Search results for 'gs mini'

Featuring a solid Thermo-Cured Sitka Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo-cured Sitka Spruce top, and Rosewood back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Featuring an Adirondack Spruce top, and solid Mahogany back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.
  Bryan Sutton has this to say: "From the first time I played the Slope-D Bourgeois that would come to be known as the "Banjo Killer", I was amazed at the range of tone and volume the guitar could produce. The guitar always seems to be to able to handle any dynamic level of play. I can hear the guitar clearly in a loud jam session without feeling like I have to overplay and also enjoy a full and sustained tone when I want to play softly.”

New Deluxe model featuring Truetone Gloss finish, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

New Deluxe model featuring Truetone Gloss finish, and Fishman electronics. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

Top: Torrefied Sitka Spruce
Back & Sides: Honduran mahogany
Neck: Honduran mahogany
Body Binding: Tortoise with b/w/b/w top purfling
Bridge: Ebony belly-style with 2 3/16" spacing
Fingerboard: Ebony with MOP short dots
Bridge Pins/End Pin: Ebony with MOP dot
Nut: Bone
Nut Width: 1 3/4"
Saddle: Bone, drop-in
Neck Profile: Modified V
Peghead Profile: Tapered square
Neck Joint: Mortise & tenon hybrid
Truss Rod: Fully adjustable
Frets: Medium 18% nickel-silver
Peghead Veneer: Ebony with MOP Collings logo
Tuners: Nickel Waverly (16:1 ratio)
Backstrip: 1-style (Walnut)
Rosette: b/w Purfling
Scale Length: 25 1/2"
Brace Material: Adirondack Spruce
Brace Pattern: Pre-war scalloped X-brace
Fingerboard Radius: 14" - 26" compound
Body Finish: High gloss nitrocellulose lacquer
Neck Finish: High gloss polyester resin
Pickguard: Tortoise
Strings: D'Addario EJ-16 (.012"- .053")
Case: Collings TKL Handcrafted Case
Serial Number: 34327

This cutaway acoustic/electric Grand Auditorium blends layered walnut back and sides with a solid Sitka spruce top, making it a great all-around acoustic that responds well to strumming, flatpicking and fingerpicking. With our patented Taylor neck, you’ll enjoy easy playability and accurate intonation as long as you own the guitar, and the slightly narrower 1-11/16-inch nut width makes forming barre chords easier on the hands.  The Venetian cutaway gives you access to more upper-end fretboard real estate, while our dynamic Expression System 2 pickup produces a natural amplified acoustic voice that will help you sound your best whenever you plug in. The clean appointment scheme includes Italian acrylic dot fretboard inlays, a 3-ring rosette, plus black binding and a black pickguard that complement the look of the genuine ebony fretboard and bridge. The guitar includes a lightweight protective gig bag for easy portability.

In LEFT-HANDED form! Featuring solid Sitka Spruce top with solid Sapele back and sides. Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument, you’ll find what you’re looking for in Eastman's Orchestra models.