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This 2002 Gibson Firebird V is in very good condition, especially for a guitar now over 20 years old. The finish is clean with only mild surface scratches and no major dings or issues. The neck is the classic 9-ply mahogany/walnut construction with a slim profile, cream binding, and black side dots. It features a dark rosewood fingerboard with mother-of-pearl trapezoid inlays. Frets are in excellent shape with almost no wear. The reverse headstock and banjo tuners complete the iconic Firebird look.

This Gibson ES-165 Herb Ellis model was built right here in our hometown of Memphis, TN, in 2004. Beautiful Light Burst finish. Gold hardware. Its single-cutaway laminated maple body enhances resonance and stability, delivering a warm, rich jazz tone while minimizing feedback. The guitar has a mahogany neck with a comfortable, rounded profile. The rosewood fingerboard has classic split-parallelogram inlays, 20 frets and a 24.75-inch scale length, and 1-11/16" nut width. The Gibson BJB Floating humbucker is mounted to the pickguard and has a warm, articulate sound with exceptional clarity and depth. The single volume control is conveniently located on the pickguard. A floating rosewood bridge paired with a trapeze tailpiece.

  This 2001 Gibson ES-135 model was built right here in our hometown of Memphis, TN. It is a rare example with great provenance, and a cool Blue Burst finish. Originally owned by a former Gibson manager, this guitar was part of a small and unusual production run. Gibson temporarily ran out of Chromite (their name for balsa wood normally used for ES-135 center blocks), and to keep production moving, they built only 27 guitars with a solid maple center block. This is one of those rare pieces, offering a slightly different tonal response - tighter, more focused, and with a bit more punch compared to the traditional Chromite block. Think BIG ES-335 tone.

Up for sale is a 2017 Fender Eric Johnson Rosewood Stratocaster in the Tropical Turquoise finish. This model showcases Eric Johnson’s obsessive attention to detail and his pursuit of tonal perfection. Every aspect of the design was crafted to his specifications—from the specially voiced pickups and extra-contoured neck and body, to the refined tremolo assembly and electronics layout.

Featuring a Thermo Cured Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

This E10 D TC features a Thermo-Cured Spruce top, and Mahogany back and sides. The iconic shape of the Dreadnought is synonymous with acoustic guitars in general. Big and bold, these cannons are perfect for ensemble settings where the guitar competes for sonic space with other instruments or accompanying strong singers. The Dreadnought is the classic flat-picking bluegrass instrument.

Featuring a Thermo Cured Spruce top, solid Sapele back and sides, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo Cured Spruce top, solid Sapele back and sides, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

This Limited Edition Bourgeois Slope Shoulder SD is #2 of 12, built in 2017. The guitar features a beautifully figured set of Brazilian Rosewood back and sides with an Aged Tone Adirondack Spruce top, Aged Tone finish, and Aged Tone torrefied bracing. It has outstanding clarity, power, and warmth with that unmistakable Bourgeois openness and punch. It plays and sounds absolutely incredible.

Built for the 2016 NAMM Show, this Bourgeois Custom D Large Soundhole Dreadnought is a rare and exceptional instrument, crafted with top-tier tonewoods and premium appointments throughout. Featuring stunning Brazilian Rosewood back and sides with beautiful grain and color, paired with an Aged Tone Adirondack Spruce top, it delivers power, clarity, and openness. The Aged Tone finish, Banjo Killer bracing, and hide glue construction take the tone even further: dry, punchy, responsive, and wonderfully alive. It plays and sounds great!

This E20 SS TC features a Thermo-Cured Adirondack Spruce top, Rosewood Back & Sides, and sloped shoulders. The iconic shape of the Dreadnought is synonymous with acoustic guitars in general. Big and bold, these cannons are perfect for ensemble settings where the guitar competes for sonic space with other instruments or accompanying strong singers. The Dreadnought is the classic flat-picking bluegrass instrument.