Search results for 'taylor gs mini'

  Now avilable as a left-handed model! Built with a longer 27.7” scale length, the SE 277 is perfect for heavier, more aggressive guitar playing. But this is no one-trick pony. The 277’s 85/15 “S” pickups were designed to deliver remarkable clarity and extended high and low end, allowing the 277 to handle blues and funk with flair as well. Additional appointments include a string-through bridge design for strong, resonant tone.
  Whether you’re interested in rocking a clean tone, picking bass lines beneath higher melodies on one guitar, or chugging out the heaviest drop-tuned riffs, the SE 277 offers versatility in a reliable package for players looking to push the envelope. Ships tuned B to B.

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The SE Custom 24 is the quintessential SE instrument, designed to faithfully reflect the PRS model that started it all. The SE Custom 24 Lefty brings classic PRS playability, reliability, and vibrant tone to the left-handed players of the world. Gig and studio ready, this model keeps all of the same foundational specifications as the SE Custom 24: maple top, mahogany back, wide thin maple neck, 24 frets, 25” scale length, the PRS patented molded tremolo, and dual 85/15 “S” pickups with a 3-way blade pickup switch and push/pull tone control for coil splitting.

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The PRS SE Custom 24 Quilt brings the original PRS to the more-accessible SE Series with the addition of a quilted maple top veneer and matching quilted maple headstock veneer. This model’s polished aesthetic gives the guitar stage-worthy style to go with its road-worthy reliability.

With a 24-fret, 25” scale length, Wide Thin maple neck, the SE Custom 24 Quilt is comfortable and addictive to play. The 85/15 “S” dual humbuckers and 3-way blade switch with push/pull coil split tone control offer versatility and full-spectrum tone. A fitting workhorse for touring musicians, professional players, and at home guitarists alike.

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  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

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Here's a light weight, resonant, and great playing used USA-made PRS Silver Sky with rosewood fretboard in Tungsten finish. Made in 2018. In near mint condition. The only thing keeping this guitar from qualifying as mint condition are a single small finish dent on the back of the neck and some slight swirling on the pickguard. This is a great guitar with a great S-style sound. It comes with the tremolo bar and original PRS gig bag. Learn More

The SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct colors, delivering looks, feel, and sound.

The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.

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  The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

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  The SE Silver Sky Maple is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in three distinct colors, delivering looks, feel, and sound.
  The PRS SE Silver Sky Maple starts with a poplar body, bolt-on maple neck, and maple fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.

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  The PRS SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve
and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.

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  Featuring a gorgeous 10-Top in Purple Mist. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

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The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

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