Search results for 'gig bag'

- 12-string setup generates shimmering octave tone
- Solid spruce top for projection and clarity
- Taylor Neck for a relaxed fretting hand feel
- Built-in ES2 pickup offers easy amplification
- Padded gig bag for transportation and storage

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- Solid torrefied spruce top for warmth and power
- Comfortable Grand Auditorium body with versatile tone
- C-Class bracing adds volume and low-end presence
- Slim Taylor neck for easy, relaxed fretting
- Includes ES2 electronics and structured gig bag

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- Nylon-string model for a classical feel and sound
- Solid torrefied spruce top for warmth, depth and projection
- Compact, comfortable Grand Concert body
- Fan-style internal bracing for a clear, responsive nylon-string voice
- Includes ES-N pickup and ships in a soft gig bag

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  Here is a beautiful, custom Tom Anderson Angel, finished in a stunning Transparent Dark Olive with binding. With flame maple top over a Limba body. Resonant and punchy, both acoustically and plugged-in.
  It has a super comfortable Even-Taper neck is made from caramel maple, with a matching caramel maple fingerboard. The neck has a satin natural finish that feels smooth and fast. The compound radius (12"–14") and jumbo stainless steel frets make bending and chording equally easy. The locking Floyd-Rose bridge is dive-bomb ready.
  This is a custom Anderson that can do it all: gigs, recording, or just some serious home playing time. If you know Anderson guitars, you know this is the good stuff.

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The Carr Super Bee 1x12 Combo is a boutique, hand-wired amp that nails touch-sensitive vintage tones with modern reliability. This example is finished in a stunning custom Coco/Cream colorway and delivers rich cleans, harmonically complex breakup, and exceptional dynamic response—perfect for players who live on the edge of clean and overdrive. A compact, gig-friendly amp with unmistakable Carr tone and style. Learn More

The all-new Pete Thorn Standard HSS Signature has a new pickguard design, as well as a new Pete Thorn & John Suhr design pickup called the ‘Thornbucker II’. The cornerstone of all of Pete Thorn’s guitars is their unmatched versatility, attention to detail and tone.

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Suhr Classic S in Sonic Blue with the HSS setup that really does everything well. It is in excellent condition with just some light cosmetic wear, nothing that affects how it plays. It is set up great, and sounds and plays wonderfully. Super comfortable neck, smooth stainless steel frets, and that top notch Suhr feel that makes you want to keep picking it up.

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If the traditional double-cutaway bolt-on guitar is your standard, then the G&L Legacy is probably your best bet. It is the culmination of years of research and application from Paul Gagon, the G&L VP Engineering. Their vintage-spec CLF-100 Alnico single coils were developed directly from original Leo Fender prints, and successfully and impeccably capture that sparkle and spank of late 50s single coils. Coupling with the vintage tones is modern crafting, like Leo Fender's PTB (Passive Treble and Bass) system, which functions on all three pickups for dramatically more variety than the vintage setup, and a Dual-Fulcrum Vibrato bridge that allows for maximum stability in bending.

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Featuring a solid Spruce top, and solid Maple back and sides. Individually hand-built using traditional materials & “Old World” craftsmanship with solid Spruce Top, solid Maple back & sides. Ebony fingerboard & adjustable ebony bridge. F-style body with F-holes for superb tone & projection.

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Featuring a Thermo Cured Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

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Featuring a Thermo Cured Spruce top, solid Sapele back and sides, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

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