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  This Thompson D-MA features a tinted (Toner) top, rope-top trim, rope rosette, wood dots and logo, and snakewood tuner buttons.
  Preston Thompson Dreadnought models are all crafted to produce the tone and volume that the dreadnought guitar was originally designed to achieve. These are powerful instruments that, when needed, stand up to the volume of a mandolin, fiddle and banjo. They have the bass response that provides an almost full orchestral backing to vocals. Their mid-range response and bright trebles take flatpicking and lead playing to new levels of achievement.
  These are traditional instruments and all models are based on the famous 1937 Herringbone Dreadnought, owned by the late, great Charles Sawtelle of the award winning bluegrass band, Hot Rize. All feature Red spruce (Adirondack) tops chosen for tap tone and stiffness, advanced X brace placement, hand graduated top thickness, pre-war hand carved scalloped braces, nitro-cellulose lacquer finishes and time tested design features such as dovetail neck joints.

  Upgraded with Torrefied Sitka Spruce top, Adirondack Spruce Braces, and 1 3/4" nut width.
  The square-shouldered, 14-fret dreadnought is the poster boy of acoustic guitar body shapes. It's classic, but above all, practical. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar.
  Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. Simply put, the Collings D1 will get the job done, and with grace and humility.

The Jumbo, or CJ, is Colling's version of the classic slope-shouldered dreadnought, a shape that has enjoyed renewed popularity in recent years. While the CJ is similar in width and depth to the traditional dreadnought, it has a distinctly different tone. CJ’s voice is deep and full-bodied, maximizing cut and power with a shimmery top end and quick response.

  This OM2H features a Torrefied Sitka Spruce top, Indian Rosewood back and sides, Adirondack Spruce braces, and a 1 3/4" nut width.
  'OM' stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings; yet flatpickers also find it appealing. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.

- Jumbo acoustic inspired by Bob Taylor's original design
- Indian rosewood back and sides for warmth, clear trebles
- Sitka spruce top delivers power and projection
- Adjustable, easy-playing modern Taylor neck
- Includes LR Baggs Element VTC pickup

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

Larrivee's Traditional Series was created with two things in mind: Create an instrument with traditional 'vintage' features like a flat-top headstock, hand-carved volute, and diamond inlays; but at the same time maintain the unique tonal balance of the standard Larrivée symmetrical parabolic bracing system. An enlarged soundhole allows significantly greater mid-range punch, emphasizing the low end, and increasing overall volume. This 50 Series features Larrivee's highest grade mahogany, herringbone trim, and traditional angled bone nut. The casted bronze open-back tuners feature engraved design work by Wendy Larrivee. One of the many fine details that put this series in a category of their own.

Salvaged from the ancient Koa forests of the Big Island of Hawaii, the Hawaiian Country Boy’s Koa backs and sides sound as good as they look, offering a rich midrange and a touch of island warmth that will deepen over time. Dana Bourgeois has personally selected each old-growth Bearclaw Sitka Spruce top in this series. Chosen for their bright and responsive tap tones, each one was hand-voiced at Dana’s small workshop in Maine. By combining the warmth of Island Koa with the sparkle of winter spruce, the Touchstone Hawaiian Country Boy has been designed to respond equally well to delicate fingerpicking and lively strumming.

Oval-hole mandolins possess throaty and vocal tonal characteristics that are wonderfully compatible with mandolin orchestras, and Celtic/folk music. Eastman makes a great one.

Oval-hole mandolins possess throaty and vocal tonal characteristics that are wonderfully compatible with mandolin orchestras, and Celtic/folk music. Eastman makes a great one.