Search results for 'Consignment bass'

  Here is a stunning 2003 PRS Custom 24 Brazilian Limited. One of a limited run of 500, a rare beauty with a tortoise shell finish on a highly figured flamed maple "10" top. This model features Brazilian Rosewood for the fingerboard, headstock veneer and truss rod cover, showcasing some gorgeous grain and tons of figure.

The PRS CE 24-08 Black Limba Limited Edition blends style and performance for players who demand excellence. The black limba body will turn heads with its unique grain, rich color, and powerful but warm voice. Equipped with PRS’s intuitive 24-08 switching system, the CE 24-08 offers a wide array of tonal possibilities. With eight different pickup configurations at your fingertips, you can effortlessly transition from powerful humbucking tones to crisp single-coil sounds. Whether you’re shredding through a hard rock anthem or laying down a smooth jazz line, this guitar adapts to your style with ease.

Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide. Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec’d by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

  Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide, this special edition features both traditional design features and new appointments, making it an essential piece for serious musicians and collectors alike.
  Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec'd by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

The PRS CE 24-08 Black Limba Limited Edition blends style and performance for players who demand excellence. The black limba body will turn heads with its unique grain, rich color, and powerful but warm voice. Equipped with PRS’s intuitive 24-08 switching system, the CE 24-08 offers a wide array of tonal possibilities. With eight different pickup configurations at your fingertips, you can effortlessly transition from powerful humbucking tones to crisp single-coil sounds. Whether you’re shredding through a hard rock anthem or laying down a smooth jazz line, this guitar adapts to your style with ease.

  Now avilable as a left-handed model! Built with a longer 27.7” scale length, the SE 277 is perfect for heavier, more aggressive guitar playing. But this is no one-trick pony. The 277’s 85/15 “S” pickups were designed to deliver remarkable clarity and extended high and low end, allowing the 277 to handle blues and funk with flair as well. Additional appointments include a string-through bridge design for strong, resonant tone.
  Whether you’re interested in rocking a clean tone, picking bass lines beneath higher melodies on one guitar, or chugging out the heaviest drop-tuned riffs, the SE 277 offers versatility in a reliable package for players looking to push the envelope. Ships tuned B to B.

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin