Search results for 'wood library'

Here's a very cool Fender Jaguar, made at the Fullerton Plant (Fender - Pre CBS Era), USA in 196. Serial #92752. Three tone sunburst finish on alder body. Maple neck, with a curved Brazilian Rosewood veneer fingerboard adorned with clay dots. The tone potentiometer code 304-6245 designates it was made by Stackpole Electronics, Inc. in the 45th week of 1962.

  The brainchild of Sarah Tyler, the 35th Anniversary Studio Elite commemorates the birth year of the Studio Elite with Jim's iconic headstock design: 1987. This year marks a pivotal moment when Jim transitioned to full-time guitar building, leaving behind mods and repairs for good. With the guitar turning 35 years old in 2022, it was only fitting to celebrate its rich history.
  To honor this milestone, every aspect of the guitar reflects California craftsmanship and tones, paying homage to the early Tylers made with Mamywo. The guitar features lead/rhythm circuits with mid-boost preamps, reminiscent of those classic models. Additionally, to infuse a touch of modernity, Tyler incorporated the Stingray 500 pickups with the new cancelling coil circuit.

  Ernie Ball Music Man is pleased to announce the addition of the DarkRay 4 string bass. Designed in collaboration with world-renowned bass accessory manufacturer Darkglass Electronics, the DarkRay unlocks a whole new range of sonic capabilities.
  At the heart of every instrument is its tone: in this case, a new modern 2 Band EQ preamp was designed by Darkglass specifically for the DarkRay. This preamp offers three modes with very distinct and useful sounds: Clean, Alpha (distortion), and Omega (fuzz). Both distortion circuits are fully mixable via an onboard gain knob and blend control manipulated to the user's preference. Astonishing clean, slight gain, or a brutal fuzz tone is obtainable, all with no low-end loss. A bright LED ring and the 3-way lever switch indicates which mode the bass is in.
  The all-new DarkRay is every bit a Stingray Special with neodymium humbucking pickup, roasted maple neck, comfort contoured body, 22 stainless steel frets, and the familiar 3+1 headstock configuration.

  If this one isn't already on your radar, it should be. For a smaller body guitar, Larrivee's 0-40r creates an outstanding range of sound. It is not only seriously fun to play, and easy to sit with; but is surprisingly full-sounding, and balanced. This would make an outstanding instrument for recording.
  Built in America using all solid woods, bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners.
 This one is upgraded with a Moon Spruce top for added punch, and JCL headstock logo.
  Between the sharp aesthetic, the high-caliber build quality, and most importantly the gorgeous sound, this model might seriously become your go-to piece.

A spectacular US-made, all-solid wood 12-string; the Larrivee J-03-MH Jumbo 12-String features a Moon Spruce top, and mahogany back and sides. HUGE sound from the Jumbo body, with a gorgeous, wide frequency response. This is what you want a 12-string to sound like. Additional features such as Rosewood binding, bone nut & saddle, abalone rosette, and 1-piece mahogany neck, are the sort of high-end touches you expect from Larrivee. Comes with hardshell case.

  Here's a very nice Taylor 314-CE acoustic electric. USA made in 2013. Professional grade instrument with all solid wood construction. It's a 6 string grand auditorium size with Sitka Spruce top, sapele back and sides, soft (Venetian) cutaway, 1 3/4" nut width, black binding, wood fiber rosette, pearl dot inlay on fretboard, mahogany neck with ebony fingerboard, ebony bridge, Taylor Expression pickup system, 25 1/2" scale, and satin finished body with gloss top.
  This one has grown sweetly mellow over the years and has great balance with great dynamic range. Overall the guitar is appears very clean with some light surface scratches and dings on the top back and sides. The neck is straight and true. Frets show some slight impressions here and there under the B and high-E strings. Nothing that affects playability. The frets should have years of play left in them. Comes with Taylor hardshell case.

Featuring a solid Thermo-Cured Sitka Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo-cured Sitka Spruce top, and Rosewood back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Crafted with hand-friendly design features, an inspiring tonewood pairing and a suite of celebratory appointments, the 50th Anniversary Builder’s Edition 314ce LTD offers exceptional comfort, playability, tone and aesthetics. This ultra-refined version of one of the best-selling U.S.-made acoustics boasts a bevy of comfort-enhancing features: a beveled armrest and cutaway, chamfered body edges and a contoured Curve Wing bridge. Urban Ash back and sides, responsibly sourced from Southern California, produce midrange power and balance akin to high-quality Honduran mahogany. Its solid Sitka spruce top offers a warm, punchy midrange, crisp trebles and impressive low-end presence. The body, which sports a firestripe pickguard, is finished with a vintage-vibed Kona burst and our smooth Silent Satin sheen. Like other 50th Anniversary Collection guitars, this versatile cutaway Grand Auditorium features a commemorative label inside, ebony bridge pins with gold acrylic dots and premium Gotoh 510 antique gold tuners. It comes with ES2 electronics and ships in a Taylor deluxe hardshell case.

  This CE24 features a Black Amber Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  The Modern Eagle V is an innovative instrument that offers highly musical tones for both recording and playing live. Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually tap the humbucker coils, for additional single-coil sounds. This electronics design puts a whole set of classic and new tones at your fingertips.
  Additional appointments include a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, and PRS patented Gen III tremolo.