Search results for 'Ora'

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

I wonder if Leo Fender knew when he saw the first Fender Stratocaster roll off the production line that he had invented an iconic guitar? An instrument that would help define popular music and popular culture for decades, and over 60 years later is still going strong. Probably not. I bet he thought, "Well, I hope somebody buys it." We are a long way down the road from the inception of the Fender Stratocaster, and I promise you people will continue playing them for years to come. Today we have a very cool, 2006 Fender Stratocaster 60th Anniversary Standard made in the USA. Fender made this guitar to commemorate the company's founding 1946-2006. This guitar is collector's grade, near perfect condition. It still has the plastic coating on the pickguard. The neck is straight and true. The frets are in perfect condition. It plays and sounds great. The maple neck has an Indian rosewood fingerboard with a comfortable C profile. The sunburst finish is beautiful. Comes with a special 60th Anniversary case with grey tolex and red, plush interior. The case shows some very slight cosmetic wear. Does not come with the strap, but has the original hangtag, cable, and other case candy.

  Mark Tremonti is one of rock’s leading guitarists. As the guitarist of Alter Bridge and Creed, he has met extraordinary success and continues to grow as both a guitar player and songwriter. While Creed was on tour in support of their first record, My Own Prison, Mark was contacted by PRS and asked if he would like to try one of their guitars.
  "I jumped at the idea to play one of PRS’ guitars. PRS was one of those guitars that I could never afford in high school or college and had always wanted to play one." PRS sent Mark a McCarty model which he instantly fell in love with. He played that guitar exclusively for a while, but ultimately wanted a guitar that was more suited to his playing style.
  Mark Tremonti began to collaborate with PRS on his dream guitar that would soon become the Mark Tremonti Signature Model. He needed pickups that were a little more aggressive and could complement his rhythm playing which contains a lot of palm muting. The neck of the guitar needed to accommodate his style, influenced by thrash metal, shred, and traditional blues. PRS met these needs with the Pattern Thin neck carve.

  Here's a 2002 Paul Reed Smith EB-4 bass that was shown at the 2002 summer NAMM Show in Nashville, TN. It was this show that PRS introduced their new Transparent Orange color, and every instrument that was displayed was orange. It was one of two PRS basses shown there. The other bass did not have a maple top. This one was fully blown with all the options sporting a gorgeous highly figured flamed maple 10 top, bird inlays, gold hardware, Indian Rosewood fingerboard, bolt-on maple neck, 2 single coil rail pickups, active preamp, 2 way switch for active or passive operation, 2 volume controls, 1 tone control. Transparent orange finish, 34" scale, and 21 frets.
  One of the lightest PRS basses we've seen, weighing only 8 pounds 6 ounces. Very loud and resonant when played acoustically, with fantastic sustain. Sounds amazing when plugged in. In passive mode it has a tone similar to a Fender Jazz bass but with a bigger, fuller output. In active mode the tone is reminiscent of a Music Man Stingray. Of course the build quality is exceptional.
  This bass was collector owned and is in mint condition. No scratches, no dings, no nicks, no fret wear. It as not been played outside of initial set-up and tuning.
  The original hard shell case, hang tags, and all paperwork included.

Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

Here's a 2014 Fender Super Sonic amp. It's a great sounding amp. The Super-Sonic was Fender's response to a lot of requests for an amp that can do both vintage Fender style clean tones and contemporary high-gain overdrive. In all original, near mint condition. No mods, no repairs. Blonde tolex with oxblood color grill. In perfect working condition. It's the ideal club amp, not too big but it will get the sound out there. Comes with the original four button foot switch.

  Perfect as a first guitar or the last guitar you'll ever need, the PRS SE Standard 24 faithfully recreates the foundational design of the Custom 24, PRS's flagship model, with all-mahogany body construction. This guitar features classic PRS appointments, including a 24-fret maple neck, rosewood fretboard with bird inlays, 85/15 "S" pickups, and the PRS patented molded tremolo, resulting in a guitar that handles well and sounds as good plugged straight into an amp as it does run through a pedal board.
  The SE Standard 24 is a modern instrument with a powerful voice for players who demand a rock-solid, reliable guitar.

  "With so many aspiring players struggling to stick with guitar past the first year, we knew we wanted to deliver an affordable quality guitar that players didn’t have to fight. We want the guitar to inspire you to play; it can’t be something you have to worry about staying in tune or simply working right. So while the [SE] Standards are our first foray into the below $500 price point, that doesn’t mean we compromised on tone, versatility, playability, or reliability," said Jack Higginbotham, COO, PRS Guitars. "We're very proud to offer these guitars to the world."

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

Limited to just 91 pieces worldwide! This special edition Stingray 5 features a lightweight ash body with a highly figured quilted maple top. The smooth satin figured roasted maple neck with rosewood fingerboard is accented with pearlescent white block position markers and hand fitted white binding. Equipped with dual alnico humbucking pickups, 3-band EQ and 5-way switch, this bass delivers all of the familiar Stingray punch along with a variety of coil voicing options. Contrary to most other SR5 basses the traditional large pickguard has been removed, in this case, to showcase the exquisite quilted top. Other key features include all black hardware and Schaller tuners. Limited to 91 pieces worldwide.

This limited edition 614ce V-Class Quilted Maple in a striking Desert Sunburst, pairs the latest V-Class architecture with a gorgeous set of Quilted Maple back and sides. Featuring a Torrefied Sitka Spruce top, this 614ce is bright and clear, with the sort of attack that rings like a bell. With the new V-Class bracing this guitar plays exceptionally well in tune, thanks in part, to how focused and direct each individual note is. Gone are some of the overtones that can muddy up your tone, instead delivering a clear fundamental that results in excellent intonation no matter where you are on the neck.
With the full body Desert Sunburst high gloss finish this 614 has a fresh look for the 600 series of Taylor Guitars. A new interior label, for a new era, this V-Class 614ce brings the best of the collaboration between Master Builder Andy Powers and founder Bob Taylor.