Search results for 'Acoustic electric guitars'

  This one-of-a-kind Twenty-T is handbuilt by local Memphis luthier and musician Keith Schexnayder of 20 Guitars. This is not a parts guitar: the neck and body were carved, finished, and assembled entirely by the builder.
  The body and top are made from reclaimed old-growth timber salvaged from the French Hotel in Senatobia, MS (built 1858). The body comes from roof rafters, and the top is nearly a one-piece Douglas fir deck from the same building. This wood spent over 160 years naturally seasoned, resulting in exceptional density and resonance—it rings loudly and evenly.

This Twenty-T from 20 Guitars blends classic Tele-style looks with modern playability and versatility. Finished in a vintage butterscotch yellow nitrocellulose lacquer, it is a great looking guitar that already feels broken in. The body is a two-piece Louisiana swamp ash with a belly contour and a lower horn cut, so it is comfortable whether you are sitting or standing.

Upgraded with a Torrefied Sitka Spruce top.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

  This is an exceptionally clean 1966 Fender Mandocaster, serial number 4350, with the neck date stamped April 1966. Simply put, this is one of those rare examples that looks like it’s been hiding in a closet since the Johnson administration.
  The condition is near mint. Shockingly clean, with crisp finish and beautifully preserved hardware. It honestly looks like it came straight out of a time warp. Finding a Mandocaster this original and untouched is getting harder every year, and this one sets a very high bar.

This Tyler Studio Elite HDX features a beautiful Tuckerberry Shmear finish with a matching neck, headstock, and GLOW-IN-THE-DARK inlay! The James Taylor Studio Elite HD is one of the most popular models that Tyler Guitars offers. Tyler guitars are well known for their unparalleled feel and tone. James’ keen insight into how things work, and what players want is the main reason Tyler Guitars are coveted by top session players and artists worldwide.

  This commemorative run continues PRS’s year-long 40th Anniversary celebration. Only 280 of this 40th Anniversary Special Semi-Hollow Limited Edition will be available. Hand-signed 40th Anniversary certificate included.
  The 40th Anniversary Special Semi-Hollow Limited Edition marries PRS innovation with distinct wood appointments to bring players an incredible amount of versatility in a unique package. Limited to just 280 pieces worldwide, this special edition features PRS’s McCarty III treble and bass pickups with a proprietary PRS Narrowfield in the center position along with an artist grade figured maple top, black limba back and neck, and Honduran rosewood fretboard and headstock veneer.

This E10 SS/v features a solid Adirondack Spruce top and solid Mahogany Back & Sides, with a beautiful hand-rubbed Varnish finish. The iconic shape of the Dreadnought is synonymous with acoustic guitars in general. Big and bold, these cannons are perfect for ensemble settings where the guitar competes for sonic space with other instruments or accompanying strong singers. The Dreadnought is the classic flat-picking bluegrass instrument.

This Gibson ES-165 Herb Ellis model was built right here in our hometown of Memphis, TN, in 2004. Beautiful Light Burst finish. Gold hardware. Its single-cutaway laminated maple body enhances resonance and stability, delivering a warm, rich jazz tone while minimizing feedback. The guitar has a mahogany neck with a comfortable, rounded profile. The rosewood fingerboard has classic split-parallelogram inlays, 20 frets and a 24.75-inch scale length, and 1-11/16" nut width. The Gibson BJB Floating humbucker is mounted to the pickguard and has a warm, articulate sound with exceptional clarity and depth. The single volume control is conveniently located on the pickguard. A floating rosewood bridge paired with a trapeze tailpiece.

  This 2001 Gibson ES-135 model was built right here in our hometown of Memphis, TN. It is a rare example with great provenance, and a cool Blue Burst finish. Originally owned by a former Gibson manager, this guitar was part of a small and unusual production run. Gibson temporarily ran out of Chromite (their name for balsa wood normally used for ES-135 center blocks), and to keep production moving, they built only 27 guitars with a solid maple center block. This is one of those rare pieces, offering a slightly different tonal response - tighter, more focused, and with a bit more punch compared to the traditional Chromite block. Think BIG ES-335 tone.

Here is a chance to pick up a truly special and hard-to-find Gibson ES-275. Built in 2017, right here in in our hometown of Memphis, TN as a custom order for one of Gibson's production managers. Employee guitars are already uncommon, but this one includes unique, factory-executed features that set it apart from standard production models.

This Eastman SB54 Limited Edition features a Truetone Vintage Gloss Finish in a beautiful Antique Gold. Pickups are Lollar P90's. Eastman makes an astounding electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a great guitar with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at this amazing instrument.