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Thanks to breakthrough Taylor design, the GS Mini Bass offers players a remarkably inviting small-scale acoustic bass that’s compact, lightweight and ultra-comfortable on the hands. Adding to the popular heritage of our GS Mini family, this four-string bass sibling is even more impressive for its ability to create natural-sounding bass notes despite a condensed 23-1/2-inch scale length — about 10 inches shorter than the scale length of a standard bass guitar. Part of the magic is the custom nylon-core strings (with phosphor bronze wrap wire) developed with our friends at D’Addario exclusively for the bass (in fact, no other strings will work on it). Together with our patented dual-prong bridge pin design, the bass not only sounds great but also yields a slinky feel. And with the condensed fret spacing, playing bass is now physically easier on anyone’s hands, from kids to bass newbies to seasoned bass players craving a couch-friendly option. It’s an inspiring tool to have on hand for writing, recording demos, and jamming with friends. The bass comes equipped with our ES-B onboard electronics, along with a hard bag featuring adjustable backpack straps for easy portability.

This Custom 24 features a figured maple neck and fingerboard. This is a feature usually only available on Artist Package models, but is being made a available for a very limited time.

Top Wood: Carved Figured Maple
Back Wood: Mahogany
Number of Frets: 24
Scale Length: 25"
Neck Wood: Mahogany
Neck Shape: Pattern Thin
Fretboard Wood: Rosewood
Fretboard Inlay: Birds
Bridge: PRS Patented Tremolo, Gen III
Tuners: PRS Phase III Locking
Hardware Type: Hybrid
Treble Pickup: 85/15 Treble
Bass Pickup: 85/15 Bass
Controls: Volume, Tone, 5-Way Blade Switch
Strings 10's
Case: Hardshell

This cutaway acoustic/electric Grand Auditorium blends layered walnut back and sides with a solid Sitka spruce top, making it a great all-around acoustic that responds well to strumming, flatpicking and fingerpicking. With our patented Taylor neck, you’ll enjoy easy playability and accurate intonation as long as you own the guitar, and the slightly narrower 1-11/16-inch nut width makes forming barre chords easier on the hands.  The Venetian cutaway gives you access to more upper-end fretboard real estate, while our dynamic Expression System 2 pickup produces a natural amplified acoustic voice that will help you sound your best whenever you plug in. The clean appointment scheme includes Italian acrylic dot fretboard inlays, a 3-ring rosette, plus black binding and a black pickguard that complement the look of the genuine ebony fretboard and bridge. The guitar includes a lightweight protective gig bag for easy portability.

The 114e features our popular Grand Auditorium body style, whose physical dimensions have made it a popular choice for its appealing performance versatility. Layered walnut back and sides are topped with a solid Sitka spruce soundboard, which together produce signature clear and balanced tone with a pleasing projection and midrange focus. The 1-11/16-inch nut width is slightly narrower than the standard 1-3/4-inch width of other steel-strings in the 300 Series and up, making it easier for developing players to navigate the fretboard. And with Taylor’s onboard Expression System 2 pickup, the guitar is ready to plug in whenever you are. The guitar ships in a durable lightweight gig bag.

Co-designed with one of the world's most renowned jazz guitarists, the signature Kurt Rosenwinkel Premier SS features a spruce top for brightness and a center-block for maximum sustain. With minimal appointments, the Kurt Rosenwinkel SS is built for rich tone and high performance, featuring a comfortable C-shape neck profile and stopbar tailpiece. Its Honey Burst finish is complemented by a rosewood fretboard and chrome hardware.

This Custom 24 has been upgraded with a 10-Top, Artist finish (Bonnie Pink), Artist Grade flamed maple neck and fingerboard. Also features a Pattern Thin neck profile.

