Search results for 'lefty guitars'

The Imperial Guitar, Fodera's new single cut offering, combines the classic thick and rich tone of guitars from the 50’s updated with modern aesthetic, playability, and construction techniques. The Imperial Guitar features a one-piece, chambered Mahogany body, beautiful Quilted Maple top, 3-piece Mahogany neck, and Brazilian Rosewood fingerboard. This guitar also incorporates a unique stop-tailpiece where a solid brass bar has been inlayed into a fingerboard-matching rosewood shell, providing added mass and sustain. The Imperial Guitar comes with a set of Seymour Duncan Custom Humbuckers providing a full, even, and rich sound with smooth highs, thick lows, and growling midrange.

  This Custom 24 features a Pattern Thin neck carve, and Fire Red Burst Finish
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
  The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

  This Custom 24 features a Pattern Thin neck carve, and Yellow Tiger Finish
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
  The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

Now available as a left-hand model, the Custom 24 is the quintessential PRS guitar: the iconic guitar that started it all back in 1985. The Custom 24-08 keeps all the foundational specs of the instrument, while taking the Custom platform to new sonic territories. Like the Core Series instrument, the SE Custom 24-08 features two mini-toggle coil-split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Classic design elements include a maple top, mahogany back, rosewood fretboard, 24 frets, 25” scale length, bird inlays, signature headstock logo, and PRS patented molded tremolo.

Now available as a left-hand model, the Custom 24 is the quintessential PRS guitar: the iconic guitar that started it all back in 1985. The Custom 24-08 keeps all the foundational specs of the instrument, while taking the Custom platform to new sonic territories. Like the Core Series instrument, the SE Custom 24-08 features two mini-toggle coil-split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Classic design elements include a maple top, mahogany back, rosewood fretboard, 24 frets, 25” scale length, bird inlays, signature headstock logo, and PRS patented molded tremolo.

  This CE 24 features a Dark Cherry Sunburst finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

Now available as a left-handed model, the PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

Now available as a left-handed model, the PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

  Now avilable as a left-handed model! Built with a longer 27.7” scale length, the SE 277 is perfect for heavier, more aggressive guitar playing. But this is no one-trick pony. The 277’s 85/15 “S” pickups were designed to deliver remarkable clarity and extended high and low end, allowing the 277 to handle blues and funk with flair as well. Additional appointments include a string-through bridge design for strong, resonant tone.
  Whether you’re interested in rocking a clean tone, picking bass lines beneath higher melodies on one guitar, or chugging out the heaviest drop-tuned riffs, the SE 277 offers versatility in a reliable package for players looking to push the envelope. Ships tuned B to B.

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.