Acoustics

  Massive tone pours from Takamine’s new Pro Series P1JC cutaway jumbo. This, together with the guitar’s smooth playability and state-of-the-art onboard electronics, makes for a deeply satisfying acoustic experience both onstage and off.
  Great warmth, balance and harmonic richness resound from its “X”-braced solid cedar top and sapele back and sides. An elegant Venetian cutaway offers optimum access to the upper registers.
  Other premium features include a mahogany neck and rosewood fingerboard with pearl dot inlays. The unique Takamine split bone saddle bridge provides faultless intonation and excellent acoustic coupling to the top.
  The P1JC also features chrome die-cast machine heads for superb tuning stability, a gloss natural-finish top on satin back and sides, and the highly acclaimed CT4BII preamp system with three-band EQ, volume control and built-in tuner.

Taylor's popular Grand Auditorium 314ce is an acoustic workhorse that performs equally well in the practice room, recording studio, and on stage. This latest edition features their acclaimed V-Class bracing, a revolutionary innovation in acoustic sound that responds with greater musicality and harmonic agreement. By introducing a more orderly vibration to the guitar’s top, V-Class bolsters the sustain and volume to offer players a more dynamic voice to explore, while also resolving the minor intonation issues that players have long had to contend with. Together with a solid Sitka spruce top and solid sapele back and sides, you can expect a balanced and articulate blend of top-end brightness, midrange fullness, and low-end warmth that accommodates an array of playing styles. Appointments include black binding, Gemstone fretboard/peghead inlays in Italian acrylic, and satin-finish back and sides with a gloss top. A Venetian cutaway invites your fretting hand up the neck, while their proprietary ES2 electronics serve up faithful plugged-in tone. The guitar ships in a deluxe hardshell case.

Taylor's popular Grand Auditorium 314ce is an acoustic workhorse that performs equally well in the practice room, recording studio, and on stage. This latest edition features their acclaimed V-Class bracing, a revolutionary innovation in acoustic sound that responds with greater musicality and harmonic agreement. By introducing a more orderly vibration to the guitar’s top, V-Class bolsters the sustain and volume to offer players a more dynamic voice to explore, while also resolving the minor intonation issues that players have long had to contend with. Together with a solid Sitka spruce top and solid sapele back and sides, you can expect a balanced and articulate blend of top-end brightness, midrange fullness, and low-end warmth that accommodates an array of playing styles. Appointments include black binding, Gemstone fretboard/peghead inlays in Italian acrylic, and satin-finish back and sides with a gloss top. A Venetian cutaway invites your fretting hand up the neck, while their proprietary ES2 electronics serve up faithful plugged-in tone. The guitar ships in a deluxe hardshell case.

This custom Larrivee OM was inspired by the Harmony F-70 American as used by Buck Owens, Ryan Adams, Joe Bonamassa, Pat Smear and many others. This is a basically a Larrivee OM with a satin Red, White and Blue finish. I certainly do not mean to disparage the fine Harmony guitars made in the late 60's, let's just say this guitar sounds really good and plays really well, without tuning or intonation issues associated with many vintage guitars. All for a price that's a lot less than a vintage Harmony. The tone is very lively, with great character and balance. Great playability and fit and finish are a given with Larrivee, but this one also has the looks that will blow everyone away. Get on stage with it, this guitar will turn some heads, and you will love how it sounds. It has engraved, open back tuners, stars on the headstock, maple wood binding, spruce top, mahogany back and sides. We've sold a lot of Larrivee guitars and this just may be the coolest one we've ever seen. This guitar is the real deal.

Model: Vintage HS - Heirloom Series
Body Shape: OM
Top Wood: Adirondack Spruce
Back Sides: Indian Rosewood
Rosette: Large Soundhole Wood
Backstrip: Extra Vintage Zig Zag
Purfling: Extra Vintage Herringbone
Head Veneer: Madagascar Rosewood - MOP Logo
Fretboard: Ebony
Bridge: Ebony Traditional - 2 5/16"
Neck: 14 Fret Square - Honduran Mahogany
Tuners: Waverly Nickel Butterbean
Pins: Bone - Black Dots
Pickguard: Celluloid Tortoise
Top Color: Natural
Aged Tone Options: Animal Protein Glue
Nut Width: 1 3/4”
Scale Length: 25 1/2”
Body Binding: Ivoroid
Fretboard Inlay: Abalone Slotted Squares & Diamonds - Short
Fretboard Binding: Black
Heelcap: Ivoroid

