Search results for 'trans denim'

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  1. Bad Cat Classic Pro R - 1x12 Combo
    $1,699.00 Click for price

    The Classic Pro R is the 6V6/6L6 powered amplifier Bad Cat enthusiasts have been begging them to build for years. This blackface beauty is the latest addition to the USA Player Series.
    This Classic Pro is expertly hand-built by the Bad Cat team in their Southern California shop using the same components and materials as their point-to-point Legacy Series amps.
    Incorporating Bad Cat’s patented K Master circuit the amplifier offers big headroom, beautiful string to string note definition, incredible smooth break-up and rich harmonics. The American style punch and sparkle is here and yet they don’t comprise the Bad Cat signature sound.

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  2. 1976 Martin D-76 Bicentennial Limited Edition Rare Gold Hardware w/possible Elvis Presley connection
    $3,500.00

    How about the Martin guitar company? They may be the ultimate American success story. A company founded by immigrants that has become the iconic American guitar manufacturer success story. Martin did not forget their roots. When our country reached its Bicentennial in 1976, Martin introduced this guitar to honor the country that has given them so much. Very cool in my opinion. The Martin D-76 was a limited run of 1976 guitars. The ebony fingerboard has 13 stars to acknowledge the original 13 states. It has a three piece Indian rosewood back, Bicentennial Eagle on the headstock, and herringbone trim around the soundhole. As a special bonus this guitar was sold with a transferable warranty. How cool is that? The D-76 is the only model that we know of that Martin has offered a transferable warranty. This one is clean and nice. There is some light wear, but overall it looks fine. No cracks or problems. The action is great, and it plays fantastically. It sounds wonderful. The frets are in near-perfect condition...it's ready to go.

    One VERY interesting detail that sets this guitar apart from other D-76's is the gold tuners. It's the only D-76 we've ever seen with gold hardware, and according to the previous owner, the possibility that Elvis Presley special ordered it would explain the tuners. How could Elvis, the King Of Rock And Roll, not get a guitar without gold?

    Here's the guitar's history from the previous owner:

    "I purchased this D-76, new, from Berl Olswanger Music Inc. in Memphis, Tennessee in 1976. Martin honored the American Bicentennial, by creating This Special commemorative model D-76 Dreadnought. There were only 1976 made. What sets this guitar apart from other D-76 guitars is the story that was relayed to me by their salesman, Jim (I can't remember his last name). On the sales receipt he only signed his first name, and in the box "Sold by" he initialed "JEC". Both he and the music store are now deceased, so there is no way to verify this story. However, I had a long standing dealer/customer relationship with Jim and found him to be quite honest, so I have no reason to doubt his story. Allegedly, this guitar was ordered for Elvis in early 1976. It was lost in shipment for almost a year, so they reordered another one for Elvis, and delivered it to him just days before his death, in August of 1977.
    Sometime in 1979 this D-76 was found in the shippers warehouse and delivered to Berl Olswanger Music.
    When I first heard of the D-76 guitars I had tried in vain, to get Jim to order one for me. He indicated that had already ordered one for Elvis, and they were only allotted one D-76 per dealership.
    On one of my later visits to the store, Jim told me this story of how they wound up with an extra D-76, but said he thought he might keep it for himself. In December of 1980, Jim called and asked if I was still interested in adding it to my collection. He said it was still in the store, had not been out of its case more than a couple of times, and had never been registered, so I would be registered as the original owner. Naturally, I said yes.
    However, $1,976.00 was a lot of money in those days, so it took about a year to get it out of Lay-A-Way. The transferable warranty certificate, registered in 1982, shows me as the original owner."

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  3. 2006 R. Taylor Style 1 Indian Rosewood/Sitka Spruce w/Laskin Armrest
    $3,400.00

    Bob Taylor has been making fine guitars for many years. When he puts his name on a signature guitar, then you know it's a good one. Taylor is not making the R Taylor Signature line right now, so this is a rare opportunity to own one. Taylor used only his most experienced craftsman on these instruments, with the best woods, in a small shop setting outside of the regular Taylor Guitar prodution. Here we have a 2006 R Taylor Style 1. Spruce top, Indian Rosewood back and sides, Ebony fingerboard, and an Ebony contoured arm bevel. The Laskin Armrest is a fantastic option that makes the guitar much more comfortable to play...it was also an additional $1500. The R Taylor guitars have a one-piece neck, without the scarf joint like the regular Taylor production guitars have. It is an amazing sounding guitar, that is perfectly suited for both strumming and fingerpicking. The kerfing is steamed and bent just the way cellos are made. The bridge plate is inlaid into the top, creating better tone and sound transference. It has the Expression system electronics, which sounds great. This guitar is clean and nice. The neck is straight and true. The frets are in perfect condition. There is a ding on the back, but it does not go through to the wood. It has the deluxe R Taylor case. A truly fantastic guitar. It's our acoustic salesman's current favorite guitar in the shop...you better buy it before he does.

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  4. PAUL REED SMITH MCCARTY 594 - ARTIST UPGRADES - BRAZILIAN BOARD - COPPERHEAD #3007
    $4,440.00

    This McCarty 594 has been upgraded with an Artist finish (Copperhead), and Brazilian Rosewood fingerboard and headstock veneer. These features are usually only available on Artist Package models, but are being made a available for a very limited time. Also features a Pattern Vintage neck profile.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  5. Vintage 1971 Marshall 1959 Super Lead 100 Head & matching 4x12 cab
    $3,750.00

    Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

    The amp has been completely gone through and serviced: new F&T filter caps installed; three new Tung-Sol 12AX7 preamp tubes; new EL-34 power tubes; cleaned contact points to ensure good grounds; preamp circuit returned to '71 circuit; replaced output sockets with Beltons; new Carling switches installed; output transformer transformer wire splices redone to NASA standards, insulated, and secured beneath board; new grounded cable installed, fuse wire to code, unnecessary polarity circuit removed; 3000V diodes to prevent flyback damage; 1R resistors for checking individual output current draw (Yes, I know this is not how Marshall did it originally. This is better); Output jacks put back in, but new wire (The old thin stuff was bent and slightly corroded...not something I'd trust this output transformer to); all new 18AWG buss wire with good solder joints.

