Search results for 'Ora'

This unique JB model features a Quartersawn Maple neck, and a Rosewood fingerboard with no inlay!

Model: JB
Body Wood: Alder
Body Finish: Old School Tobacco Sunburst
Pickguard: 3-ply White Pearl
Bridge: Saddle-Lock
Neck Profile: #8 G&L Medium C (.820-.920)
Nut: Bone
Nut Width: 1 1/2"
Radius: 7.5" Radius
Neck Wood: Quartersawn Maple
Fingerboard: Rosewood
Neck Finish: Satin Clear
Frets: Medium Jumbo
Neck Other: Fingerboard Dots Deleted
Tuners: G&L Ultra-Lite
Pickups: G&L JB Alnico 5 Single Coil
Controls: Dual Volume, tone
Setup: PLEK
Case: Deluxe Black Tolex

This is one of the best sounding ES-330's we've come across. A vintage 1960 ES-330TD. There's a vibe in the old wood of this guitar you don't hear in the new models. Played acoustically it's loud and resonant...it vibrates on your arm, the back of your hand, against your ribs, or any other part of your body that touching it. It feels alive. Plugged in this guitar really shines. It comes close to doing everything you could want. The bride pickup has a twang that can rival a Tele but with a fattness a Tele doesn't have. The neck pickup is big and punchy with a woody tone that you've always wanted but have seldom heard. The ES-330TD was debuted in 1959 as a thinline with creme plastic body binding on top, back and three sides of the rosewood fingerboard. It had the postwar script "Gibson" logo at the top of its ebony overlaid glossy finished headplate, and below that there is no further decoration, just a white bordered black bell-shaped truss rod cover held in plate by two roundhead Phillips screws. Factory order number R2795. This model has the twin rounded cutaway and also a shorter length neck than the ES-335 had. The scale length is approximately 24 1/2" nut to saddle. The width of the fingerboard at the nut is 1 11/16" with an E-to-E string width at the saddle of 2". It has an elevated black plastic pickguard with edges that are laminated with white-black-white border. It has twin black plastic P-90 pickups which have a "dog ear" on the bass side, but a squared side on the treble. It has a tune-o-matic bridge, meaning that it is fully adjustable both vertically and individually adjustable both forward and backward. The pearloid fret marker at the 15th fret has been replaced and the treble side binding from the first to 9th fret has been replace. Other than those two repairs this guitar is all original. Comes with modern hardshell case.

We have so many cool guitars - a virtual plethora of cool, used and vintage guitars. Take this great guitar for instance: we have a 1969 Orange label Gibson ES-340TDW in the original Walnut finish. Laminated maple neck with beautiful Brazilian Rosewood fingerboard and miniature block pearloid inlays. It shows lots of wear, weather checking, nicks, dings, scratches. The trapeze tailpiece has been replaced with a stop tailpiece. The tune-o-matic bridge has been replaced too, and the one original to the guitar will be included inside the case. The lead pickup is a vintage, Gibson T-Top stamped patent number pickup, but it's not the original one that came with the guitar. The neck pickup is original patent number decal pickup. The frets are fine. Plays great and sounds great. It's a great blues guitar. I'm sure some Memphis blues are soaking into it right now. There are no breaks or problems. Great player's guitar. The logo and diamond are showing considerable wear. Comes with non original hard case.

The G&L Tribute Series Legacy is dripping with Leo mojo at a price attainable for every working musician. Featuring the same real-deal, made-in-Fullerton pickups used on the top-end G&L's. Once you play a G&L Tribute Series, you'll never look back.

The G&L Legacy blends contemporary refinements from the Leo Fender designed S-500 and Comanche models with classic Alnico V pickups. If your holy grail is faithful Alnico single-coil tone with modern refinements and superb craftsmanship, the Legacy makes for an excellent choice.

