Search results for 'PRS SE Semi Hollow Custom'

The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

Based on their tried and true "X-Brace" design, Jean blended a non-symmetrical scalloped lateral cross-bracing pattern with their standard X-Brace. This means maximum strength using the least amount of material. It's a build that allows even further vibration of the soundboard, while still offering a controlled dynamic bass response. Like all Larrivée's, the 40 Series are built in America using only all solid wood and feature brand new upgrades like bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners. Jean's revolutionary new bracing design means a robust and unique tone that is sure to appeal to traditional and long-time Larrivée players alike.

Here very cool and rare Japanese made ESP/LTD Mirage. An early first LTD. Beautiful transparent Emerald finish which has faded to a nice looking Matcha green. Solid Swamp Ash body, bolt on maple neck with Indian Rosewood fingerboard. The 22 fret neck has a slim Mirage profile that is very easy to play. Two single coil sized ESP dual rail humbuckers in the neck and middle position, and full sized bridge humbucker. Gotoh locking tuners and Wilkinson tremolo. The Wilkinson has one replacement screw. The guitar shows overall light cosmetic wear, appropriate for its age. The finish is glossy with swirls, light surface scratches, and other minor blemishes. The frets are in excellent condition with no divots present. It plays and sounds great with low action. Comes with the tremolo bar. Does not include a case. 

The Valentine Collection is known for effortlessly combining the best of iconic guitar features into the perfect package, and the newest installation in the legacy is no different. The 2023 Valentine stays true to the original specs that made it stand out — White Ash slab body, 12dB push-push boost, roasted maple neck, and locking tuners — while elevating and innovating. This addition to the line delivers with its all new chambered body and Tune-o-matic bridge with a Bigsby B50 to explore experimental sounds. Available in Butterscotch.

The StingRay RAY34 bass is an essential for any bassist. The roasted neck, 3-band active preamp, and single humbucking pickup combine to form one of the most iconic bass sounds.

The passion evident in John’s playing extends to his attention to detail for the instruments that bear his name. From the voicing of the pickups, to the choice of tonewoods that make up this fine instrument, his involvement in every step of the production leads to a guitar that possess not only the look, but the sound & feel worthy of this iconic musician.

  Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
  Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken).

A cornerstone of the Bourgeois lineup, the Vintage model features Sitka spruce and East Indian Rosewood. Marrying an undeniably vintage aesthetic with modern innovations such as a dual action truss rod and our proprietary detachable neck joint, your guitar is designed to resemble the “pre-war” relics, while maintaining an unparalleled level of playability. Experience the Rosewood guitar of your dreams with the OM Vintage.

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin