Search results for 'suhr classic t pro'

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  1. Xotic California Classic XTC-1 White Blonde Master Grade Roasted Flame Maple

    Combining vibrant vintage tone and appearance with premium appointments, the Xotic California Classic XTC series is a made in USA, vintage inspired guitar that unites the modern player with a time tested classic.

    XTC-1 model
    Medium Aging
    White Blonde finish
    Ash body
    XTC (50's Style) Bridge/Saddles
    Master Grade Roasted Flame Maple
    #6150 (Med Jumbo) frets
    9.5" Fingerboard
    White 1-ply Pickguard
    Raw Vintage RV-TE1 Neck (Medium Aged Cover) pickup
    XTC 50's Style bridge pickup
    Gotoh locking vintage-style tuners
    Hardshell case

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  2. Paul Reed Smith McCarty 594 Semi-Hollow Limited 10-Top - Violet #5105

      Here's a beautiful Semi-Hollow McCarty 594 Violet. It features a highly figured flamed maple 10 top, 58/15 LT (Low Turn) pickups to deliver vintage hum bucking and single coil tones, push/pull coil taps on the tone controls, and updated Phase III locking tuners that transfer more energy to the headstock.The guitar's f-hole and semi-hollow body give the instrument a breathy tone and rich resonance.
      The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

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  3. Paul Reed Smith Custom 24 - Violet Blue Burst Wrap #6244

      The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars' first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features a Pattern Regular neck profile, PRS's patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
      The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

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  4. Paul Reed Smith Special 22 Semi-Hollow Limited Edition 10-Top - Aquamarine #4903

      Featuring a 10-Top with an Aquamarine finish. This PRS Special 22 Semi-Hollow Limited Edition guitar offers players a versatile hum/single/hum configuration with two PRS 58/15 MT (Multi-Tap) humbuckers and a PRS Narrowfield middle pickup. McCarty Sunburst finish. The 58/15 MT’s offer all the tone of the originals while compensating for volume loss when split to single coils. The Narrowfield pickup delivers the bite of a single coil – without the hum but with plenty of clarity and punch. Paired with a 5-Way blade switch and two mini-toggles that tap the hum- buckers, this guitar can handle myriad sounds and styles, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.
      The foundation of this guitar is very much like a Custom 22 – maple top, mahogany back, 22-fret 25" scale length mahogany neck, rosewood fretboard, Pattern neck profile, Phase III tuners, and PRS Gen III patented tremolo – but the versatile electronics truly carry it to new sonic territory.

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  5. Used Collings MF5 V Mandolin F-Style Varnish Sunburst Finish

    2005 Collings MF5 V full gloss F style mandolin, with hand rubbed oil based varnish finish. Thinner than nitrocellulose lacquer, the varnish finish is more flexible and allows the wood to resonate more, significantly smoothing out the mids and highs while extending the low end considerably. The tonal qualities produced by the varnish finish are amazing, especially when compared side by side to a mandolin without it. This is Colling's fully appointed mandolin with carved Adirondack top, full Ivoroid binding, Pearl inlays, highly figured custom flamed Maple back and sides, and bound Ebony pickguard. Excellent condition, showing no fret wear. It was obviously very well taken care of by the original owner. It is absolutely beautiful, and the sound is phenomenal. This is a serious instrument for a serious player. Comes with original hardshell case.

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  6. USED 2015 Tom Anderson Drop Mongrel w/Flame Top Natural Autumn Burst

      Here's a gorgeous Tom Anderson Drop Mongrel. It has the best parts of a Strat and Tele rolled into one single guitar. Built in 2015. Beautiful flamed maple top on an Alder body in Natural Autumn Burst finish. In near mint condition. One of the most comfortable guitars you'll ever put your hands on. Super easy to play. Extremely loud and resonant when played acoustically which is always the sign of a superior instrument. The 5 way switch with a push pull pot to add the bridge allows you to get all the classic Start and Tele tones, and the pickups are noiseless too. Extremely light weight too at a mere 6 pounds 10 ounces.
      New retail price for this guitar was $4374 with a street price of $3368. Grab this killer guitar for a fraction of that price!
      From Anderson: The Drop Mongrel is any of our wonderful Anderson "T" models with full and comfortable body contours, crowned with an "S" pickguard. Appointed with our Anderson assembled Vintage Trem. All together this makes one superbly cool, familiar and yet totally unique guitar that possesses some attributes never before accessible in one instrument. A perfect combination. A real Mongrel (Drop Mongrel).

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  7. Eastman E10D-TC Thermo-Cured Adirondack/Mahogany #5383

    Regular Price: $1,699.00

    Special Price $1,399.00

    Neck Material: Mahogany
    Fingerboard: Ebony
    Fingerboard Radius: 12"
    Neck Profile: Traditional Even "C"
    Nut: Bone 1 3/4"
    Fretwire: 20 Jescar-FW43080
    Scale Length: 25.4"
    Body Dimensions: 16" X 4-23/32"
    Bracings: Hand-Carved Scalloped X
    Body Top: Solid Thermo-Cured Adirondack Spruce
    Body Back/Sides: Solid Mahogany
    Bridge/Saddle: Ebony/Bone, 2-5/32" Spacing
    Rosette: Classic
    Truss Rod: Dual Acting
    Binding: Top/Back
    Binding Material: Tortoise Shell
    Logo: Pearl Headstock
    Inlay: Pearl Dots
    Bridge Pins: Ebony
    Body Finish: Gloss Nitrocellulose
    Neck Finish: Satin Nitrocellulose
    Hardware Color: Nickel
    Pickguard: Tortoise Shell
    Tuners: Open-Gear Ping V93N 3+3
    Strings: D'Addario .012 -.053 EXP16
    Case: Hardshell Case

