Search results for 'trans denim'

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  1. Paul Reed Smith McCarty 594 - 10-Top - Turquoise  #0224
    $4,300.00

      Featurning a 10-Top, and Pattern Vintage neck profile.
      The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.
      "The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

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  2. USED 2006 R.Taylor Style 1 #008 GS Rare Cedar/Mahogany
    $2,995.00

      R.Taylor Style 1 serial #008. This is the first R.Taylor we received as a dealer in 2006. It's the earliest serial number we've seen come up for sale too. This is a really good one. Taylor's 514ce model was one of their most popular for many years. And rightfully so, the combination of Mahogany and cedar is fantastic. Imagine the best sounding and playing 514 but on steroids and that's this guitar. It sounds bigger that a 514, is louder, has more sustain, with a higher volume ceiling, and with no loss of tonal balance.
      R. Taylor Guitars was a division of Taylor, the guitars were a step above the custom built Taylor models. Built in a different building from the rest of the Taylor production by a handful of Taylor's very best and most experienced luthier's. While still taking advantage of Taylor's vast resources and precision guitar components, these more experienced luthiers at R. Taylor worked in a small shop environment where they were able to spend more time on each individual guitar, tweaking the bracings if needed, instead of always leaving them exactly the way the CNC machines cut them like a production Taylor guitar.
      Some of the major structural differences between an R. Taylor and regular Taylor is rather than using kerfing, R. Taylor used steamed and bent solid linings which involve more labor. This makes the sides far more rigid than traditional construction methods and translates into a lot more power than a similar shaped Taylor. The bridge plate is inset into the top giving it a lower interior profile and more sound transference to the top. The neck is a made out of one piece of mahogany while the standard Taylor uses a two piece neck heel and a headstock with a scarf joint.
      In excellent condition. The only blemishes worth mentioning are a center seam separation that extends 1-1/4" below the bridge, and some very light belt buckle scrapes on the back. No other issues or signs of dryness. The frets are near perfect showing only the slightest hints of play. This R. Taylor Style 2 features Cedar Top, Mahogany Back and Sides, Tropical Mahogany Neck, Indian rosewood Body and Neck Binding, 1-3/4" Nut Width, 25" Scale, '65 Top Radius, and an Ameritage Hardshell Case.

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  3. Paul Reed Smith 2002 NAMM Show EB-4 Bass Transparent Orange 10-Top RARE
    $2,695.00

      Here's a 2002 Paul Reed Smith EB-4 bass that was shown at the 2002 summer NAMM Show in Nashville, TN. It was this show that PRS introduced their new Transparent Orange color, and every instrument that was displayed was orange. It was one of two PRS basses shown there. The other bass did not have a maple top. This one was fully blown with all the options sporting a gorgeous highly figured flamed maple 10 top, bird inlays, gold hardware, Indian Rosewood fingerboard, bolt-on maple neck, 2 single coil rail pickups, active preamp, 2 way switch for active or passive operation, 2 volume controls, 1 tone control. Transparent orange finish, 34" scale, and 21 frets.
      One of the lightest PRS basses we've seen, weighing only 8 pounds 6 ounces. Very loud and resonant when played acoustically, with fantastic sustain. Sounds amazing when plugged in. In passive mode it has a tone similar to a Fender Jazz bass but with a bigger, fuller output. In active mode the tone is reminiscent of a Music Man Stingray. Of course the build quality is exceptional.
      This bass was collector owned and is in mint condition. No scratches, no dings, no nicks, no fret wear. It as not been played outside of initial set-up and tuning.
      The original hard shell case, hang tags, and all paperwork included.

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  4. USED Gibson 2015 Memphis Limited Run ES-Les Paul Custom Semi-Hollow
    $2,495.00

    Looking for a Gibson Les Paul Custom but don't want a heavy guitar? Here's the guitar for you. A rare and very cool Gibson ES-Les Paul Custom semi-hollow electric. A 2015 limited run model that was made right here in Memphis, TN. The guitar is feather light, only 6.4 pounds. Semi-hollow construction just like a ES-335 but with a smaller, Les Paul body. The guitar is feather light, only 6.4 pounds. 100% original and no repairs, in excellent condition showing only very minor scuff marks, no dents or other major cosmetic wear. The neck is straight and true. The frets are in perfect condition and show zero wear. It's set up nicely with fast and low action. It looks, sounds, and feels great. Comes with original hard shell case, COA and paperwork.

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  5. 2006 R.Taylor Style 1 GS Rare Old Growth Redwood/Figured Walnut #245
    $4,495.00

      R. Taylor Guitars was a division of Taylor, the guitars were a step above the custom built Taylor models. Built in a different building from the rest of the Taylor production by a handful of Taylor's very best and most experienced luthier's. While still taking advantage of Taylor's vast resources and precision guitar components, these more experienced luthiers at R. Taylor worked in a small shop environment where they were able to spend more time on each individual guitar tweaking the bracings, if needed, instead of always leaving them exactly the way the CNC machines cut them like a production Taylor guitar.
      Some of the major structural differences between an R. Taylor and regular Taylor is rather than using kerfing, R. Taylor used steamed and bent solid linings which involve more labor. This makes the sides far more rigid than traditional construction methods and translates into a lot more power than a similar shaped Taylor. The bridge plate is inset into the top giving it a lower interior profile and more sound transference to the top. The neck is a made out of one piece of mahogany while the standard Taylor uses a two piece neck heel and a headstock with a scarf joint.
      In excellent, near mint condition. No dings, no nicks, only a tiny cloud of pick marks that are so slight you have to hold the guitar at just the right angle in just the right light to see. The frets are perfect. A Fishman Ellipse Blend pickup has been professionally installed. There are no issues with this guitar.
      This guitar has opened up beautifully over the past 13 years. Warm, thick, and rich trebles from the gorgeous Old Growth Redwood top combined with tight, full, and focused bottom end response of the walnut back and sides make this R. Taylor a phenomenal fingerstyle guitar. Old growth Redwood like this is stronger than cedar giving you the best qualities of cedar but with much more dynamic range. It also gives it more power and projection with a higher volume ceiling, meaning this guitar responds beautifully to a flat pick. You can strum this very hard without the compression and top distortion you would get with a cedar top. Truly the best of both worlds and an incredible combination of woods that would suit any style of playing...This R. Taylor Style 1 features Old Growth Redwood Top, highly figured walnut Back and Sides, Tropical Mahogany Neck, Ebony Body and Neck Binding, 1-3/4" Nut Width, 25" Scale, '65 Top Radius, and an Ameritage Hardshell Case.

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  6. VINTAGE 1972 Fender Super Reverb Silverface 4x10
    $1,795.00

    Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.
      Here's a 1972 Fender Super Reverb in excellent condition, and in perfect working order. This Super has a voice that is both rich and smooth, providing a clear and punchy sound that sparkles with the best. Recently serviced, the amp is able to deliver huge cleans and incredible power like few other Fenders can.
      The circuit and transformers are all original. All electrolytic caps have been replaced with F&T and Vishay caps. New power cables has been installed and grounded correctly. New MOD reverb tank installed and reverb bag cleaned. New JJ GZ34 rectifier tube installed and the bias has been set. All the hardware throughout the amp has been tightened and pots cleaned.
      The speakers are a 2 original vintage Jensen's and 2 modern Fender branded ceramic 10" drivers. These speakers all have clean frames and sound great, easily handling the wattage of the amp. The original smooth black tolex is intact and in good condition The faceplate retains all of the original knobs, and the raised Fender logo on the grillcloth is present too. The stock hardware is present including the chassis straps, corners, handle caps, and tilt-back legs. A set of casters has also been installed.
      This vintage Fender Super Reverb has been thoroughly serviced and retubed and is ready for stage and studio use.

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  7. Marshall 1979 JMP 2104 50W 2x12 combo
    $1,600.00

    Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

    What? What was that? I didn't hear you. You see, we the folks at Martin Music have sacrificed our hearing cranking up amps like this fine Marshall JMP combo, so we can give a report of each amp's tonal qualities. Here's the report in full, "It's loud as hell and it sounds awesome!" Succinct, and directly to the point. Here we have a Marshall JMP model 2104 50 watt master volume combo amplifier in excellent condition. Serial number 06891L. Overall it's in incredible condition for an amp that's 40 years old! It sounds incredible. Original Celestion speakers, and original transformers. Plug an SG into it and you'll get that elusive AC/DC crunch with all the sustain, feel, and growl so many of your favorite classic albums had. We've heard a lot of Marshalls...they are not all created equal...this is a good one. Grab it while you can.

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  8. Paul Reed Smith Original Sewell 50 Watt Paisley Amp Head
    $1,995.00

      Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

      Here's a rare Paisley version of the Paul Reed Smith Original Sewell 50 Tube Guitar Amplifier head. In mint condition. Everything works perfectly.
    Description:
      The Sewell 50 watt guitar head delivers sweet highs and tight lows that surround a warm midrange. The controls on this head allow you to craft your tone for complete expressiveness. Notes bloom and sustain with rich harmonics, enhancing your fundamental notes. The Sewell 50 head has volume, treble, bass/boost and master volume for controls and feature two EL34 power tubes.
      The Sewell 50 Head is hand wired utilizing military spec tag boards and the finest components available. All pots, jacks, power tube sockets and switches are chassis mounted, plus shielded wire is utilized where critical. Additional features are two EL34 power tubes, fixed bias, volume, bass & treble controls, master volume & bright switch, 50 watts, Cinemag output transformer.

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  9. Paul Reed Smith McCarty 594 Semi-Hollow - 10-Top - Copperhead Burst #8904
    $4,400.00

      This PRS Semi-Hollow McCarty 594 Copperhead Burst features a highly figured, flamed maple 10 top, Pattern Vintage neck carve, 58/15 LT (Low Turn) pickups to deliver vintage hum bucking and single coil tones, push/pull coil taps on the tone controls, and updated Phase III locking tuners that transfer more energy to the headstock. The guitar's f-hole and semi-hollow body give the instrument a breathy tone and rich resonance.
      The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

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  10. Mesa/Boogie California Tweed 1x12 Combo - Cream Bronco/Cream-Tan Weave Jute Grille
    $1,899.00

      In the twilight of the 1960s, SF Bay Area amp repairman to the Stars, Randall Smith, was inspired to start building his own amplifiers after coming to a deep appreciation for the '50s Tweed circuits developed by Leo Fender. He loved their organic sounding voice, powerful controls and the way they smoothly transitioned from clean to clip and back again.
      Standing on the shoulders of a giant, Smith’s (and the World’s) first venture into boutique guitar amplification resulted in a new Boogie amp design inspired by that wonderful, timeless sounding preamp. Five Decades later we return to pay homage. Now, drawing on these 50 years of experience, we bring forward an exciting new realm of tweed-based performance and authentic 6V6 character. A beautifully simplistic design that raises the bar in the world of vintage tone. The NEW CALIFORNIA TWEED

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  11. Paul Reed Smith McCarty 594 Semi-Hollow Limited 10-Top - Violet #5105
    $4,400.00

      Here's a beautiful Semi-Hollow McCarty 594 Violet. It features a highly figured flamed maple 10 top, 58/15 LT (Low Turn) pickups to deliver vintage hum bucking and single coil tones, push/pull coil taps on the tone controls, and updated Phase III locking tuners that transfer more energy to the headstock.The guitar's f-hole and semi-hollow body give the instrument a breathy tone and rich resonance.
      The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

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  12. SUHR CLASSIC T - Trans Butterscotch #0J3P
    $2,799.00

    The new Classic T features a 60's C vintage standard neck profile. The Classic T retains many of the original specifications of the Classic T Pro including the SSCII hum canceling system and stainless steel frets. The Wilkinson compensated 3-saddle bridge provides classic 3-saddle tone with superior intonation.

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