Search results for 'prs 245 semi hollow body'

  This OM2H features a Torrefied Sitka Spruce top, Indian Rosewood back and sides, Adirondack Spruce braces, and a 1 3/4" nut width.
  'OM' stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings; yet flatpickers also find it appealing. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.

- Jumbo acoustic inspired by Bob Taylor's original design
- Indian rosewood back and sides for warmth, clear trebles
- Sitka spruce top delivers power and projection
- Adjustable, easy-playing modern Taylor neck
- Includes LR Baggs Element VTC pickup

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

Designed for players who crave the rich octave shimmer of a 12-string, the all-koa 264ce-K DLX serves up a vibrant, punchy tone and a gorgeous visual aesthetic. With a solid koa top and layered koa back and sides, this versatile Grand Auditorium yields a bright, focused tone that matures with play into an increasingly warm, rich, sweet sound. The slender, comfortable Taylor neck boasts a 1-7/8" nut width, inviting effortless fretting, while the Venetian cutaway provides easy access to the upper frets. A full-body gloss finish and shaded edgeburst accentuate koa's natural allure. The 264ce-K DLX ships with built-in ES2 electronics and a deluxe hardshell case.

Crafted with all-solid tonewoods, tone-enhancing interior bracing and a striking sunburst finish, the Taylor 314ce Studio makes pro-quality sound more accessible than ever. This versatile, comfortable Grand Auditorium acoustic-electric boasts back and sides of solid sapele, a mahogany-like tonewood with a warm, punchy midrange voice. A solid top of torrefied Sitka spruce yields bold projection and a warm, aged-in quality thanks to our special roasting recipe, while our V-Class bracing adds more volume, longer sustain and clearer harmony between notes all the way up the neck. A narrower nut width of 1-11/16 inches and our slender neck profile makes for buttery-smooth fretting at any skill level, and the onboard ES2 electronics make it easy to plug in and play with clear amplified tone. This model is finished with an attractive shaded edgeburst top treatment and an all-gloss body, and includes a structured gig bag for convenient storage and portability.

For players seeking the rich, sophisticated acoustic tone and bold projection that comes with an all-solid-wood guitar, there may be no better value than the Taylor 314ce Studio. Now the lowest-priced gateway to the solid-wood experience in the Taylor line, this Grand Auditorium acoustic-electric combines back and sides of sapele with a torrefied spruce top, adding up to a punchy midrange response with a clear, woody character and an added dash of warmth and sweetness from our special roasting recipe. Inside, our V-Class bracing dials up more volume, longer sustain and improved harmony all the way up the neck. This model also features comfort-enhancing chamfered body edges and a slightly narrower fretboard of 1-11/16 inches, offering a hand-friendly feel that makes fretting a breeze regardless of your skill level. Finished off with a full-body gloss, nickel hardware and a faux tortoiseshell pickguard, the 314ce Studio includes ES2 electronics for faithful plugged-in tone and a structured gig bag.

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

Larrivee's Traditional Series was created with two things in mind: Create an instrument with traditional 'vintage' features like a flat-top headstock, hand-carved volute, and diamond inlays; but at the same time maintain the unique tonal balance of the standard Larrivée symmetrical parabolic bracing system. An enlarged soundhole allows significantly greater mid-range punch, emphasizing the low end, and increasing overall volume. This 50 Series features Larrivee's highest grade mahogany, herringbone trim, and traditional angled bone nut. The casted bronze open-back tuners feature engraved design work by Wendy Larrivee. One of the many fine details that put this series in a category of their own.

Here is a meticulously cared for National Style "O" N-14 brass-body resonator guitar, made in 2001. This iconic instrument features a brass body with a German Silver finish, delivering the punchy, clear tone and incredible projection that National resonators are known for. National's 14-Fret Style "O" became a legend when Mark Knopfler used a late 1930s model, famously showcasing it on the cover of Dire Straits' Brothers in Arms album in 1985. This reproduction stays true to the vintage original. The smaller 14-fret body adds versatility and ease of access for reaching those higher notes, making it perfect for both slide and fingerstyle playing.

Oval-hole mandolins possess throaty and vocal tonal characteristics that are wonderfully compatible with mandolin orchestras, and Celtic/folk music. Eastman makes a great one.

Oval-hole mandolins possess throaty and vocal tonal characteristics that are wonderfully compatible with mandolin orchestras, and Celtic/folk music. Eastman makes a great one.