Search results for 'prs s2'

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

  The PRS SE T40E pairs ovangkol back and sides with a solid spruce top for full, lush tone. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate, the SE T40E’s voice projects with breathtaking volume and delicate nuance. The Tonare Grand body shape delivers a familiar feel and a thunderous tone, well suited for picking and fingerstyle playing.
  Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
  Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The new 326ce Baritone-8 Special Edition reintroduces players to a truly singular playing experience that bridges the gap between traditional acoustic sounds and specialized tonal flavors. With its B-to-B tuning, longer-than-standard scale and the unique sonic texture generated by the octave pairing of its third and fourth (D and A) strings, this model delivers a rich low-end voice complemented by a touch of 12-string shimmer. The 326ce Baritone-8 Special Edition boasts back, sides and top of solid neo-tropical mahogany crafted in our bold-voiced Grand Symphony body shape, yielding a haymaker of midrange punch that retains exceptional focus alongside its powerful attack. Perfect for any player looking to diversify their musical toolkit, this model will be especially inspiring for guitarists who enjoy experimenting with uncommon sonic palettes. It can also be a useful tool for singers, providing a frequency spectrum that might be more accessible for those with a lower vocal range. Placing a capo at the fifth fret returns the guitar to standard tuning. Visual appointments include a satin finish with a dark stain and a shaded edgeburst top treatment, black binding with a matching three-ring rosette and pickguard, Gemstone fretboard inlays in Italian acrylic, and satin black tuners. It also features a traditional Venetian cutaway for easy access to the guitar’s upper register, along with ES2 electronics for faithful amplified tone. It ships with a Taylor deluxe hardshell case.

The new 326ce Baritone-8 Special Edition reintroduces players to a truly singular playing experience that bridges the gap between traditional acoustic sounds and specialized tonal flavors. With its B-to-B tuning, longer-than-standard scale and the unique sonic texture generated by the octave pairing of its third and fourth (D and A) strings, this model delivers a rich low-end voice complemented by a touch of 12-string shimmer. The 326ce Baritone-8 Special Edition boasts back, sides and top of solid neo-tropical mahogany crafted in our bold-voiced Grand Symphony body shape, yielding a haymaker of midrange punch that retains exceptional focus alongside its powerful attack. Perfect for any player looking to diversify their musical toolkit, this model will be especially inspiring for guitarists who enjoy experimenting with uncommon sonic palettes. It can also be a useful tool for singers, providing a frequency spectrum that might be more accessible for those with a lower vocal range. Placing a capo at the fifth fret returns the guitar to standard tuning. Visual appointments include a satin finish with a dark stain and a shaded edgeburst top treatment, black binding with a matching three-ring rosette and pickguard, Gemstone fretboard inlays in Italian acrylic, and satin black tuners. It also features a traditional Venetian cutaway for easy access to the guitar’s upper register, along with ES2 electronics for faithful amplified tone. It ships with a Taylor deluxe hardshell case.

Urban Ash has carved out a niche for itself in the Taylor line as a premium back and side wood with a dry, focused midrange and balance akin to high-grade mahogany. Now, it’s debuting as a top wood in the 424ce LTD, a Grand Auditorium crafted with back, sides and top of solid Urban Ash. As a hardwood, Urban Ash delivers a natural compression effect that will sound familiar to players of mahogany or koa guitars, smoothing out the initial attack to yield a remarkably balanced profile across the frequency spectrum. This model serves up the same fundamental focus you would expect from mahogany—the note you play is the note you’ll hear, and the restrained overtone response makes the 424ce LTD a superstar in recording applications. Inside, the V-Class bracing generates its trademark blend of enhanced volume and sustain, coaxing greater musicality and tunefulness from this versatile guitar. Appointments for this limited-edition model match its 400 Series counterparts and include black binding, a three-ring black rosette, Renaissance fretboard and peghead inlays in Italian acrylic, a black pickguard, Taylor satin black tuners, and a natural gloss finish that showcases the natural blonde hue and grain of Urban Ash. It ships with ES2 electronics and a deluxe hardshell case.

Taylor Builder’s Edition 517e Natural. In near mint condition. We've seen new guitars hanging in other stores that show more wear than this guitar. The neck is straight and true. The frets look perfect. It plays and sounds great. Taylor’s new modern Dreadnought body with all the Builder’s Edition upgrades. Torrified Spruce with vintage-hued looks, serves up projection and clarity with a touch of warmth. Silent satin finish helps give this guitar a little bit of vintage mojo. This slope shouldered dread with Taylor’s patented V Class Bracing resonates with finely honed balance of low-end power and clarity across the mid and upper registers. Premium features include chamfered body edges and a new compound carve neck profile help create a most comfortable playing experience. Contoured fretboard edges, ridgeless neck heel, and curved wing bridge provides even more playing comfort. Looks great, sounds great, comfortable playability, all in one. Raising the bar on your playing experience.

With its versatile Grand Auditorium body shape and classic tonewood pairing, the 414ce is all set to perform in a wide range of musical applications. Rosewood back and sides matched with a Sitka spruce top serve up warm lows, pristine highs and a slightly scooped midrange, yielding a dynamic tonal character; combined with our tone-enhancing V-Class bracing, this model is ideal for working musicians in virtually any style. A striking sunburst top finish and new Finial fretboard inlays ensure the 414ce looks great wherever you take it, and with built-in ES2 electronics and the included hardshell case, you're ready for any musical scenario.

As the world sank into the Great Depression of the 1930’s the tri-cone suddenly was too expensive for most musicians to afford. John Dopyera created a second model that was less expensive to produce, but every bit as loud as his original. This was the single cone model, sometimes referred to as a “biscuit cone” because of the round wooden disc that sits atop a larger, single convex cone. This model became the choice instrument for the traveling Bluesmen of that era because of their incredible volume and rugged metal bodies. This 12-fret version, called the 'Delta Rocket', incorporates tricone grilles in place of the traditional f-holes.

As the world sank into the Great Depression of the 1930’s the tri-cone suddenly was too expensive for most musicians to afford. John Dopyera created a second model that was less expensive to produce, but every bit as loud as his original. This was the single cone model, sometimes referred to as a “biscuit cone” because of the round wooden disc that sits atop a larger, single convex cone. This model became the choice instrument for the traveling Bluesmen of that era because of their incredible volume and rugged metal bodies.  Their sound is different from the Tri-cones with a sharper attack and less sustain.

During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.