Search results for 'PRS Custom 24'

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  1. Paul Reed Smith McCarty 594 Semi-Hollow Limited 10-Top - Violet #5105

      Here's a beautiful Semi-Hollow McCarty 594 Violet. It features a highly figured flamed maple 10 top, 58/15 LT (Low Turn) pickups to deliver vintage hum bucking and single coil tones, push/pull coil taps on the tone controls, and updated Phase III locking tuners that transfer more energy to the headstock.The guitar's f-hole and semi-hollow body give the instrument a breathy tone and rich resonance.
      The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

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  2. Paul Reed Smith Custom 24 - Violet Blue Burst Wrap #6244

      The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars' first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS's patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
      The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

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  3. Paul Reed Smith Special 22 Semi-Hollow Limited Edition 10-Top - Aquamarine #4903

      Featuring a 10-Top with an Aquamarine finish. This PRS Special 22 Semi-Hollow Limited Edition guitar offers players a versatile hum/single/hum configuration with two PRS 58/15 MT (Multi-Tap) humbuckers and a PRS Narrowfield middle pickup. McCarty Sunburst finish. The 58/15 MT’s offer all the tone of the originals while compensating for volume loss when split to single coils. The Narrowfield pickup delivers the bite of a single coil – without the hum but with plenty of clarity and punch. Paired with a 5-Way blade switch and two mini-toggles that tap the hum- buckers, this guitar can handle myriad sounds and styles, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.
      The foundation of this guitar is very much like a Custom 22 – maple top, mahogany back, 22-fret 25" scale length mahogany neck, rosewood fretboard, Pattern neck profile, Phase III tuners, and PRS Gen III patented tremolo – but the versatile electronics truly carry it to new sonic territory.

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  4. Used Collings MF5 V Mandolin F-Style Varnish Sunburst Finish

    2005 Collings MF5 V full gloss F style mandolin, with hand rubbed oil based varnish finish. Thinner than nitrocellulose lacquer, the varnish finish is more flexible and allows the wood to resonate more, significantly smoothing out the mids and highs while extending the low end considerably. The tonal qualities produced by the varnish finish are amazing, especially when compared side by side to a mandolin without it. This is Colling's fully appointed mandolin with carved Adirondack top, full Ivoroid binding, Pearl inlays, highly figured custom flamed Maple back and sides, and bound Ebony pickguard. Excellent condition, showing no fret wear. It was obviously very well taken care of by the original owner. It is absolutely beautiful, and the sound is phenomenal. This is a serious instrument for a serious player. Comes with original hardshell case.

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  5. Eastman T59/V-AMB - Semi-Hollow - Antique Amber #0816

    Neck Material: Maple
    Fingerboard: Ebony
    Fingerboard Radius: 12"
    Neck Profile: Traditional Even "C"
    Nut: Bone 1 3/4"
    Fretwire: 22 Medium Jumbo Jescar 47104
    Scale Length: 24.75"
    Body Style: 16" Thinline
    Body Dimensions: 16" x 1 3/4"
    Body Top: Deluxe Maple Laminate
    Body Back/Sides: Deluxe Maple Laminate
    Truss Rod: Single Acting
    Binding: Headstock, Neck, Body,
    Binding Material: Ivoroid
    Logo: Pearl Headstock
    Inlay: Pearl Split Blocks
    Finish: Antique Varnish
    Hardware Color: Aged Nickel
    Pickguard: None
    Tailpiece: Gotoh Relic Series GE101A
    Bridge: Gotoh Relic Series GE104B
    Tuners: Gotoh Relic Series SD90
    Knobs: Amber Speed Knobs
    Neck Pickup: Seymour Duncan Antiquity
    Bridge Pickup: Seymour Duncan Antiquity
    Pickup Height: 3/32" bass side, 3/32" Treble Side
    Pickup Frame: Black Plastic
    3 Way Switch: Switchcraft
    Switch Tip: Amber Switchcraft
    Capacitors: 0.022μF
    Potentiometers: 500K AudioTaper
    Output Jack: Switchcraft
    Strings: D’Addario NYXL .010 - .046
    Case: Hardshell Case

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  6. USED C-Fox C-Sonoma - Cedar/Indian Rosewood

    C-Fox Sonoma series hand built all solid wood concert size guitar with cedar and Indian Rosewood. Charles Fox, founder of the American School of Lutherie, is one of the finest guitar builders in the world. He built guitars under the C Fox brand for a short period in the late 90's and early 2000's. Now he only builds custom guitars that are extremely expensive, and built in very small quantities. This guitar is no case-queen. It was owned, loved, and toured with by a pro musician and it shows. There are nicks, dings, scratches, finish checks, and a stable top crack (the guitar is priced accordingly). Why was this guitar picked up and bought by a pro? Because it sounds amazing. It's an incredibly responsive instrument. Well balanced in all registers. The bass response is big and punchy. Trebles sparkle and resonate for long periods. Midrange is projective and clear. It has huge punch and does not clip even with hard flatpicking. String clarity and separation are immediately noticed. The guitar is not as loud as a dreadnought but close. It has opened up beautifully and sounds very mature. Beautiful design, gorgeous woods, unique looks, and top self parts are combined in this guitar for an incredible instrument.

