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  This one-of-a-kind Twenty-T is handbuilt by local Memphis luthier and musician Keith Schexnayder of 20 Guitars. This is not a parts guitar: the neck and body were carved, finished, and assembled entirely by the builder.
  The body and top are made from reclaimed old-growth timber salvaged from the French Hotel in Senatobia, MS (built 1858). The body comes from roof rafters, and the top is nearly a one-piece Douglas fir deck from the same building. This wood spent over 160 years naturally seasoned, resulting in exceptional density and resonance—it rings loudly and evenly.

This Twenty-T from 20 Guitars blends classic Tele-style looks with modern playability and versatility. Finished in a vintage butterscotch yellow nitrocellulose lacquer, it is a great looking guitar that already feels broken in. The body is a two-piece Louisiana swamp ash with a belly contour and a lower horn cut, so it is comfortable whether you are sitting or standing.

The Goodall RJC Concert Jumbo is a masterfully crafted guitar that perfectly balances power, clarity, and warmth. The combination of East Indian Rosewood back and sides with a Master Engelmann Spruce top gives this guitar incredible depth, warmth, and sustain, while maintaining sparkling clarity and articulation. The 25" scale and 1.75" nut width is comfortable to play, whether fingerpicking or strumming. No wonder why this model has become a favored size for many Goodall Guitar owners.

The Orchestra Model is a greatly favored shape amongst Goodall's Traditional lineup. It features a smaller, more comfortable to hold body size. Its tone is extremely powerful in the bass and midrange, with an emphasis on a broad warmth without lacking treble. It features a custom, partially scalloped bracing pattern which produces a bit more 'boominess' in the bass and midrange. It is attractively arrayed with a herringbone marquetry rosette and top purfling, and a chevron marquetry backstrip. It has been designed especially with the flatpicker and the bluegrass player in mind.

Upgraded with a Torrefied Sitka Spruce top.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

  This commemorative run continues PRS’s year-long 40th Anniversary celebration. Only 280 of this 40th Anniversary Special Semi-Hollow Limited Edition will be available. Hand-signed 40th Anniversary certificate included.
  The 40th Anniversary Special Semi-Hollow Limited Edition marries PRS innovation with distinct wood appointments to bring players an incredible amount of versatility in a unique package. Limited to just 280 pieces worldwide, this special edition features PRS’s McCarty III treble and bass pickups with a proprietary PRS Narrowfield in the center position along with an artist grade figured maple top, black limba back and neck, and Honduran rosewood fretboard and headstock veneer.

Here is a Suhr Modern Roasted finished in very cool Lime Green Metallic. Built in 2024. This guitar plays every bit as good as it looks - fast, smooth, and incredibly responsive. It is in excellent condition, showing only the faintest signs of play wear. The frets are perfect, and the setup is dialed in beautifully. It sounds fantastic and covers everything from articulate cleans to tight, powerful overdriven tones. Comes with the trem bar, spec sheet, and original G&G hardshell case.

This 2002 Gibson Firebird V is in very good condition, especially for a guitar now over 20 years old. The finish is clean with only mild surface scratches and no major dings or issues. The neck is the classic 9-ply mahogany/walnut construction with a slim profile, cream binding, and black side dots. It features a dark rosewood fingerboard with mother-of-pearl trapezoid inlays. Frets are in excellent shape with almost no wear. The reverse headstock and banjo tuners complete the iconic Firebird look.

This Gibson ES-165 Herb Ellis model was built right here in our hometown of Memphis, TN, in 2004. Beautiful Light Burst finish. Gold hardware. Its single-cutaway laminated maple body enhances resonance and stability, delivering a warm, rich jazz tone while minimizing feedback. The guitar has a mahogany neck with a comfortable, rounded profile. The rosewood fingerboard has classic split-parallelogram inlays, 20 frets and a 24.75-inch scale length, and 1-11/16" nut width. The Gibson BJB Floating humbucker is mounted to the pickguard and has a warm, articulate sound with exceptional clarity and depth. The single volume control is conveniently located on the pickguard. A floating rosewood bridge paired with a trapeze tailpiece.

  This 2001 Gibson ES-135 model was built right here in our hometown of Memphis, TN. It is a rare example with great provenance, and a cool Blue Burst finish. Originally owned by a former Gibson manager, this guitar was part of a small and unusual production run. Gibson temporarily ran out of Chromite (their name for balsa wood normally used for ES-135 center blocks), and to keep production moving, they built only 27 guitars with a solid maple center block. This is one of those rare pieces, offering a slightly different tonal response - tighter, more focused, and with a bit more punch compared to the traditional Chromite block. Think BIG ES-335 tone.

Up for sale is a 2017 Fender Eric Johnson Rosewood Stratocaster in the Tropical Turquoise finish. This model showcases Eric Johnson’s obsessive attention to detail and his pursuit of tonal perfection. Every aspect of the design was crafted to his specifications—from the specially voiced pickups and extra-contoured neck and body, to the refined tremolo assembly and electronics layout.