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From Taylor's "Catch" event at the 2025 NAMM show, featuring a stunning array of custom models.
This C24ce features a versatile, accommodating cutaway Grand Auditorium body crafted with back, sides and top of beautifully variegated ribbon mahogany, this custom model produces a woody acoustic voice and a captivating visual aesthetic. Rich midrange tones with a strong fundamental focus and minimal overtones are complemented by the warmth and natural compression of the mahogany soundboard, while our innovative V-Class voicing architecture produces louder volume, longer sustain and improved harmony all the way up the neck. The gloss-finished body and satin-sheen mahogany neck and peghead boast a dusky, hand-sprayed shaded edgeburst color treatment. Other standout visual details include Island Vine fretboard and peghead inlays in Hawaiian koa and maple, a Hard Rock maple peghead logo, black body binding, a single-ring black/maple rosette, and a firestripe pickguard. Outfitted with satin black tuners and ES2 electronics, this inspiring custom build ships in a brown deluxe hardshell case.

Meet the Ernie Ball Music Man StingRay II, designed in collaboration with Cory Wong to deliver clarity, versatility, and precision for every performance. Featuring a figured roasted maple neck with a hand-rubbed oil and wax finish, a rosewood fretboard with 22 stainless steel frets, and an ergonomic body design, it ensures smooth playability and effortless access to every fret. The sleek styling draws inspiration from the iconic StingRay Bass, enhanced by a redesigned larger headstock, custom Cory Wong neck plate, and gold hardware for a sophisticated finish. The ultra-clean Cory Wong HT humbuckers are engineered for players seeking pristine articulation and exceptional tonal balance, offering a dynamic response that captures every detail of your playing with an expanded frequency range for maximum versatility. This guitar combines style, tone, and functionality.

Up for sale is a 2020 Gretsch G6659T Players Edition Broadkaster Jr. in stunning Two-Tone Smoke Green. This semi-hollow beauty is made in Japan and delivers that signature Gretsch tone with modern playability. It is in excellent condition, showing only the slightest signs of use. There is a just a tiny chip on the corner of the headstock. Frets are in perferct condition. It sounds and plays wonderfully. It comes complete with the original hardshell case and all paperwork.

Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide. Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec’d by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

  Featuring a gorgeous 10-Top in Yellow Tiger. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

  This is a 1982 Gibson Firebird II Artist CMT in a beautiful cherry sunburst finish. This is a rare vintage piece with some tasteful modifications to make it more player-friendly. With its Curly Maple Top (CMT) and unique design, this is one of the more distinctive Firebirds Gibson ever made.

For players seeking the rich, sophisticated acoustic tone and bold projection that comes with an all-solid-wood guitar, there may be no better value than the Taylor 314ce Studio. Now the lowest-priced gateway to the solid-wood experience in the Taylor line, this Grand Auditorium acoustic-electric combines back and sides of sapele with a torrefied spruce top, adding up to a punchy midrange response with a clear, woody character and an added dash of warmth and sweetness from our special roasting recipe. Inside, our V-Class bracing dials up more volume, longer sustain and improved harmony all the way up the neck. This model also features comfort-enhancing chamfered body edges and a slightly narrower fretboard of 1-11/16 inches, offering a hand-friendly feel that makes fretting a breeze regardless of your skill level. Finished off with a full-body gloss, nickel hardware and a faux tortoiseshell pickguard, the 314ce Studio includes ES2 electronics for faithful plugged-in tone and a structured gig bag.

Larrivee's Traditional Series was created with two things in mind: Create an instrument with traditional 'vintage' features like a flat-top headstock, hand-carved volute, and diamond inlays; but at the same time maintain the unique tonal balance of the standard Larrivée symmetrical parabolic bracing system. An enlarged soundhole allows significantly greater mid-range punch, emphasizing the low end, and increasing overall volume. This 50 Series features Larrivee's highest grade mahogany, herringbone trim, and traditional angled bone nut. The casted bronze open-back tuners feature engraved design work by Wendy Larrivee. One of the many fine details that put this series in a category of their own.

  Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide, this special edition features both traditional design features and new appointments, making it an essential piece for serious musicians and collectors alike.
  Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec'd by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

Salvaged from the ancient Koa forests of the Big Island of Hawaii, the Hawaiian Country Boy’s Koa backs and sides sound as good as they look, offering a rich midrange and a touch of island warmth that will deepen over time. Dana Bourgeois has personally selected each old-growth Bearclaw Sitka Spruce top in this series. Chosen for their bright and responsive tap tones, each one was hand-voiced at Dana’s small workshop in Maine. By combining the warmth of Island Koa with the sparkle of winter spruce, the Touchstone Hawaiian Country Boy has been designed to respond equally well to delicate fingerpicking and lively strumming.

Here is a rare gem for Fender and Clapton fans alike: a 2000 Fender Custom Shop Stratocaster, one of a limited edition of 10 custom-built for Sam Ash. Each set consisted of a Telecaster and a Stratocaster — this Strat is from pair #8 of those 10.