Do you guys know the story about the PRS Custom finish, Bonni Pink?  Bonni Lloyd was an early PRS employee, one of the first.  She wanted a pink guitar and they guys at PRS made her one.  Word got out and PRS made a few in very limited numbers during the late 1980's. Those guitars are highly sought after and are valuable collectors items.  This one just came in, we had to wait a while to get it, again, it is being made in limited numbers.  This guitar is new, a PRS Custom 24 with flames out the wazoo, a 10 top, bird inlays, and of course, the super cool Bonni Pink finish.  It has a pattern/thin neck and vibrato.  The finish is so cool, it's awesome.  Oh, there may be some that scoff at a pink finish, but remember, Jeff Beck played a pink Charvel.  You think you are cooler than Jeff Beck?  I don't think so.  So, man up and get this great guitar before some other, less insecure person grabs it.  Comes with hard case.

Limited to only 200 instruments worldwide. The Limited Edition Finish Over Finish Classic Antique was inspired by the sought after well-weathered paint jobs
found on vintage instruments of an era gone by.

Each Finish Over Finish Classic Antique is accurately painted to recreate these unique finishes by applying a solid thin nitrocellulose lacquer finish over a 3-tone burst, and then carefully aged to expose the two distinct finishes.

The JM6 draws from the contoured, 60's style "Surf" guitar, but with a modern twist. It’s fast "C-Shape" neck, compound radius and solid hardware make this guitar perfect for any style of music. This American built beauty is a must have for any serious guitarist.

Body: Alder
Neck: Maple (Bolt-on with body color matching upper headcap, 10 degree headstock pitch, vintage style truss rod
Neck Shape: Early 60's "C" Shape - .830 - .920
Fingerboard: Indian Rosewood with rolled edges
Fingerboard Radius: Compound 7.25"-9.5"
Frets: 22 - Jescar 6105 Nickel/Steel
Inlay: Aged White Moto (top/side)
Scale Length: 25.5"
String Nut: 1.65" Tusq XL
Hardware: Nickel
Tuners: "Fano" Vintage 6-in-line
Bridge: T.O.M/Stop Tailpiece
Pickups: Fano P90 Neck & Bridge
Controls: Volume, Tone, & 3-Way Switch
Finish: Nitrocellulose Lacquer
Neck & Body Distress Level: Medium
Strings: D'Addario "NYXL" .010 - .046
Case & Accessories: "Fano" Custom Gig Bag, Polish Cloth, and Wrench

This Custom 24 has been upgraded with a 10-Top, Mash Green finish (normally reserved only for Artist Package guitars), Artist Grade flamed maple neck, and Artist Grade flamed maple fingerboard and headstock veneer. Also features a Pattern Thin neck profile.

The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.

The solid rosewood/spruce 412ce-R features Taylor’s compact Grand Concert body shape, a shorter 24-7/8-inch scale length for extra fretting comfort, and a Venetian cutaway that offers greater access to the upper register. Rosewood’s full-spectrum tonal range features a splash of extra top-end sparkle, while the smaller body will accentuate crisp tonal detail, allowing the guitar to articulate well in a mix with other instruments. Taylor’s Expression System® 2 pickup delivers clear, natural-sounding amplified tone for gigging or recording. Aesthetic details include white binding, Italian acrylic dot fretboard inlays, a three-ring rosette, and a full-gloss body. The guitar ships in a Taylor deluxe hardshell case.

Does anybody remember "Roll And Roll Hoochie Koo" by Rick Derringer? The album cover was so cool. Rick was playing a red Fender Stratocaster with a matching headstock. I thought that was the coolest Strat ever. We have a Limited Edition 1995 USA Fender Stratocaster in Candy Apple Red with a matching headstock. These matching headstock models were produced for only a short time and are pretty rare. It's a great guitar, and has had some great upgrades: Fender locking tuners, a white pearloid pickguard, and three Fender Custom Shop Stratocaster pickups. We're not sure which CS pickups it has but they sound amazing - a perfect balance of tight lows, focused midrange and smooth top-end sparkle. Everything you want a Strat to be! They also hum cancel in the 2 and 4 position. It has a rosewood fingerboard, and the frets are in great shape, showing only a very slight amount of wear. The body shows wear, nicks, dings and scratches: a typical paint chip out of the neck pocket; an extra hole on the back where someone put a strap button. Overall condition is good and everything is structurally solid. It's great sounding, the neck is straight, and everything works fine. It's a good one, and it has a vintage vibe that I like. Comes with a non-original trem bar and Fender gig bag.