Search results for 'Taylor 12 string'

Here is a very cool 2003 Fender Blue Flower Stratocaster, crafted in Japan, model# 027-9302-550. The Blue Flower finish is one of those Fender designs that looks even better in person, and these Japanese made Fenders have developed a loyal following for good reason.

- 12-fret Grand Concert offers a slinky, comfortable feel
- Cedar top blends warmth with 12-string shimmer
- Mahogany back and sides provide midrange focus and balance
- V-Class bracing inside adds more volume and sustain
- Includes Claria electronics and a deluxe hardshell case

- Solid cedar top for a warm, touch-sensitive response
- Mahogany back and sides for a woody, focused midrange
- 12-fret design offers an intimate, relaxed, responsive feel
- Scalloped V-Class bracing adds more volume, sustain and low-end presence
- Includes Claria electronics and a deluxe hardshell case

Beautiful 2005 Duesenberg Double Cat 12 FB 12-string, in Fireburst finish. This is a fantastic-sounding, great-playing 12-string with the excellent craftsmanship Duesenberg is known for.

  This is definitely not your typical 1990 Gibson Les Paul Studio, and in this case that's a good thing.
  This guitar has been heavily upgraded with a carefully chosen collection of parts, turning a fairly straightforward Studio into a seriously cool, great-playing Les Paul. It has a black finish with an ebony fingerboard and has been built with an emphasis on tone, playability, tuning stability, and making the controls actually useful.

Here is a single-owner Roland RE-301 Chorus Echo that was originally purchased new in 1979 right here in Memphis, TN from the now closed Strings & Things. It has lived its entire life in a non-smoking home, and has never been gigged or taken on the road.

This is a really nice 1954 Gibson ES-125 in sunburst finish. With its simple design, warm acoustic character, and great amplified tone, the ES-125 has always been one of Gibson's most approachable vintage archtops, and this one is a lot of fun to play. FON: X8484

The Super Bee captures that legendary Fullerton-made black-panel 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school black-panel inspired tone, delivered with new-school usability.

The Super Bee captures that legendary Fullerton-made black-panel 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school black-panel inspired tone, delivered with new-school usability.

Picture that all-time favorite desert-island amp that originated in the mid ’60s and make it the bigger and better in tone and features, while keeping it remarkably portable and compact at just 40 lbs for the 1x12" combo. Expand it with the bold, articulate tone of two Class-A cathode-biased 5881 (6L6GC type)  power tubes, tube-driven tremolo and spring reverb, an added Mid control that the original never had, and Carr’s acclaimed point-to-point, hand-wired construction, and the Rambler is the quintessential club amp.

The Trail Rider--all you need to climb that hill or win the race--with two classic voices, reverb, and a built-in attenuator.  Lightweight and stylish, the Trail Rider’s single cylinder EL84 cranks out 5 real world watts. Home, studio, small group, or in modern live venues - you can count on the Trail Rider’s ease of use, practical features, ultra high-quality parts, and US made craftsmanship to deliver.