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  8. Eastman T59/V-AMB - Semi-Hollow - Antique Amber #0816

    Neck Material: Maple
    Fingerboard: Ebony
    Fingerboard Radius: 12"
    Neck Profile: Traditional Even "C"
    Nut: Bone 1 3/4"
    Fretwire: 22 Medium Jumbo Jescar 47104
    Scale Length: 24.75"
    Body Style: 16" Thinline
    Body Dimensions: 16" x 1 3/4"
    Body Top: Deluxe Maple Laminate
    Body Back/Sides: Deluxe Maple Laminate
    Truss Rod: Single Acting
    Binding: Headstock, Neck, Body,
    Binding Material: Ivoroid
    Logo: Pearl Headstock
    Inlay: Pearl Split Blocks
    Finish: Antique Varnish
    Hardware Color: Aged Nickel
    Pickguard: None
    Tailpiece: Gotoh Relic Series GE101A
    Bridge: Gotoh Relic Series GE104B
    Tuners: Gotoh Relic Series SD90
    Knobs: Amber Speed Knobs
    Neck Pickup: Seymour Duncan Antiquity
    Bridge Pickup: Seymour Duncan Antiquity
    Pickup Height: 3/32" bass side, 3/32" Treble Side
    Pickup Frame: Black Plastic
    3 Way Switch: Switchcraft
    Switch Tip: Amber Switchcraft
    Capacitors: 0.022μF
    Potentiometers: 500K AudioTaper
    Output Jack: Switchcraft
    Strings: D’Addario NYXL .010 - .046
    Case: Hardshell Case

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  9. USED C-Fox C-Sonoma - Cedar/Indian Rosewood

    C-Fox Sonoma series hand built all solid wood concert size guitar with cedar and Indian Rosewood. Charles Fox, founder of the American School of Lutherie, is one of the finest guitar builders in the world. He built guitars under the C Fox brand for a short period in the late 90's and early 2000's. Now he only builds custom guitars that are extremely expensive, and built in very small quantities. This guitar is no case-queen. It was owned, loved, and toured with by a pro musician and it shows. There are nicks, dings, scratches, finish checks, and a stable top crack (the guitar is priced accordingly). Why was this guitar picked up and bought by a pro? Because it sounds amazing. It's an incredibly responsive instrument. Well balanced in all registers. The bass response is big and punchy. Trebles sparkle and resonate for long periods. Midrange is projective and clear. It has huge punch and does not clip even with hard flatpicking. String clarity and separation are immediately noticed. The guitar is not as loud as a dreadnought but close. It has opened up beautifully and sounds very mature. Beautiful design, gorgeous woods, unique looks, and top self parts are combined in this guitar for an incredible instrument.

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  10. Ernie Ball Music Man BFR StingRay 5 - One-of-91 - Giants Orange #5590

    Limited to just 91 pieces worldwide! This special edition Stingray 5 features a lightweight ash body with a highly figured quilted maple top. The smooth satin figured roasted maple neck with rosewood fingerboard is accented with pearlescent white block position markers and hand fitted white binding. Equipped with dual alnico humbucking pickups, 3-band EQ and 5-way switch, this bass delivers all of the familiar Stingray punch along with a variety of coil voicing options. Contrary to most other SR5 basses the traditional large pickguard has been removed, in this case, to showcase the exquisite quilted top. Other key features include all black hardware and Schaller tuners. Limited to 91 pieces worldwide.

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  11. 1986 G&L Broadcaster serial #00002

    Every now and then a guitar comes along that has so much documented history, it reads like a great book. This guitar can be traced back to it's inception. We have a 1986 G&L Broadcaster serial #BC00002. Check that out. Number 2! Here's the story: This guitar was purchased from Kenneth Hyatt, son of the late Dale L. Hyatt. Dale Hyatt was one the original partners of G&L, along with Leo Fender and George Fullerton. The entire saga is written up by My Hyatt's son in a several-page letter that will be included with the guitar. The history is eloquently written and quite fascinating; detailing the history of G&L. I'll give a brief synopsis: Dale Hyatt had worked with Leo Fender for years, back in the Fender days and again, with G&L. When George Fullerton left, Dale Hyatt took over the day to day management of the factory. Mr Hyatt had a keen sense of history and kept the first serial number plates, 00001 to 00059 for special models. In 1986 this guitar was built for Dale Hyatt using the early serial plate and it is signed by Leo Fender.

    This guitar is in mint condition. It has never been played and still has the protective plastic covering on the pickguard. We also have the original shipping box! The "black on black" design again was Dale Hyatt's idea. This instrument is not only historically significant, it's a fantastic guitar.

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    - XCS-2
    - Alder Body
    - Lake Placid Blue over Blue Paisley
    - Heavy aging
    Master Grade Roasted Flamed Maple Neck  
    - Modern C Neck Shape 
    Master Grade Roasted Flamed Maple Fingerboard
    - Ivory Inlay
    - 9.5" Compound Radius
    - 6150 Med Jumbo Frets
    - Mint Ivory 3P Pickguard
    - Gotoh Locking Vintage Tuners 
    - RV-50 Neck & Middle Pickup
    - RV-PAF F-space Bridge Pickup
    - Hardshell Case

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