Search results for 'Acoustic electric guitars'
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Regular Price: $9,300.00
Special Price $8,370.00
The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
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While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection. -
$2,499.00
Out of stock
It’s back! While you won’t find many purpleish/blue reindeer in the wild, this E-II Eclipse brings back an exclusive ESP favorite finish in Reindeer Blue over a quilted maple top with multi-ply binding. Like all E-II models, this guitar is created at our ESP factory in Tokyo, Japan, and is designed for professional players who accept no compromise in tone, feel, or reliability for their guitars and basses. The E-II Eclipse RDB also includes an ebony fingerboard, 22 extra-jumbo frets, ESP flag inlays, a satin finish on the back for super smooth playability, a bone nut, Gotoh locking tuners, a Gotoh TOM bridge and tailpiece, and ESP strap locks. We’re also updated this outstanding guitar with a set of EMG 60 and EMG 81 pickups in Brushed Black Chrome. Includes an ESP hardshell form-fitting case.
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$1,850.00Here's a light weight, resonant, and great playing used USA-made PRS Silver Sky with rosewood fretboard in Tungsten finish. Made in 2018. In near mint condition. The only thing keeping this guitar from qualifying as mint condition are a single small finish dent on the back of the neck and some slight swirling on the pickguard. This is a great guitar with a great S-style sound. It comes with the tremolo bar and original PRS gig bag. Learn More
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$2,511.00
Here's another great special edition Larrivee guitar. This time they have taken their 40 Legacy Series Dreadnought model and made it with 12 fret neck to body construction. In addition they added a Vine headstock logo and rosewood binding on the body and fretboard. The change in dimensions and construction with a 12 fret to body gives you a more dynamic sounding guitar.
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$2,199.00
The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.
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$949.00
The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
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Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case. -
$7,895.00
Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
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Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken). -
$14,950.00
The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
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“Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin