Search results for 'lefty guitars'

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  1. Taylor 614ce Special Edition Trans Purple #3032
    $3,299.00

    With its gorgeous visual texture and shimmer, Big Leaf maple has always served up striking looks alongside its uniquely player-reflective sound. The 614ce Special Edition elevates that aesthetic appeal to new heights with five color choices that are sure to capture the attention of audiences on any stage. Like its standard-model sibling in the 600 Series, this Grand Auditorium boasts back and sides of solid figured Big Leaf maple paired with a torrefied Sitka spruce top, yielding a played-in sound with an extra dash of power and sustain coaxed out by the V-Class bracing architecture inside. Offering a warmer character than most maple guitars thanks to voicing touches developed by master guitar designer Andy Powers, the 614ce Special Edition responds differently to each player’s individual technique and style, letting musicians create a signature sound that’s all their own. For this release, we’ve opted for appointments that highlight the bold color palette, including white binding, a single-ring rosette in green abalone, Twisted Ovals fretboard inlays in Italian acrylic, gold tuning machines, ebony bridge pins with green abalone dots, and a full-body gloss finish. Each model includes built-in ES2 electronics for clean amplified acoustic sound and a deluxe hardshell case for protection.

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  2. Taylor AD26e Baritone-6 Special Edition #3062
    $2,199.00

    The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

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  3. USED Gibson 1968 J-200 Sunburst
    $7,895.00

      Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
      Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken).

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  4. Paul Reed Smith Private Stock John Mclaughlin Limited Edition
    $14,950.00

    The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
      “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

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