Search results for 'Mandolin gig bag'

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

This guitar is breathtaking. It literally took my breath away when I opened the case. We have a new Suhr Classic T Deluxe. Aqua Blue Burst finish. This stunning instrument is a Limited Edition Model with a Swamp Ash Body, Flame Maple two piece top that is gorgeous, almost hypnotic. It draws you in, if you know what I mean. The binding is scraped, natural maple. The finish on the top is Aqua Blue Burst which describes it perfectly. The body is black, and it has gold hardware. The gold hardware really sets it off, it adds a whole new dimension to the look. The neck is roasted birdseye maple and it feels great. It is an even C slim neck and is very comfortable. The frets are stainless steel. The pickups are Suhr Classic T style. It is an awesome guitar, beautiful to look at, and great sounding. Comes with Suhr deluxe gig bag.

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

1918, wow, that was a long time ago. The end of WWI, the United States Congress officially established time zones, God Bless America was written by Irving Berlin, and this mandolin was made. This mandolin has seen a lot of history. When we entered WWII, this mandolin was already 23 years old. We have a 1918 Gibson Style A Mandolin. We believe it was sent back to Gibson at some point and refinished. It has a new bridge to compensate for a slight sinking in the top. It is structurally fine, it won't cause any problems, and the original bridge is included with the mandolin. The top is black, the back and sides are brown. It shows some lacquer checking as to be expected. Overall, it is very clean. It sounds great, the action is fine, the frets are in good condition. It's a good one. Comes with non original case.

Hofner made some cool guitars back in the day. They still do, but I like the vibe of the old ones. This guitar is quite similar to one Brian Jones used in the studio with the Stones. We have a 1968 Hofner 489 Western Model. It is a slope shoulder dreadnought. Looks like a Gibson J-50. It has maple back and sides, a spruce top, adjustable bridge saddle, and micro tilt to adjust the neck angle. It is clean, very clean. It has some lacquer checking, but the only real playing wear is on the top near the lower part on the soundhole. The neck is straight, the frets are fine, the action is good, and it sounds great. It's really a cool guitar. The maple is nice and flamey. It's a cool part of 60's history. Comes with original gig bag.

You know vintage guys can be kind of snobby about guitars. I'm guilty of that. I used to say things like, "I won't play anything made after 1965". Kind of silly really, but that's how it was. Collings changed that for me. I was forced to admit their guitars stood up against old Martin and prewar Gibsons, and in some ways even exceeded them. Here we have a 2002 Collings D-2H. This is a Martin D-28 style with Indian Rosewood back and sides, Herringbone trim, Grover tuners and Sitka spruce top. It shows light wear, nothing major at all. This guitar was played but well taken care of. The frets are in near perfect condition. The action is great with plenty of room on the saddle to come down. An LR Baggs Anthem pickup has been installed (a $300 upgrade). It is loud and toneful. A guitar for a lifetime. Comes with original hard case.

Here's a 2016 PRS CE24 in a custom color -  Charcoal Metallic with Black neck. It's in amazing condition. Near mint. It has scarcely been played, but should be because it plays amazingly. The 85/15 pickups are tone machines that can play any type of music from jazz, blues, classic rock, all the way to metal. With the push/pull you can get a nice Fender style single coil tone out of the neck or bridge pickups. Another great feature that benefits the tone is the brass contact points where the strings go around on the locking tuners. Paul Reed Smith himself has stated that it leads to better tone and sustain. With 24 frets the CE24 has endless capabilities and is a great addition to any guitar collection! Comes with original papers and gig bag.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.