Search results for 'wood library'

The SE CE 24 pairs the traditional PRS Custom 24 combination of a maple top, mahogany back, and rosewood fretboard with a bolt-on maple neck. The added snap and response of bolt-on construction has been an essential part of guitar history from the beginning, and the CE’s voice and appointments carry that tradition forward with PRS’s unique spin on a classic. The 85/15 “S” pickups provide extended high and low end with clarity and balance, while the push/pull tone control adds the versatility of coil splits. The PRS SE CE 24 delivers tone, playability, and classic PRS looks that players of all styles can rock.

The Large Soundhole Dreadnought is a flatpicking cannon inspired by some of our favorite bluegrass legends. Featuring a Sitka Spruce top, and beautiful Indian Rosewood back & sides, this guitar has an extra dose of projection and maintains all of the punch of Bourgeois' standard Dreadnoughts.

Here's another great special edition Larrivee guitar. This time they have taken their 40 Legacy Series Dreadnought model and made it with 12 fret neck to body construction. In addition they added a Vine headstock logo and rosewood binding on the body and fretboard. The change in dimensions and construction with a 12 fret to body gives you a more dynamic sounding guitar.

The SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct colors, delivering looks, feel, and sound.

The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

Based on their tried and true "X-Brace" design, Jean blended a non-symmetrical scalloped lateral cross-bracing pattern with their standard X-Brace. This means maximum strength using the least amount of material. It's a build that allows even further vibration of the soundboard, while still offering a controlled dynamic bass response. Like all Larrivée's, the 40 Series are built in America using only all solid wood and feature brand new upgrades like bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners. Jean's revolutionary new bracing design means a robust and unique tone that is sure to appeal to traditional and long-time Larrivée players alike.

Here very cool and rare Japanese made ESP/LTD Mirage. An early first LTD. Beautiful transparent Emerald finish which has faded to a nice looking Matcha green. Solid Swamp Ash body, bolt on maple neck with Indian Rosewood fingerboard. The 22 fret neck has a slim Mirage profile that is very easy to play. Two single coil sized ESP dual rail humbuckers in the neck and middle position, and full sized bridge humbucker. Gotoh locking tuners and Wilkinson tremolo. The Wilkinson has one replacement screw. The guitar shows overall light cosmetic wear, appropriate for its age. The finish is glossy with swirls, light surface scratches, and other minor blemishes. The frets are in excellent condition with no divots present. It plays and sounds great with low action. Comes with the tremolo bar. Does not include a case. 

The Valentine Collection is known for effortlessly combining the best of iconic guitar features into the perfect package, and the newest installation in the legacy is no different. The 2023 Valentine stays true to the original specs that made it stand out — White Ash slab body, 12dB push-push boost, roasted maple neck, and locking tuners — while elevating and innovating. This addition to the line delivers with its all new chambered body and Tune-o-matic bridge with a Bigsby B50 to explore experimental sounds. Available in Butterscotch.

A cornerstone of the Bourgeois lineup, the Vintage model features Sitka spruce and East Indian Rosewood. Marrying an undeniably vintage aesthetic with modern innovations such as a dual action truss rod and our proprietary detachable neck joint, your guitar is designed to resemble the “pre-war” relics, while maintaining an unparalleled level of playability. Experience the Rosewood guitar of your dreams with the OM Vintage.

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin