Search results for 'Mandolin gig bag'

Here's a 2016 PRS CE24 in a custom color -  Charcoal Metallic with Black neck. It's in amazing condition. Near mint. It has scarcely been played, but should be because it plays amazingly. The 85/15 pickups are tone machines that can play any type of music from jazz, blues, classic rock, all the way to metal. With the push/pull you can get a nice Fender style single coil tone out of the neck or bridge pickups. Another great feature that benefits the tone is the brass contact points where the strings go around on the locking tuners. Paul Reed Smith himself has stated that it leads to better tone and sustain. With 24 frets the CE24 has endless capabilities and is a great addition to any guitar collection! Comes with original papers and gig bag.

The S2 Custom 24 takes the original PRS guitar, the Custom 24, and re-imagines it with stripped-down features and a new aesthetic. Retaining the classic maple top/mahogany back combination with our classic body shape and a asymmetrical beveled top, this guitar is resonant with a funky familiarity. Its versatility comes from its 85/15 "S" pickups, push / pull tone knob, and 3-way blade switch. Familiar for PRS players of old, and a fresh take for players of all types.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.

Neck Material: Maple
Fingerboard: Ebony
Fingerboard Radius: 12"
Nut: Bone 1 3/32"
Fretwire: 23 Jescar FW37053
Scale Length: 13 7/8"
Body Style: F-Style w/ Oval Hole
Body Top: Solid Spruce
Body Back/Sides: Solid Maple
Truss Rod: Single Acting
Binding: Top
Binding Material: Ivoroid
Logo: Pearl Headstock
Inlay: Pearl Dots
Rosette: Diamond Pattern
Side Dot Color: Black
Body Finish: Gloss Nitrocellulose
Neck/Headstock Finish: Gloss Nitrocellulose
Harware Color: Chrome
Bridge: Adjustable Compensated Ebony Bridge
String Spacing: 1 5/8"
Nut Height: .018"
Tuners: Pingwell RM-1583N-26A
Strap Peg: Ebony
Strings: D'Addario J74
Case: Hardshell Case

One of a limited Edition of 200! The Limited Edition Modern Plus Curly features a beautiful Curly Maple top. This Gradient finish was previously only available on custom guitar orders. Suhr is especially excited about the variety of figuring patterns they see in the Curly Maple tops that were selected for this series. The sleek elliptical neck profile, balanced asymmetrical body, and innovative neck heel make the Suhr Modern an instrument without rival when it comes to performance and playability.

  "It’s been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

Model: Classic JM Pro
Body Wood: Alder
Finish Color: Olympic White
Neck Profile: 60's C Vintage Standard .810-.930
Nut Width: 1.65"
Nut Material: Tusq
# of Frets: 22
Fret Size: Medium
Fret Material: Stainless Steel
Radius: 10" - 14"
Neck Wood: Maple
Fingerboard: Indian Rosewood
Neck Pickup: S90 Neck
Bridge Pickup: S90 Bridge
Pickup Selector: 3-Way
Controls: V/T/T
Bridge: Gotoh 510 - 2 Post, Bent Saddles, Steel Block
Tuners: Suhr Locking
Deluxe Gig Bag

Model: Classic JM Pro
Body Wood: Alder
Finish Color: 3-Tone Burst
Neck Profile: 60's C Vintage Standard .810-.930
Nut Width: 1.65"
Nut Material: Tusq
# of Frets: 22
Fret Size: Medium
Fret Material: Stainless Steel
Radius: 10" - 14"
Neck Wood: Maple
Fingerboard: Indian Rosewood
Neck Pickup: SSV Neck
Bridge Pickup: SSV Bridge
Pickup Selector: 3-Way
Controls: V/T/T
Bridge: Gotoh 510 - 2 Post, Bent Saddles, Steel Block
Tuners: Suhr Locking
Deluxe Gig Bag

The 2018 Classic S Antique features a new 60’s C vintage medium neck profile with Indian Rosewood fingerboard and V60LP single coils. The Classic S Antique retains many of the original specifications of the Classic Antique including the SSCII hum cancelling system, nitrocellulose finish, and stainless steel frets. Proprietary Suhr locking tuners and the Gotoh 510 tremolo provides superior tuning stability.

I met Bill Collings in the 80's at an Austin Guitar Show. He was a great guy that loved instruments. He built some of the finest instruments I'd ever seen. I was in the vintage business at that time, and had played Loar F-5's and such.  I could not believe how his mandolins held up against those. It changed my whole view on new versus old. We have a good one for you fine folks, a Collings MF Mandolin. This instrument is gorgeous with an upgraded glossed top and ivoroid top binding. The gloss top enhances the sunburst finish and the ivoroid dining really pops against the burst. It has a classic, elegant look.  This one is a keeper, you are going to love it. Comes with hard case.