Search results for 'Bad cat'

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  1. PAUL REED SMITH SILVER SKY JOHN MAYER SIGNATURE - FROST #9115
    $2,299.00

      "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
      The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
      Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
      Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

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  2. Suhr Limited Edition Classic T Deluxe - Aqua Blue Burst #6Z5M
    $3,415.00

    This guitar is breathtaking. It literally took my breath away when I opened the case. We have a new Suhr Classic T Deluxe. Aqua Blue Burst finish. This stunning instrument is a Limited Edition Model with a Swamp Ash Body, Flame Maple two piece top that is gorgeous, almost hypnotic. It draws you in, if you know what I mean. The binding is scraped, natural maple. The finish on the top is Aqua Blue Burst which describes it perfectly. The body is black, and it has gold hardware. The gold hardware really sets it off, it adds a whole new dimension to the look. The neck is roasted birdseye maple and it feels great. It is an even C slim neck and is very comfortable. The frets are stainless steel. The pickups are Suhr Classic T style. It is an awesome guitar, beautiful to look at, and great sounding. Comes with Suhr deluxe gig bag.

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  3. Paul Reed Smith McCarty 594 Copperhead 10 Top #6456
    $4,300.00

    Yosaw, Yowsa, Yowsa, we've got a good one for you! Don't you love that phrase, "Yowsa, Yowsa, Yowsa?" It was popularized by the great jazz violinist, Ben Bernie in the 1930's. You'll say Yowsa when you see this guitar, it is stunning. We have a new, PRS McCarty 594 with 10 top in Copperhead finish, normally a finish only available on an Artist Package model. The 10 top is one of the best we've seen, with a figured mahogany body. The neck is a pattern vintage that feels great. It is a fine sounding, and fine playing instrument. The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet singlecoil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

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  4. PAUL REED SMITH SILVER SKY JOHN MAYER SIGNATURE - ONYX #9065
    $2,299.00

      "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
      The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
      Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
      Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

    Learn More
  5. PAUL REED SMITH SILVER SKY JOHN MAYER SIGNATURE - HORIZON #8803
    $2,299.00

      "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
      The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
      Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
      Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

    Learn More
  6. PAUL REED SMITH SILVER SKY JOHN MAYER SIGNATURE - HORIZON #7672
    $2,299.00

      "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
      The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
      Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
      Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

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  7. USED 2002 Collings D-2H Indian Rosewood/Sitka Spruce
    $2,895.00

    You know vintage guys can be kind of snobby about guitars. I'm guilty of that. I used to say things like, "I won't play anything made after 1965". Kind of silly really, but that's how it was. Collings changed that for me. I was forced to admit their guitars stood up against old Martin and prewar Gibsons, and in some ways even exceeded them. Here we have a 2002 Collings D-2H. This is a Martin D-28 style with Indian Rosewood back and sides, Herringbone trim, Grover tuners and Sitka spruce top. It shows light wear, nothing major at all. This guitar was played but well taken care of. The frets are in near perfect condition. The action is great with plenty of room on the saddle to come down. An LR Baggs Anthem pickup has been installed (a $300 upgrade). It is loud and toneful. A guitar for a lifetime. Comes with original hard case.

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  8. USED 1972 Gibson Les Paul Custom
    $3,500.00

    This is my kind of guitar, a rock and roll animal. Here's a 1972 Gibson Les Paul Custom. It has had some mods: middle pickup added; a Badass bridge installed that entailed drilling new holes for the studs; and a Bigsby tailpiece was removed at some point. The pickups were changed to Seymour Duncan. Now here's the kicker, and it's a real kicker: Three, count them, 1 2 3 original Gibson Patent Number Decal pickups come with the guitar. How about that?! That's a thousand dollar value in itself. The tuners are Schallers. Bone nut. The pots date from 1972. The original sunburst finish is really cool. The frets are in excellent condition. There's the general amount of wear you'd expect from a 46 year old guitar. Overall the condition is very good. It plays and sounds great. It sounds great with the Seymour Duncan pickups, but you may prefer to put the original pickups back in it...your decision. It comes with the original hard case with purple lining. This is a great deal for a great guitar.

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  9. Paul Reed Smith McCarty 594 - Blood Orange
    $3,600.00

      The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.
      "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  10. Tom Anderson Icon Classic - 3-Color Burst #0218

    Regular Price: $3,659.00

    Special Price $2,817.00

    Nowhere near a copycat of any kind, Icon lifts you on wings of unprecedented playability, tonality and resonance that are really astounding. Giant vintage tones resound beyond normal expectations and unlimited string bends abound—push ‘em as far as you can push—still ringing out. Icon is the no compromise vintage guitar, done in a totally iconic way, and with no vintage compromises. Icon has the look, but not the limited playability. So truly satisfying to play!

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  11. ERNIE BALL MUSIC MAN BFR JAMES VALENTINE – Vintage Sunburst #6060
    $2,399.00

    This Ball Family Reserve James Valentine signature guitar comes with a slab ash body in Vintage three tone sunburst. The highly figured oil and wax rubbed satin roasted flame maple neck is outfitted with 1/4" white dots, and hand fitted white binding which adds to the overall exquisite look. Limited in quantity to 46 pieces, each guitar comes with a back cavity cover autographed by James Valentine, a numbered certificate of authenticity, and ships in an SKB hardshell case. This guitar is #2 of 40 worldwide.

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  12. USED Vintage 1965 Gibson J-50 ADJ
    $3,250.00

    1965 was a great year. The average cost of a new house was $13,600. Gas cost 31 cents a gallon. Pink Floyd was formed. The Rolling Stones released Vol.2, their second UK album. It was a great year for music, and a great year for the guitar too. 1963, 64 and 65 are my favorite years for Gibson acoustics. I love the necks, with a comfortable medium "C" profile and a great taper. I'm also a fan of the ceramic bridge saddle. The sound is amazing. Listen to the early Stones records, you will hear what I mean. We have a beautiful 1965 Gibson J-50 Adj. It's a super clean, one owner instrument. It has very light wear, like it was played a year, then put up. The natural finish shows very light lacquer checking. 1-11/16" nut width. The frets are fine with plenty of life in them. No repairs or modifications. It has no issues or problems. It's featherweight and sounds fantastic. This is a collector's grade instrument, there aren't that many this nice around. One of the best I've seen. Comes with original hardshell case.

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