Search results for 'Custom 24 Floyd Rose'

  Here's an American made Ernie Ball Music Man Axis Super Sport with a beautiful quilted maple top. This is a premium upgraded option, finished in transparent red. This EBMM is in excellent condition, with some typical wear from a few years of playing. The top has some light surface swirls and pick marks that show up under direct lighting. All hardware looks immaculate, showing no wear. There are a couple of dents in the bottom edge on the back at the waist of the instrument. The glossy black back shows the typical button wear which is what you'd expect with a glossy black finish. The back of the satin neck is smooth and clean with no imperfections. The maple fingerboard looks great. The frets show only the slightest amount of play wear, mostly on the 2nd and 3rd frets. It's set up beautifully. The action is spot on, fast and super easy to play with no buzzing anywhere. The headstock looks great with one ding near the edge right next to the low E string tuner and other ding on the top edge near the logo. All the tuners work perfectly. The neck is straight and true. The truss rod has been tested and functions perfectly. All electronics work great and sound fantastic.
  The Axis Super Sport has all the great features of the Axis guitar with a few upgraded options for ultimate versatility. Beautiful quilted maple top over basswood body with custom DiMarzio electronics are controlled by a five-way lever switch offering split coil tonal combinations unavailable on the Axis. The Axis Super Sport asymmetric hard rock maple neck allows for comfortable hand and finger positions across all 22 frets, while the Music Man hard tail piece and locking Schaller tuners makes string changing quick and easy keeping the guitar perfectly in tune. Comes with original hardshell case.

  The NEW StingRay Special! Reimagined and rebuilt from the ground up. New 5-BOLT SCULPTED NECK JOINT provides uninhibited access to all 22 stainless steel frets atop roasted maple necks. REFINED BODY CONTOURS, rounded for more comfort in any playing position while retaining that revered, iconic StingRay sound. REVOICED with POWERFUL NEODYMIUM PICKUPS. The new and improved StingRay electronics feature powerful neodymium magnets, bringing you more output and a wider range of sounds. 18-VOLT 3-BAND PREAMP, newly designed for extra clean headroom, lets you dial in everything from modern punch to classic, vintage tones. LIGHTWEIGHT PERFORMANCE. The overall reduction in weight is a much-welcomed feature of the new Stingray Special. Select body woods, improved contours, and lightweight hardware provide greater overall balance for extra comfort and a more enjoyable playing experience. REENGINEERED HARDWARE. Lightweight tuning machines create a more balanced neck while still providing ultra-reliable tuning stability.
  Optimized, modernized, yet so familiar, the new StingRay bass is tailor-made for today's most discerning players.

  The NEW StingRay 5 Special! Reimagined and rebuilt from the ground up. New 5-BOLT SCULPTED NECK JOINT provides uninhibited access to all 22 stainless steel frets atop roasted maple necks. REFINED BODY CONTOURS, rounded for more comfort in any playing position while retaining that revered, iconic StingRay sound. REVOICED with POWERFUL NEODYMIUM PICKUPS. The new and improved StingRay electronics feature powerful neodymium magnets, bringing you more output and a wider range of sounds. 18-VOLT 3-BAND PREAMP, newly designed for extra clean headroom, lets you dial in everything from modern punch to classic, vintage tones. LIGHTWEIGHT PERFORMANCE. The overall reduction in weight is a much-welcomed feature of the new Stingray Special. Select body woods, improved contours, and lightweight hardware provide greater overall balance for extra comfort and a more enjoyable playing experience. REENGINEERED HARDWARE. Lightweight tuning machines create a more balanced neck while still providing ultra-reliable tuning stability.
  Optimized, modernized, yet so familiar, the new StingRay bass is tailor-made for today's most discerning players.

The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

The NEW StingRay Special! Reimagined and rebuilt from the ground up. New 5-BOLT SCULPTED NECK JOINT provides uninhibited access to all 22 stainless steel frets atop roasted maple necks. REFINED BODY CONTOURS, rounded for more comfort in any playing position while retaining that revered, iconic StingRay sound. REVOICED with POWERFUL NEODYMIUM PICKUPS. The new and improved StingRay electronics feature powerful neodymium magnets, bringing you more output and a wider range of sounds. 18-VOLT 3-BAND PREAMP, newly designed for extra clean headroom, lets you dial in everything from modern punch to classic, vintage tones. LIGHTWEIGHT PERFORMANCE. The overall reduction in weight is a much-welcomed feature of the new Stingray Special. Select body woods, improved contours, and lightweight hardware provide greater overall balance for extra comfort and a more enjoyable playing experience. REENGINEERED HARDWARE. Lightweight tuning machines create a more balanced neck while still providing ultra-reliable tuning stability.
Optimized, modernized, yet so familiar, the new StingRay bass is tailor-made for today’s most discerning players.

  It's a rare occurrence to come across a vintage guitar with provenance. Many guitars have stories, but few can be proved. The story behind this guitar is amazing, and is well documented. This prototype G&L ASAT Classic was built for Dale L. Hyatt who was a close friend and partner of Leo Fender in the G&L guitar company. Mr. Hyatt worked closely with George Fullerton and Leo Fender on designs. Mr. Hyatt kept prototype guitars in his office to get feedback from dealers and players, with the thought of using their input in future designs. This guitar is a prototype, made for Mr Hyatt in 1991. It has two features that are unique and non-standard. First is the intensely figured Birdseye Maple neck that is drop dead gorgeous. Hyatt had been working with Gulag Gidwani, the owner of an exotic wood supply company that specialized in providing high end woods to instrument manufactures. The wood on the neck was purchased specifically for this instrument from Gulag's inventory. The second unique feature is the special two-tone, black/chrome Schaller tuning machines. These tuners were out of a prototype batch of tuners made by Helmut Schaller and were custom made for Mr. Hyatt. 
  It was Mr. Hyatt who convinced Leo Fender to name this model "ASAT Classic" because he felt it was classic in the same vein as the ASAT, featuring more traditional specs. The guitar was kept by Mr. Hyatt after his retirement and later on passed to his son. It is mint, not tampered with, and unplayed. It is the only one on the planet. Comes with original G&L advertisement pages from the time, G&L brochure, a copy of the G&L handwritten production sheet from 1991 showing this guitar, documentation from Kenneth L. Hyatt, Dale's son, who still works for G&L, a photo of Mr Hyatt with the guitar, and original hard case.

