complexity and the played-in sound of the torrefied spruce top, players can expect rich, luxurious tonal character from top to bottom. It’s a voice comfortably rooted in a traditional sound, yet updated to offer more expressive musical range. As a Builder’s Edition model, the 717 also sports an array of premium, player-friendly features: chamfered body edges, rolled fretboard edges, and a new compound-carve neck profile, whose contours match the natural adjustments in the player’s hand position when moving up and down the fretboard. Even the bridge design was refined to add a more ergonomic feel for the player’s pick hand. Elegantly understated appointments include mother-of-pearl Arrowhead fretboard and peghead inlays, with sapele binding. It all adds up to a Taylor like you’ve never seen, heard or felt before.

  1968 was 50 over years ago, can you believe that? 1968 remains arguably the most historic year in modern American history. Two of our revered leaders, Martin Luther King Jr. and Robert F. Kennedy, were both assassinated. Boeing introduced the first 747 "Jumbo Jet". North Vietnam launched the Tet Offensive against the United States and South Vietnam. The year ended on a positive note when Apollo 8 with three American astronauts, Jim Lovell, Bill Anders and Frank Borman, was the first manned spacecraft to orbit the moon. Apollo 8 circled the moon 10 times that Christmas Eve, scoring the latest U.S. achievement in its Space Race with the Soviet Union. Upon emerging from the shadowy dark side of the moon, Lovell famously announced: “Houston, please be informed there is a Santa Claus".
  Speaking of positive notes, this is one of the nicest Martin D-18's from this time period I've ever seen. Beautiful color and patina. Featuring a Sitka Spruce top, Mahogany back and sides, and Brazilian Rosewood fingerboard and bridge. It plays great, action is fine, frets are fine, no cracks or problems. It's had a few repairs typical of a Martin of this age, the bridge lifted at some point and was reseated, the bridge was also taken down a bit to improve the action, and the pickguard has been replaced. It has the original black tolex case with blue lining. This is a great one with sweet vintage tone, made the old way.

Featuring a Torrefied Sitka Spruce top, and short 24 7/8" scale

-Torrefied Sitka Spruce top
-1 3/4" N.ut
-24 7/8" Scale
-East Indian rosewood back & sides
-Grained ivoroid binding
-Herringbone trim with matching backstrip
-Cross-cut grained ivoroid & wood nitrate strip rosette
-Pre-war scalloped bracing
-Tortoise-style pickguard
-High gloss nitrocellulose lacquer finish
-Mahogany neck
-Ebony peghead overlay
-Inlaid Collings Logo
-Ebony fingerboard and bridge
-Traditional diamond and square fingerboard inlays
-Fully adjustable truss rod
-Bone nut and drop-in saddle
-Ebony bridge pins and end pin
-Nickel Waverly tuners
-#29989
-Collings Hardshell Case

-Aloha/ AKGCC #6772
-25" Scale
-1.75" Nut Width
-Satin Neck Finish
-Elixir Phosphor Bronze Strings
-Venetian Cutaway
-Koa Back/Sides
-Sitka Spruce Top
-Ebony Binding
-Ebony/Maple Edge Trim
-Koa Peghead Overlay
-Rosewood Fingerboard
-Bone Bridge Pins
-Gotoh 510 Tuners
-Ebony Tuner Buttons
-M.O.P.G. & Wings Peghead Inlay
-Mother of Pearl Fretboard Inlay
-Agoya Shell Rosette
-Bone Nut/Saddle
-Ameritage Hardshell Case