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Players who love the sound and look of Hawaiian koa will appreciate the Taylor 224ce-K DLX, a Grand Auditorium acoustic-electric guitar with a solid koa top and layered koa back and sides. Tonally, expect koa's lustrous midrange and top-end sparkle, plus a dash of warmth in the low end that keeps things remarkably balanced. The slender Taylor neck makes for comfortable fretting, while the Venetian cutaway provides access to the highest frets on the genuine ebony fretboard. Featuring a beautiful natural satin finish, the 224ce-K DLX is a real stunner. This model ships with ES2 electronics and a deluxe hardshell case.

  This Custom 24 features a Pattern Thin neck carve, and a Yellow Tiger Finish
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
  The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

The Horizon Custom ’87 takes the amazing archtop body of the ESP Horizon, and offers it exactly as you’d have found it in the late ‘80s and early ‘90s… minimally adorned and built to shred! This guitar offers neck-thru-body construction at 25.5” scale for intense sustain, pairing an alder body and an extra-thin three-piece maple neck. The Horizon Custom ’87 features a Macassar ebony fingerboard with 24 extra-jumbo frets and no inlays; side position dots help you find your way. Its components include a Floyd Rose 1000 double-locking tremolo, a Seymour Duncan TB-5 Custom Trembucker in the bridge, and a Seymour Duncan Hot Rails in the neck position. Coil spitting for single-coil tones on either or both pickups is available via push-pull controls on the volume and tone knobs.

Crafted with hand-friendly design features, an inspiring tonewood pairing and a suite of celebratory appointments, the 50th Anniversary Builder’s Edition 314ce LTD offers exceptional comfort, playability, tone and aesthetics. This ultra-refined version of one of the best-selling U.S.-made acoustics boasts a bevy of comfort-enhancing features: a beveled armrest and cutaway, chamfered body edges and a contoured Curve Wing bridge. Urban Ash back and sides, responsibly sourced from Southern California, produce midrange power and balance akin to high-quality Honduran mahogany. Its solid Sitka spruce top offers a warm, punchy midrange, crisp trebles and impressive low-end presence. The body, which sports a firestripe pickguard, is finished with a vintage-vibed Kona burst and our smooth Silent Satin sheen. Like other 50th Anniversary Collection guitars, this versatile cutaway Grand Auditorium features a commemorative label inside, ebony bridge pins with gold acrylic dots and premium Gotoh 510 antique gold tuners. It comes with ES2 electronics and ships in a Taylor deluxe hardshell case.

  This CE24 features a Black Amber Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.

  Here's a 2022 PRS Studio featuring a cool and gorgeous Custom Color finish - Aquamarine Smokeburst on a highly figured flamed maple 10-top. Collector owned, it's been maintained in near-mint condition. Its condition is a testament to the care it's received, making it a standout addition to any collection. The frets are in perfect, unplayed condition. The neck is straight and true. The guitar plays and sounds great! This PRS Studio comes with its original case, tremolo bar, and all case candy, ready for its next owner.

Jangle, gristle, snarl, and soul: the Danelectro sound is unmistakable. Now, players can get more of that sound from one instrument with the 6-string/12-string Double-neck electric guitar from Danelectro. For starters, you get 6- and 12-string necks paired with four lipstick pickups that supply bright jangle or seasoned gristle for any occasion. Any double-neck will make you look cool, but Danelectro’s version helps you feel cool and play cool with a lightweight hardboard/spruce body that provides all-night comfort. Bolt-on maple necks and rosewood fingerboards keep playability agile, fluid, and articulate, while a modified Shorthorn body shape provides excellent access to frets closest to the body. This is easily one of the best cost-effective double-neck guitars you’ll ever see, and it’s made by a historic and trustworthy brand.

  This Special Semi-Hollow features a Pattern neck carve, and a Fire Smokeburst finish.
  The PRS Special Semi-Hollow offers players a versatile hum/“single”/hum configuration with two PRS 58/15 LT humbuckers and a PRS Narrowfield middle pickup. PRS Narrowfield pickups deliver the bite of a single coil, so they cut through the mix with plenty of clarity and punch – without the hum. Paired with a 5-way blade switch and two mini-toggles that split the 58/15 LT humbuckers, this guitar can handle myriad sounds and styles (with twelve pickup combinations in total). Roll back the tone control for added growl, turn it up for some shimmer, and have fun exploring this versatile tonal palette.
  Additional specifications include a maple top, mahogany back, 22-fret 25” scale length mahogany neck, rosewood fretboard, Phase III locking tuners, and the PRS Gen III patented tremolo system. The volume levels between the humbucking and single-coil settings remain very even, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.

  Upgraded with Adirondack Spruce Braces, and 1 3/4" nut width.
  The square-shouldered, 14-fret dreadnought is the poster boy of acoustic guitar body shapes. It's classic, but above all, practical. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar.
  Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. Simply put, the Collings D1 will get the job done, and with grace and humility.

  Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
  "This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day," said Kennedy.