Search results for 'lefty guitars'

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  1. Paul Reed Smith SE Custom 24 Lefty Turquoise #6217
    $889.00

    The SE Custom 24 is the quintessential SE instrument, designed to faithfully reflect the PRS model that started it all. The SE Custom 24 Lefty brings classic PRS playability, reliability, and vibrant tone to the left-handed players of the world. Gig and studio ready, this model keeps all of the same foundational specifications as the SE Custom 24: maple top, mahogany back, wide thin maple neck, 24 frets, 25” scale length, the PRS patented molded tremolo, and dual 85/15 “S” pickups with a 3-way blade pickup switch and push/pull tone control for coil splitting.

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  2. ESP Eclipse EII Quilted REINDEER BLUE #41233
    $2,499.00

    It’s back! While you won’t find many purpleish/blue reindeer in the wild, this E-II Eclipse brings back an exclusive ESP favorite finish in Reindeer Blue over a quilted maple top with multi-ply binding. Like all E-II models, this guitar is created at our ESP factory in Tokyo, Japan, and is designed for professional players who accept no compromise in tone, feel, or reliability for their guitars and basses. The E-II Eclipse RDB also includes an ebony fingerboard, 22 extra-jumbo frets, ESP flag inlays, a satin finish on the back for super smooth playability, a bone nut, Gotoh locking tuners, a Gotoh TOM bridge and tailpiece, and ESP strap locks. We’re also updated this outstanding guitar with a set of EMG 60 and EMG 81 pickups in Brushed Black Chrome. Includes an ESP hardshell form-fitting case.

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  3. ESP Eclipse EII Flamed Black Natural Burst #11233
    $2,599.00

    As one of the best-looking, best-sounding, and highest quality single cutaway guitars ever made, the E-II Eclipse is made in Japan at the ESP factory, and designed for serious players who rely on their guitars for professional-caliber stage and studio work. This guitar offers a collection of top-tier components, like a bone nut, ESP strap locks, Gotoh locking tuners, and a Gotoh TOM bridge and tailpiece. Perhaps most impressive is its set of EMG 57TW/66TW set for coil splitting each active pickup with individual push-pull controls on both volume knobs. Built with set-thru construction on a traditional full thickness mahogany body and mahogany neck. The EII also features multi-binding on the body, neck, and matching headstock, and includes an ESP hardshell case.

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  4. Goodall Traditional Orchestra Model - Master Adirondack Spruce - AAA Indian Rosewood #7130

    Regular Price: $9,200.00

    Special Price $8,280.00

    "When we string up an OM it's hard to distinguish from the Traditional Dreadnought"
    -Goodall Guitars

    The Orchestra Model is a greatly favored shape amongst Goodall's Traditional lineup. It features a smaller, more comfortable to hold body size than the popular dreadnought body shape. Its tone is extremely powerful in the bass and midrange, with an emphasis on a broad warmth without lacking treble. All of Goodall's Traditional series models features a custom, partially scalloped bracing pattern which produces a bit more 'boominess' in the bass and midrange. The peghead and bridge have been redesigned for a more conservative visual appeal, with open gear Waverly tuning machines contributing to its charm. It is attractively arrayed with a herringbone marquetry rosette and top purfling, and a chevron marquetry backstrip. It has been designed especially with the flatpicker and the bluegrass player in mind.

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  5. Takamine FN15 AR - Cedar/Amazon Rosewood - One-of-300 #0618
    $1,799.99

    The FN15 AR originates from Takamine's Natural series, combining a solid cedar top and spectacular Amazon rosewood for a powerfully musical combination. It features a new rosette pattern and satin finish recalling the essence of the Natural series guitars. Ease of amplification is achieved with the retro inspired CTF-2N preamp. FN15 AR is manufactured in limited numbers, capping at 300 pieces worldwide. Comes with hardshell case.

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  6. Larrivee D-40R - 12 Fret Special - Sitka/Rosewood #0696
    $2,511.00

    Here's another great special edition Larrivee guitar. This time they have taken their 40 Legacy Series Dreadnought model and made it with 12 fret neck to body construction. In addition they added a Vine headstock logo and rosewood binding on the body and fretboard. The change in dimensions and construction with a 12 fret to body gives you a more dynamic sounding guitar.

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  7. Taylor 614ce Special Edition Trans Purple #3032
    $3,299.00

    With its gorgeous visual texture and shimmer, Big Leaf maple has always served up striking looks alongside its uniquely player-reflective sound. The 614ce Special Edition elevates that aesthetic appeal to new heights with five color choices that are sure to capture the attention of audiences on any stage. Like its standard-model sibling in the 600 Series, this Grand Auditorium boasts back and sides of solid figured Big Leaf maple paired with a torrefied Sitka spruce top, yielding a played-in sound with an extra dash of power and sustain coaxed out by the V-Class bracing architecture inside. Offering a warmer character than most maple guitars thanks to voicing touches developed by master guitar designer Andy Powers, the 614ce Special Edition responds differently to each player’s individual technique and style, letting musicians create a signature sound that’s all their own. For this release, we’ve opted for appointments that highlight the bold color palette, including white binding, a single-ring rosette in green abalone, Twisted Ovals fretboard inlays in Italian acrylic, gold tuning machines, ebony bridge pins with green abalone dots, and a full-body gloss finish. Each model includes built-in ES2 electronics for clean amplified acoustic sound and a deluxe hardshell case for protection.

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  8. Taylor AD26e Baritone-6 Special Edition #3062
    $2,199.00

    The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

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  9. USED Gibson 1968 J-200 Sunburst
    $7,895.00

      Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
      Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken).

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  10. Paul Reed Smith Private Stock John Mclaughlin Limited Edition
    $14,950.00

    The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
      “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

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