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Vintage 1971 Marshall model 1961 "Bluesbreaker" 4x10 combo, 50 watts with tremolo. This amp is super rare and super cool. The condition is very good. The grill looks great, with a few scuffs. The speakers are original with an offset 4x10 configuration. The tolex is fine and looks good. It works great, and it really sounds amazing. Eric Clapton used a four 10" model in the earliest days of John Mayall. A must have for the Marshall enthusiast!

-EL84 British inspired tube circuitry
-Master volume for versatility and performance
-Speaker emulated headphone out for silent practice
-Custom British style speaker by Warehouse Guitar Speakers
-Finger jointed birch ply cabinets with wrap around woven -fiberglass grill cloth
-100% cotton textile black covering
-Nickel plated vents and glass beaded chevrons
-Custom made knobs with etched control plate
-100% designed and made in the USA

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".