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  7. Paul Reed Smith SE Custom 24 Zebrawood #9170

    The PRS SE Custom 24 is the quintessential SE instrument, designed to faithfully reflect the PRS model that started it all. The SE Custom 24 with Zebrawood veneer comes finished in Vintage Sunburst, adding a distinctive new look while serving up classic PRS playability, reliability, and vibrant tone. This model keeps all the same foundational specifications as the SE Custom 24: maple top, mahogany back, Wide Thin maple neck, 24 frets, 25” scale length, the PRS patented molded tremolo, and dual 85/15 “S” pickups with a 3-way blade switch and push/pull tone control for coil tapping. Gig-ready, studio sound, and sure to turn some heads.

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  8. Vintage 1967 Fender Dual Showman Drip Edge Silverface Amp

      Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

      Up for sale is a cool and somewhat rare 1968 Fender "Drip Edge" Dual Showman Amp head. Serial number A13754. This was most recently owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart". It was mostly used to power their two A-7 PA speakers that Jimmy sang through! It has "Target" stenciled on the top. It puts out roughly 85 watts with a set of vintage RCA 6L6 power tubes, nice vibrato, and clean headroom for days. Overall in very good to excellent condition, and sounds and functions great. The transformers are original. Output transformer coded 606816, dating it to 1968. Sweet vintage Fender!

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  9. Paul Reed Smith S2 Custom 22 Semi-Hollow - Custom Color Amber Smokeburst #7192

      Featuring a very cool custom color, Amber Smokeburst.
    The S2 Custom 22 is a classic workhorse guitar. Known for its exceptional clarity and warm midrange, the S2 Custom 22 Semi-Hollow has been updated here with a semi-hollow single f-hole mahogany/maple body, giving this vintage-inspired guitar a classic look and outstanding resonance. Appointments include the PRS patented molded tremolo, 85/15 "S" treble and bass pickups, and a push/pull coil tap on the tone control for versatile, alive vintage tone.

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  10. USED 2017 Taylor Koa Series K24ce 12-Fret Grand Auditorium Ltd Edition

    The main features of the Taylor K24ce 12 Fret Ltd:
    - Mint Condition
    - Collector Owned
    - Grand Auditorium
    - Hawaiian Koa Body
    - Mahogany Neck
    - 24-7/8" scale length
    - West African Ebony Fingerboard
    - Nickel Hardware
    - Expression System 2 Electronics
    - Shaded Edgeburst Finish

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  11. Vintage 1962 Fender Deluxe Brownface

      Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

      This is a vintage 1962 Fender Brownface Deluxe. It is an original Deluxe, not a reissue. 1962 was a great year for music. It's the same year Booker T. & the M.G.'s are formed here in Memphis, TN. The Beatles played their first session at EMI's Abbey Road Studios in London. Mick Jagger and Keith Richards met Brian Jones at the Ealing Club, a blues club in London. And this amp was built.
      One of the most celebrated guitar amplifiers ever produced, the Fender Deluxe has been in continuous production, in various versions, since 1946. Originally introduced as the Model 26 with a 10" speaker and wood cabinetry, the model was rechristened the Deluxe in 1948, and fitted with tweed covering and 12" speaker. Upgraded to 15 watts in 1954, the Deluxe was redesigned with the lustrous brown Tolex covering in 1961. Produced only until mid-1963, brown Tolex models are among of the rarest of all Fender amplifiers.
      This is an exceptionally fine example of pre-CBS production. It's so clean it could easily pass as a reissue. This 1962 Fender Deluxe amp features hand soldered point-to-point circuitry, and a classic 12" blue Jensen t speaker. Six knob layout includes Normal and Bright channels, the latter with tremelo Speed and Intensity controls. All original gleaming brown Tolex covering, grille cloth, knobs, foot switch and leather handle. The amplifier has been maintained in uncannily pristine condition and sounds equally amazing. RCA 6V6 power tubes. The handle is a new replacement and the original handle is included. A timeless classic, this brown beauty looks much like it did when it left the Fullerton factory in 1962.

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  12. Mesa/Boogie Fillmore 25 1x12 Custom Cream Bronco - Tan Jute Grille

    Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

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