Search results for 'Bad cat'

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  1. Taylor 360e 12-string Shaded Edgeburst - Mahogany/Tasmanian Blackwood #7028
    $1,999.00

    Have you ever heard "Good Times Bad Times" by the Stones? Not to be confused with the great Zep tune. It is a workout on the acoustic 12-string, played beautifully by Keith. Hey, stop what you're doing and listen to it. You back? Good. Ain't that something? I love the 12-string acoustic. The sound is phenomenal. I wish more people would use it. It really adds another dimension to music. Anyway, this Taylor 360e 12-String is a wonderful example of a killer 12-string. Fantastic 12-String sound! A phenomenal guitar at a great price.

    From Taylor:
    The wood pairing of blackwood and mahogany on the Taylor 360e yields a smooth response that promises to deliver a bold and balanced sound with a thick shimmer across the middle register. The slightly broader waist of Taylor's Dreadnought shape helps bring out the lower midrange frequencies. On a 12-string, it generates a thick, husky midrange power that complements the crispness and shimmer of the octave strings. A shaded edgeburst adds a tasteful vintage look to the rich-grained mahogany top. Additional appointments include a black pickguard, Italian acrylic small diamond fretboard inlays, black binding with crisp white top trim, a 3-ring rosette, and satin finish.

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  2. Paul Reed Smith McCarty 594 - Brazilian Rosewood Fingerboard - McCarty Sunburst #7784
    $3,685.00

    This McCarty 594 feataures a McCarty Sunburst finish, and a Brazilian Rosewood fingerboard and headstock veneer.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.
    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

     

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  3. USED 2005 Fender Custom Shop Classic Player Stratocaster Natural Ash
    $1,995.00

    Remember Curtis Mayfield in the Super Fly era? Man, he was the coolest with his natural Stratocaster. Here we have a 2005 Fender Custom Shop Classic Player Stratocaster. It has a natural finish over a beautiful Premium Swamp Ash, Indian Rosewood fingerboard, and nicely flamed maple neck. It's super clean, the frets are in perfect condition, the electronics are perfect, it's ready to play right out of the box. The neck has a Modern "C" shape that is super comfortable. Pickups: 2 Modern Classic neck and middle with a Hot Classic bridge that has a custom steel inductance plate. Sperzel staggered locking tuners with deluxe 2-point synchronized tremolo makes sure it will stay in tune.  The condition is outstanding and near mint. It sounds great, looks so cool. It kind of reminds me of the Stratocaster Jerry Garcia played in the early 1970's. Comes with Custom Shop certificate, owner's manual, tremolo bar, and original hard case.

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  4. PAUL REED SMITH MCCARTY 594 - 10-TOP - Copperhead Burst #6033
    $4,300.00

    This McCarty 594 feataures a 10-Top, Copperhead Burst finish, and an Ebony fingerboard and headstock veneer.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  5. Marshall 2525C MINI SILVER JUBILEE 1x12 Combo

    Regular Price: $2,050.00

    Special Price $1,499.00

    The JCM25/50 Silver Jubilee Series was produced in 1987 to celebrate 25 years of Marshall Amplification and 50 years of Jim Marshall being in the music business. Inspired by this acclaimed series the 20 Watt Mini Jubilee combo and ‘small box’ head combine classic Silver Jubilee preamp tone, features and styling in a lower power, "mini" design. This contemporary "mini" take on the Jubilee Series features: an ECC83 & EL34 valve-set, High/Low output switching, (20 Watt to 5 Watt), FX Loop and independent 4/8/16 Ohm speaker outputs. The 2525C combo is loaded with a single 12″ Celestion G12M-25 Greenback speaker. In keeping with classic Jubilee tone, Mini Jubilee features preamp circuitry taken from the 2555X which was launched in 2015 and made using the original diagrams. The amp also features classic silver vinyl and chrome plated panelling to complete the Jubilee look. The 2525 Mini Jubilee is expertly crafted and is designed, engineered and constructed to the highest possible standards at the Marshall factory in Bletchley, England.

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  6. USED Bad Cat Stella 40w 1x12 Combo
    $1,500.00

    The Bad Cat Stella was an amp custom built for touring artist, James Duke, and was so good that Badcat wanted to offer it to everyone. The Stella is a simple single channel preamp based on the EF86 side of the Wild Cat. It has a 40 watt, EL34 based power section, running in class A. In excellent, condition. Never gigged with. Everything works great and sounds amazing.
    The control panel consist of the classic Bad Cat preamp: volume, five-way selector, bass, treble, cut and a master volume that can be switched out of the circuit. The Stella offers an EF86 front end for all of the sweet grind and chime that you have come to know as the classic Bad Cat sound. Combine this with the full force of the two EL34's running in class A and you have a pure single channel amp capable of going from sweet ringing chime, to full force roar with a change in pick attack.