The G&L ASAT Classic Bluesboy is a factory-modded version of Leo's final word on the traditional single-cutaway bolt-on axe. For players looking for the unmistakable warmth of a classic humbucker in the neck position, the Bluesboy delivers with a well-balanced pairing of a G&L alnico humbucker and a single-coil G&L Magnetic Field Design bridge pickup designed by Leo Fender.

Framed in a classic boxed-steel bridge, the single-coil MFD bridge pickup delivers crisp attack with complex harmonics while individual brass saddles offer modern levels of intonation refinement. Flip to the neck 'bucker and you’ll discover all the charismatic warmth you could ask for. Put 'em together and you'll find yourself immersed in exploring the limits of this guitar's surprising versatility. What’s more, the semi-hollow body softens the midrange attack, accentuating the low and high harmonics.

The Tribute Series ASAT Classic Bluesboy is dripping with mojo at a price attainable for every working musician. Once you play a G&L Tribute Series, you'll never look back.

Many of today’s guitarists are looking for the best partner for their pedalboard but ultimately end up with an amp that’s lifeless and lacking in character. With the Rocker 32 however, we’ve nailed the perfect pedal amp. What makes the Rocker 32 so special? Simple. It’s an all-valve stereo guitar amp in a compact and portable combo format.

The Rocker 32 can be run just like a ‘normal’ combo – straight in or with standard mono effects loop connections. Even before you start experimenting, you’ll soon realise that this is not just another bland, soulless pedal platform, but a serious amplifier in its own right. The Rocker 32 has classic Orange mojo in abundance and its 2×10” configuration means a full and fat delivery whilst keeping the footprint small. There’s even some clever circuitry under the hood to give the amp a wider spread of sound than most regular twin speaker combos.

At the heart of the Rocker 32, though, is its stereo effects loop which opens up a world of limitless possibilities for your pedalboard. If you’re into epic panning delays and massive soundscapes, connect the Rocker 32 for full stereo operation for enormously spatial tones that wash over the audience. If you’re more old-school, you can patch your pedals in ‘wet/dry’ mode, with your effects appearing on one speaker and your clean guitar tone on the other. This makes for great separation and clarity on stage.

The front end of the Rocker 32 is one-of-a-kind. The Natural channel features just one control (Volume), and has been carefully voiced to bring out every nuance of different guitars, pickups and pedal combinations. There is plenty of clean headroom here but this channel also loves to be hit with overdrive and distortion stomps.

The Dirty channel has a more familiar look to it with a three band EQ, gain and master volume controls, and can be set clean or adjusted for different flavours of British crunch. There’s also a handy half power mode to drop the volume level if you like to push the EL84 output valves a bit harder for more saturation. This switches the Rocker 32 from the full 30 Watts (15W a side) down to a more home-friendly 15 Watts (7W a side).

Capable of 0.5, 1, 7 or 15 Watts of output the Rocker 15 is an extremely portable combo that moves seamlessly from the home, to the studio, to the stage. Finally, a small, two channel, bedroom-friendly all-valve amp that you can legitimately gig!

With the Rocker 15 set wide open, smaller venues are comfortably taken care of despite the amp’s miniature footprint. Thanks to a custom Voice of the World Gold Label speaker and beefy transformers, the Rocker 15 has a remarkably potent delivery which takes full advantage of its EL84 output section. Even when scaling back the power, the amp’s tone stays fat and full, oozing warm valve compression and saturation without disturbing the neighbours.

Clever options aside, the Rocker 15 has real character – a twin channel design with a twist. The Natural channel is a purist’s dream with just a single knob: Volume. Finely balanced and supremely playable, this channel is perfectly voiced to bring out the ‘natural’ sound of the instrument under your fingers (or the pedals under your feet). The ‘Dirty’ channel is a more familiar affair with controls for Gain, Volume and a three band EQ section. Both channels are very sensitive to touch and playing dynamics, making Rocker 15 very versatile despite its straightforward, player-friendly layout.