This is an extremely rare and difficult to find 1985 Kramer Baretta Guitar-Art graphic guitar. The art work is the Fantasy Series, Galactic Rainbow. According to VintageKramer.com. "These were introduced in the banana head stock era, so some of these graphics are very rare because you don't see them often on banana head stock Kramers." The artist, Shannon Hall, is internationally recognized and is now the official artist for the John Lennon estate.
This guitar is in excellent, near MINT condition. The previous owner said this guitar was in storage for 22 years from 1995 to 2017. The guitar is obviously a case queen, just look at the fine tuners on the Floyd and you'll see there's no wear or oxidation on the black finish. It has been professionally setup with 9 gauge guitar strings and plays like a dream.
Condition: The guitar has only very light swirl marks, 1 check (clear coat finish crack) on the back. The checking line runs from the back neck plate to the trem cover plate. You have to hold the guitar in just the right light at just the right angle for it to be visible. You can barely see it. Photos barely capture it. You can feel the head stock scarf joint line, which is common on these guitars. The joint is strong and has lasted 32 years. It has a factory neck shim. This is also very common. There is no rust on the Floyd Rose tremolo or rust on any of the hardware. The frets are like new and in perfect condition. It's a collector's grade instrument. I can not see any noticeable dents, dings, or scratches.
It feels heavy, so we are confident that it is a maple body Baretta. The guitar has a #4 written under the pickup. I do not know what this is in reference to. The Schaller reverse zebra humbucker pickup is dated 1/85. The guitar is an early D serial, #D-2949.
This is an amazing sounding and playing guitar. The original era Kramer hard shell case is included. The case alone is rare, with key locks, and worth a lot of money. I have not seen another Kramer case like this one. We do not have the keys.
Buy it fast before another collector gets their hands on it.
Note: The volume knob is not original.

-Back in January 2003 at the Winter NAMM show Martin announced a new limited edition, co-designed by Jimmy Buffett, having an all mahogany body and neck. This would be an Auditorium – being a 000 body whose neck meets the body at 12th fret. It was built with scalloped hybrid bracing, and cosmetic features included tortoise color celluloid body binding and end-graft. It has alternating crème and black "rope style" purfling around top, blue Paua shell soundhole rosette ring, with narrow black/white/black purfling.  It has a rectangular ebony bridge, tortoise shell color teardrop pickguard, black/white purfling around the sides & back. We greatly appreciate the comfortable neck width of 1 13/16th" and we presume that Mr. Buffet does as well. This has a low profile neck, ebony fretboard, a 25.4" "long" scale. The black ebony board is inlaid with 4 small dotmarker inlays, and sports a ship's wheel at the 5th fret. Mr. Buffett's facsimile signature is inlaid at the 20th (or last) fret. We love this part – on the polished black ebony headplate there is an inlaid shiny golden porthole through which one can view a breezy palm tree on an island, in a turquoise blue sea. Said porthole has 8 black holes around its perimeter which must have symbolic meaning of some kind. The nut and saddle are carved from bone. The string spacing at the bridge, with its compensated saddle, is 2 5/16". It features gold butterbean open-gear; it is housed in a special light brown Geib style case, which shows just a few white scuffs on its surface. While there is no headstock logo, the “C F Martin & Co., Nazareth, PA” stamp appears on back of headstock. The interior label is sequentially numbered with total (total of 168 were built – this one is Individual No. 68) and said label was signed by Mr. Buffett and C.F. Martin IV.

Martin offered up this gorgeous and very limited Jimmy Buffet Polywog guitar in 2003. It has a fantastic feel, and is as legendary as the artist who inspired it. This guitar is a master crafted guitar, and sounds incredible. Gigantic rich and vibrant tones pour forth with each strum. Very well taken care of. It was owned by a collector who kept it in the case safe and sound. Just maybe some micro swirling. Near MINT! No breaks, cracks, or repairs. See pics. All original. Original Martin deluxe hard Case. Fantastic Tone and plays great! 

Many collectors consider exceptional guitars as works of art. These two fine pieces are literally art, but art you can play. Warrior made these stunning instruments as a pair, and we are selling them as a pair. Warrior Guitars are a small company that builds some of the finest guitars around. They are prized for their beauty and exceptional craftsmanship; fusing the most rare, exotic woods and materials with exclusive electronic signal enhancement, to produce uncompromising sound. This is a magnum opus: Warrior Art. Lovingly brought to life by skilled artisans who hand-tailor each piece. Not only are they beautiful, they are great guitars. They are a joy to play, to hear, and to behold. The art work is breathtaking. A painting of David and Goliath is on both guitars, but both are unique. They put serious work into these instruments. No detail was overlooked or spared. They have been in a private collection, and have never been played. These are the only instruments like this in the world. Comes with original cases, paperwork, certificate and strap. The price is for the pair.