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  7. Paul Reed Smith McCarty 594 - 10-Top - Brazilian Board - Yellow Tiger #5813
    $4,300.00

    This McCarty 594 feataures a 10-Top, Yellow Tiger finish, and a Brazilian Rosewood fingerboard and headstock veneer.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  8. Bad Cat Classic Pro R - 1x12 Combo
    $1,699.00 Click for price

    The Classic Pro R is the 6V6/6L6 powered amplifier Bad Cat enthusiasts have been begging them to build for years. This blackface beauty is the latest addition to the USA Player Series.
    This Classic Pro is expertly hand-built by the Bad Cat team in their Southern California shop using the same components and materials as their point-to-point Legacy Series amps.
    Incorporating Bad Cat’s patented K Master circuit the amplifier offers big headroom, beautiful string to string note definition, incredible smooth break-up and rich harmonics. The American style punch and sparkle is here and yet they don’t comprise the Bad Cat signature sound.

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  9. Suhr Modern Satin Pro Limited White HSH

    Regular Price: $2,990.00

    Special Price $2,195.00

    Wood, that's the heart and soul of a guitar. You got to have the right wood. Take this new limited edition Suhr Modern Satin Pro HSH. It's made of African Okoume. How's that for a name? Also known as African Mahogany. It's a lovely wood, lightweight, and has some great tonal characteristics. It's reminiscent of mahogany...to my ears it's tonally very similar to Korina. It has a thin, satin finish that allows the guitar to resonate to its fullest potential. This is a guitar for serious folks...folks that want clean, articulate tone when called for. Of course, you have to be able to play clean and articulately, but if you're looking at this guitar, you've already got that part down. It weighs 6 lbs, 6 oz. From the heaviest of rock to the most mellow of jazz, this covers all the bases. Comes with deluxe Suhr gig bag.

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  10. Ernie Ball BFR Limited Edition Valentine Ivory White - Gold Hardware #87 of 89
    $2,399.00

    Special features include:

    -Gold Anodized Pickguard
    -Flame Roasted Maple Neck
    -Bound Fingerboard
    -Gold Hardware
    -Ivory Finish

    The Ernie Ball Music Man James Valentine "Valentine" guitar features a slab ash body, two Ernie Ball Music Man designed pickups (1-humbucker/1-single coil), with 3-way custom wired lever switch, coil tap, modern hardtail bridge with vintage bent steel saddles, 25.5-inch scale, oil and wax rubbed roasted maple neck with 10-inch radius maple fingerboard, 22 stainless steel frets, oversized 4-over-2 headstock and compensated nut, designed for superior tuning stability.

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  11. PAUL REED SMITH MCCARTY 594 - BRAZILIAN ROSEWOOD FINGERBOARD - McCarty Tobacco Sunburst #1850
    $3,685.00

    This McCarty 594 features Brazilian rosewood fingerboard. This feature is usually only available on Artist Package models, but is available here for a very limited time.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

    Learn More
  12. ON ORDER - Collings Julian Lage Signature OM1A-JL
    $5,535.00

    ON ORDER - Collings Julian Lage Signature OM1A-JL

    Call us to reserve yours now.

    When Bill Collings first met the brilliant young jazz musician Julian Lage, in 2014, the two began a series of in-depth conversations about their respective crafts. Lage's profound insights as a guitarist would play a key role in the creation of Collings’ T (Traditional) Series guitars. This rare collaboration, which continued right up until Bill’s passing, in July, 2017, has yielded another exceptional new guitar with an old soul. Collings is proud to present a highly personal extension of the T Series: the Julian Lage Signature OM1.

    Though Lage's guitar shares the same foundational specs as the OM1 T, it is unique in some key ways. Its neck feels like no other Collings guitar. That’s because it’s modeled after Lage’s cherished 1939 Martin 000-18. This pre-war gem is heard on the guitarist’s 2015 solo album, "World’s Fair", and was his main touring acoustic for years.

    The 000-18's neck—which was of course originally hand-shaped and sanded—has a distinctive taper altered by decades of wear. For Lage, this particular neck had come to feel like home. Through careful analysis and digitization of its unique dimensions, we were able to precisely recreate its worn-in, asymmetric feel on his signature model. While we maintained the relatively narrow 1 11/16" nut of the 000-18's neck, we extended the fretboard from the original short scale to our standard 25 1/2" length for slightly greater presence and note definition.

    Lage has an affinity both tonally and aesthetically for vintage guitars whose finishes have mellowed after years of playing. To recreate this effect we initially considered a varnish, but to achieve the ideal combination of a thin finish application and a vintage aesthetic, we landed on a custom satin lacquer. This new finish offering not only feels and looks right to Lage, he finds it has the same inherent openness of tone that is present in the best pre-war instruments.

    With his typical descriptive eloquence, Lage characterizes his signature model as a "lovingly neutral" guitar. It has a remarkably even response between registers. It's not an empty flatterer, but an instrument that rewards you when you're playing your best. In this way, Lage, whose own education is unending, sees the guitar as a teacher.

    Lage's signature model incorporates a script peghead logo not seen on a new Collings instrument in decades. This is the inlay that Bill hand-cut some 30 years ago when he started out in a tiny shop in Austin, Texas. We see this as a loving tribute to our late leader, who in his final project was able to realize the perfect new steel-string for one of today’s most exacting guitarists.

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