Amplifiers

  Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

  Up for sale is a cool, clean, and somewhat rare 1968 Fender "Drip Edge" Showman Amp head. Serial number A13754. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart". It has "Target" stenciled on the top. It puts out roughly 85 watts with a set of vintage RCA 6L6 power tubes, nice vibrato, and clean headroom for days. Overall in very good to excellent condition, and sounds and functions great. The transformers are original. Output transformer coded 606816, dating it to 1968. Sweet vintage Fender!

  Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

  This is a vintage 1962 Fender Brownface Deluxe. It is an original Deluxe, not a reissue. 1962 was a great year for music. It's the same year Booker T. & the M.G.'s are formed here in Memphis, TN. The Beatles played their first session at EMI's Abbey Road Studios in London. Mick Jagger and Keith Richards met Brian Jones at the Ealing Club, a blues club in London. And this amp was built.
  One of the most celebrated guitar amplifiers ever produced, the Fender Deluxe has been in continuous production, in various versions, since 1946. Originally introduced as the Model 26 with a 10" speaker and wood cabinetry, the model was rechristened the Deluxe in 1948, and fitted with tweed covering and 12" speaker. Upgraded to 15 watts in 1954, the Deluxe was redesigned with the lustrous brown Tolex covering in 1961. Produced only until mid-1963, brown Tolex models are among of the rarest of all Fender amplifiers.
  This is an exceptionally fine example of pre-CBS production. It's so clean it could easily pass as a reissue. This 1962 Fender Deluxe amp features hand soldered point-to-point circuitry, and a classic 12" blue Jensen t speaker. Six knob layout includes Normal and Bright channels, the latter with tremelo Speed and Intensity controls. All original gleaming brown Tolex covering, grille cloth, knobs, foot switch and leather handle. The amplifier has been maintained in uncannily pristine condition and sounds equally amazing. RCA 6V6 power tubes. The handle is a new replacement and the original handle is included. A timeless classic, this brown beauty looks much like it did when it left the Fullerton factory in 1962.

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

The Telstar blends the sinewy harmonic assertion of EL84s with the deep full control of 6L6s in a new and unique push pull recipe. You may have a 6L6 amp or an EL84 amp but not an amp that uses both types in harmony for a new pallet of expression. The Telstar sound can easily range from haunting rich cleans to creamy overdrive. Carr's Lean/Lush switch tailors the body of the tone while the 53/58 switch changes the overall gain structure and the frequencies the Tone control emphasizes. Sonically treading the years from early Fullerton 50s roundness thru late 50s proto British bite.

-EL84 British inspired tube circuitry
-Master volume for versatility and performance
-Speaker emulated headphone out for silent practice
-Custom British style speaker by Warehouse Guitar Speakers
-Finger jointed birch ply cabinets with wrap around woven -fiberglass grill cloth
-100% cotton textile black covering
-Nickel plated vents and glass beaded chevrons
-Custom made knobs with etched control plate
-100% designed and made in the USA

Style/Type: Closed Back
Speakers: Celestion Vintage 30s
Wattage: 240 Watts
Mono or Mono + Stereo Input: Mono + Stereo
Cabinet Impedance: 8 Ohm Mono / 4 Ohm Stereo
Transport Assistance: Track-Loc Removable Casters Included
Slip Cover: Included

Designed specifically to complement the Fillmore 50, Mesa/Boogie is proud to introduce the traditionally-sized Fillmore 23 1x12 Cabinet. This vintage-tuned enclosure features a higher, tighter Bass response that is perfectly suited for the Fillmore. Made in Petaluma, California, Fillmore cabinets are constructed from Marine Grade, Baltic Birch with rear mounted UK-Made Celestion Custom 90 Speakers. Their open-back design is vintage-inspired focusing on size, tone & portability.

The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

Mint condition Carr Mercury V. The Mercury V is an outstandingly built boutique combo with a British flavor and amazing features. 16 watts of power with a built-in attenuator through a single 12″ Celestion Creamback speaker. Incredible tone that has nice headroom for cleans and a warm crunch at any volume with the use of the attenuator. Built-in spring reverb and a dedicated line out which makes home recording a breeze. A versatile amp equally perfect for the home player or gigging musician.