The amp also features a proper valve driven effects loop for total purity from input to output. So, whether you need a rig for low-volume practising, recording, or to be heard on the club circuit, the shape-shifting Rocker 15 will show itself to be the amp for every occasion.

The 714ce sports Taylor’s popular and versatile Grand Auditorium body style and incorporates a compelling alternate take on the classic rosewood/spruce pairing, featuring Lutz spruce rather than Sitka. Together with Taylor’s Performance bracing and tone-enhancing protein glues, players can expect a bold and dynamic voice that balances rosewood’s natural overtone sparkle with a strong fundamental focus, giving this and other 700 Series guitars a rootsy musical personality with expansive musical range. That musical character is matched by an aesthetic that’s grounded in Americana style and refined with Taylor’s precision-crafted details. Rosewood’s mocha complexion is complemented with wood-rich trim, featuring Hawaiian koa binding, a herringbone-style rosette of Douglas fir with maple/black accents, bias-cut Douglas fir top trim, and a “weathered brown” pickguard design with a pattern reminiscent of leather. Modern playing amenities include a Venetian cutaway and Taylor’s stage-ready ES2 pickup and preamp.

 Those guys at Bourgeois know about loud, wow, this guitar is loud!  We are offering a new Bourgeois Slope D "The Standard" with an "Aged Tone" Adirondack spruce top and Mahogany back and sides. It's a fine, fine, super fine guitar.  It really is the standard all guitars should be judged by.  If you are familiar with late 40's early 50's Gibson J-50 and J-45 guitars, you'll know the sound I'm talking about, warm, rich, loud and succinctly brilliant.

Dana Bourgeois' passion for acoustic guitars was fostered by those coveted instruments built in the pre-war era. "The Standard" model was inspired by the classic designs that emerged from the midwestern United States at that time, but incorporates many elements of Dana's own design.

It starts with the striking Ziricote fretboard and bridge, beautiful in figure yet subtle enough to maintain the pre-war look. The single ring Ivoroid rosette and rectangular bridge hearken back to those old designs. Our contoured headstock was introduced with the L-DBO model, and fits the look perfectly!

This Dreadnought distills the essential features of a great acoustic guitar into a budget-friendly form. Taylor's Academy Series was designed with developing players in mind, so the goal was to create as comfortable a playing experience as possible. The guitar body pairs layered sapele back and sides with a solid Sitka spruce top, and incorporates a feature normally reserved for their premium instruments: a built-in armrest that softens the edge of the body’s bass-side lower bout to enhance the playing comfort. The patented Taylor neck features a slightly shorter 24-7/8-inch scale length, 1-11/16-inch nut width, and light gauge strings, which make fretting and bending strings easier. Tonally the Dreadnought’s body dimensions produce a bold response with a warm low end and punchy treble, making this a great option for strummers and flatpickers. Onboard ES-B electronics include a built-in digital chromatic tuner with an LED display for tuning and low battery indication. Whether you’re at the front end of you guitar journey or just looking for a great strumming guitar without breaking the bank, the A10e will serve you well.

Dana Bourgeois says: “Many years ago, inspired by Eric Schoenberg, I built what I believe was the first OM having a style of cutaway that has since become something of a modern classic. Eric and I later founded a company to produce the new model, which we named "The Soloist", after an elegant fingerstyle guitar from the Victorian era. The Bourgeois Soloist is a true fingerstyle OM, featuring a European spruce top, Brazilian rosewood back and sides, a 2 5/16" ebony pyramid bridge, and the original Soloist style cutaway. Maintaining the spirit of the original Soloist, I combined the finest woods with the simplest of appointments, including Ziricote body bindings, simple wooden rosette, short pattern slotted squares and diamonds inlay, and a distinctive slotted triangle on the heel cap. While on the subject of decoration, I should note that the marquetry backstrip that I first designed for the Soloist (and now use on many of my guitars) has been as widely emulated, and is presently available through a number of lutherie suppliers. Far from being offended, I am delighted by the notion that other luthiers have mistaken this for vintage design!"