    The matching 4x12 cabinet has the original greenback Celestion G-12M 25 watt speakers.

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  6. Suhr Custom Modern - Silver Drip - Left-Handed #1996
    $4,780.00

    Sometimes things just don't work out. A customer ordered this guitar from Suhr to his exact specs. Very cool specs, but unfortunately was unable to complete the transaction. Let his loss be your gain. What we have is a new Suhr Modern left-handed. It is set up from Suhr for right-handed playing, because that is how this guy learned to play. It is a left-handed guitar though, and could be strung as a left-handed guitar by simply swapping out the Floyd nut. I'm right-handed and I would play this guitar because I think guitars look really cool upside down. It's also a flat-out incredible guitar, and sounds amazing.
    It's got a roasted Alder body, roasted Maple neck and fingerboard, 10-14" compound radius, Modern Elliptical neck carve (.800-.850), jumbo stainless steel frets, Suhr SSV pickup in the neck, SSH Plus in the bridge, Floyd Rose tremelo, locking nut, five way switch, and push-pull parallel pot for the bridge pickup.
    It's brand new, never been sold, comes with full warranty, hard-case, and is ready to go.

    The retail price for this guitar is $4780. Please call us directly for extra special pricing.

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  7. G&L JB - Block Inlay - 3-Tone Sunburst #6347
    $2,841.00 Click for price

    What could be cooler than a 70's Fender Jazz Bass?  How about a brand new, G&L JB?  This is so cool, a maple neck with a black, block markers, sunburst finish, two G&L JB Alinico 5 single coil pickups.  The neck is hard rock maple, the body is alder, it is 1 1/2'' at the nut.  If you like seventies funk, you'll be over the moon for this.  The Brothers Johnson wish they had this bass.  I've dealt vintage guitars for many years and this is better than any 70's vintage Jazz Bass I ever had.  I don't want offend any owners of 70's Fender's, I LOVE them, but this is lighter, and honestly, better made.  Hey, don't take my word for it. Try it, you'll love it.  Comes with hard case.

     

    Featuring black Block Inlay and Neck Binding.

    Model: JB
    Body Wood: Alder
    Body Finish: 3-Tone Sunburst
    Pickguard: 3-ply Black/White/Black
    Bridge: Saddle-Lock
    Neck Profile: #8 G&L Medium C (.820-.920)
    Nut: Bone
    Nut Width: 1 1/2"
    Radius: 9.5" Radius
    Neck Wood: Hard-rock Maple
    Fingerboard: Maple
    Neck Finish: Gloss Vintage Tint
    Frets: Medium Jumbo
    Neck Other: Black Block Inlay
    Neck Binding: Black
    Tuners: G&L Ultra-Lite
    Pickups: G&L JB Alnico 5 Single Coil
    Controls: Dual Volume, tone
    Setup: PLEK
    Case: Deluxe Black Tolex

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  8. PAUL REED SMITH MCCARTY 594 - BRAZILIAN ROSEWOOD FINGERBOARD - McCarty Tobacco Sunburst #1850
    $3,685.00

    This McCarty 594 features Brazilian rosewood fingerboard. This feature is usually only available on Artist Package models, but is available here for a very limited time.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  9. Bergantino Audio B|Amp Bass Amplifier
    $1,199.00

    The new Bergantino B|Amp (pronounced “bee-amp”) is a game changer in the Bass Amplification industry! The Bergantino Audio Systems’ B|Amp is an incredibly flexible, state-of-the-art Bass Amplifier, delivering maximum performance in a compact package. The B|Amp takes a completely new approach to bass amplification by considering and including the speaker cabinet’s response as part of the amplification signal path. No other bass amplifier on the market has the ability to manage speaker and overall system performance like the B|AMP.

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  10. PAUL REED SMITH MCCARTY 594 - Artist Upgrades - BRAZILIAN BOARD - RIVER BLUE #2418
    $3,700.00

    This McCarty 594 has been upgraded with an Artist finish (River Blue), and Brazilian Rosewood fingerboard and headstock veneer. These features are usually only available on Artist Package models, but are being made a available for a very limited time. Also features a Pattern Vintage neck profile.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  11. PAUL REED SMITH MCCARTY 594 - Artist Upgrades - FLAME MAPLE NECK/BOARD - FADED WHALE BLUE #2294
    $3,840.00

    This McCarty 594 has been upgraded with an Artist grade figured maple neck and fingerboard. This feature is usually only available on Artist Package models, but is being made a available for a very limited time. Also features a Pattern Vintage neck profile.

    The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

    "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  12. Suhr Limited Edition Finish Over Finish Classic Antique - Candy Apple Red over 3-Tone Burst #7D7F
    Click for price

    Limited to only 200 instruments worldwide. The Limited Edition Finish Over Finish Classic Antique was inspired by the sought after well-weathered paint jobs
    found on vintage instruments of an era gone by.

    Each Finish Over Finish Classic Antique is accurately painted to recreate these unique finishes by applying a solid thin nitrocellulose lacquer finish over a 3-tone burst, and then carefully aged to expose the two distinct finishes.

     

     

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