Model: Vintage HS - Heirloom Series
Body Shape: OM
Top Wood: Adirondack Spruce
Back Sides: Indian Rosewood
Rosette: Extra Vintage Three Ring
Backstrip: Extra Vintage Zig Zag
Purfling: Extra Vintage Herringbone
Head Veneer: Madagascar Rosewood - MOP Logo
Fretboard: Ebony
Bridge: Ebony Traditional - 2 5/16"
Neck: 14 Fret Square - Honduran Mahogany
Tuners: Waverly Nickel Butterbean
Pins: Bone - Black Dots
Pickguard: Celluloid Tortoise
Top Color: Natural
Aged Tone Options: Animal Protein Glue
Nut Width: 1 3/4”
Scale Length: 25 1/2”
Body Binding: Ivoroid
Fretboard Inlay: Abalone Slotted Squares & Diamonds - Short
Fretboard Binding: Black
Heelcap: Ivoroid

For those guitarists looking to broaden their musical palette, this 254ce makes a strong case as the ideal 12-string for players in all situations. Layered rosewood back and sides combine with a solid Sitka spruce top to produce a vivid, octave-rich tone layered with overtonal complexity. Shimmering, cascading highs blend smoothly with a rich low end, offering a versatile tone that performs beautifully in solo settings or as an accompanying instrument played alongside a larger ensemble. The spruce top delivers top-end clarity that helps the 254ce cut through any mix, while layered back and sides make this an ideal option for travel and practice sessions. Appointed with crisp white binding, a three-ring rosette, 4mm Dot inlays, and a Venetian cutaway, this guitar ships with ES2 electronics in a hardshell gig bag.

The 314ce has long offered players a reliable option for virtually all musical applications, and with our internal V-Class bracing architecture, these guitars have never sounded better. This limited-edition Grand Auditorium model showcases stunning visual character thanks to beautiful quilted sapele selected for the backs and sides. Standard Sitka spruce has been upgraded to a torrefied top, featuring our own roasting recipe, which produces a more aged, played-in tonal character, adding sweetness and depth that normally only come over time. Enhanced appointments include engraved Victorian fretboard and peghead inlays in Italian acrylic, which complement standard details like black binding, a single-ring rosette and satin black tuners. The 314ce LTD features a satin-finish body and neck, a blackwood stain for the back and sides to highlight the gorgeous quilting in the sapele, and an edgeburst top that complements the deep golden hue of the torrefied spruce and conjures a vintage vibe. The guitar comes with onboard ES2 electronics and a deluxe hardshell case.

Marrying the warmth and clarity of Urban Ash with the innovative design of our revoiced Grand Symphony body shape, the new 326ce brings a new type of acoustic tone to the Taylor line. Responsibly sourced Urban Ash back and sides pair with a solid mahogany top for a punchy, midrange-rich tone whose emphasis on the fundamental note means the note you play is the note you hear, largely free from ringing overtones. V-Class bracing helps shape the 326ce's vibrant response, drawing out greater volume and longer sustain while ensuring near-perfect intonation all the way down the neck. The soundport cutaway, placed at roughly a 45-degree angle from the main soundhole, adds dimension and immersion for a surround-sound effect that truly fills any space with rich acoustic sound. This model's dusky sonic character is reflected in its subtle visual aesthetics, with black binding, a three-ring black rosette and Gemstone inlays in Italian acrylic all framed by our new Urban Sienna color treatment in a 5-mil satin finish. Capped off with satin black tuners, light-gauge strings and ES2 electronics, the 326ce is sure to capture the imagination of any player. It ships in a deluxe brown hard shell case.

Here's is a beautiful Indian Bhilwara Series D-03BH with Alpine Moon Spruce top. This next-level Larrivee Bhilwara Series D-03BH Dreadnought boasts the crisp, balanced response of a solid Alpine Moon Spruce top, timeless warm resonance of beautifully figured solid Bhilwara back and sides, and silky smooth ebony fingerboard. Full flame maple binding and classic square-shoulder profile ensure this short-run stunner is more than ready to impress on any stage. This guitar is punchy and rich, full-bodied and very responsive. Bhilwara is a wonderful sounding tonewood, voiced somewhere between Mahogany and Rosewood with a very rich sound. A fantastic guitar.

  Larrivee had a limited supply of straight grain American Black Walnut back & Sides for this run. Pairing this with a Moon Spruce top and the JCL headstock logo makes for a great sounding and unique featured guitar.
  This Limited Edition model features solid Walnut back and sides with solid European Alpine Moon Spruce top. Herringbone top inlay and maple body binding. Satin finish. Mahogany dovetail neck with satin finish. Upgraded "JCL" headstock inlay. Maple bound ebony fingerboard with diamond inlays. Ebony belly bridge. 25.5" scale. Made in USA. Comes with hardshell case.