Search results for 'wood library'

Built for the 2016 NAMM Show, this Bourgeois Custom D Large Soundhole Dreadnought is a rare and exceptional instrument, crafted with top-tier tonewoods and premium appointments throughout. Featuring stunning Brazilian Rosewood back and sides with beautiful grain and color, paired with an Aged Tone Adirondack Spruce top, it delivers power, clarity, and openness. The Aged Tone finish, Banjo Killer bracing, and hide glue construction take the tone even further: dry, punchy, responsive, and wonderfully alive. It plays and sounds great!

Featuring a Thin Satin Finish. A cornerstone of the Bourgeois lineup for decades, the Vintage model features hand selected Sitka spruce and the highest available grade of East Indian Rosewood. Marrying an undeniably vintage aesthetic with modern innovations such as a dual action truss rod and our proprietary detachable neck joint, your guitar is designed to resemble the “pre-war” relics, while maintaining an unparalleled level of playability.

This OM2H features Collings' "Deep Body". With its deeper body depth, it sounds bigger, bolder, and deeper than a traditional OM. It's a stunning sound! It also features a Torrified Sitka Spruce top, Adirondack Spruce braces, and 1 3/4" nut width.

  Colling's Traditional Series or “T” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection.

This edition of Taylor's all-new Gold Label 814e adds a lustrous sunburst finish to match its seasoned, heritage-style sound and lush overtones. Featuring the new Super Auditorium body shape, this model boasts back and sides of Honduran rosewood, a torrefied Sitka spruce top and a fanned variant of our tone-boosting V-Class bracing architecture. The result is a sound with stunning warmth and richness, complemented with remarkable power and clarity even with the most aggressive attack. A new long-tenon neck joint improves sonic transfer for greater resonance while also offering even easier and more precise adjustability, letting you dial in the feel you need to sound your best. A suite of Continental inlays, grained ivoroid trim, a new pickguard, antique chrome Gotoh 510 tuners with ebony buttons, and a full-body gloss round out the package. This model includes LR Baggs Element VTC electronics with discrete soundhole-mounted controls, ensuring warm, rich sound when you need to plug in. The Gold Label 814e SB ships with a deluxe hardshell case featuring a stylish British Cocoa exterior.

Vintage inspired. Professional approved. A cornerstone of the Bourgeois lineup for decades, the Vintage model features hand selected Sitka spruce and the highest available grade of East Indian Rosewood. Marrying an undeniably vintage aesthetic with modern innovations such as a dual action truss rod and our proprietary detachable neck joint, your guitar is designed to resemble the “pre-war” relics, while maintaining an unparalleled level of playability. This PS-S version features Bourgeois' newest satin finish lacquer, offering vintage tone with a refined, traditional finish.

  This Preston Thompson D-MAD/Adi dreadnought is a powerhouse of tone and craftsmanship. Built in the spirit of the golden-era Martins, it features a hand-voiced Adirondack spruce top paired with premium Madagascar rosewood back and sides—a tonewood combo revered for its exceptional clarity, headroom, and rich harmonic content.
  The Adirondack top delivers quick response and projection with plenty of dynamic range, while the Madagascar rosewood offers deep lows, complex overtones, and shimmering highs...perfect for flatpicking, strumming, or dynamic fingerstyle.

Takamine's top-line Pro Series P3NC acoustic delivers the finest in Takamine acoustic sound, style and performance from a classic Takamine NEX/grand auditorium-style body with a comfortable Venetian cutaway, elegant appointments, smooth playability and state-of-the-art onboard electronics.

For this Catch Custom model, Taylor adorned their versatile, popular cutaway Grand Auditorium body with a sparkling Silver Cranberry Supernova color shift gradient that highlights varied hues depending on the viewing angle. A hand-selected set of quilted Big Leaf maple back and sides and a Sitka spruce top yield a clear, balanced voice with a rewarding blend of clarity and warmth that reflects the nuances of each player's touch. This acoustic-electric boasts standout visuals such as Spires fretboard inlays, a green abalone rosette, a mother-of-pearl peghead logo, ebony binding, a full-body gloss finish and a shaded edgeburst around the body and neck. Outfitted with satin black tuning machines and ES2 electronics, this custom Grand Auditorium ships in a brown deluxe hardshell case.

  This Bourgeois Heirloom Series Vintage Dreadnought features unbelievable Brazilian Rosewood back and sides, showcasing a stunning palette of deep browns and reddish hues that sound as gorgeous as they look.
  The Adirondack Spruce top is paired with a Large Soundhole for an absolutely incredible amound of volume, punch, and depth. The Adirondack top, famous for its wide dynamic range, gives you crisp attack and sparkling trebles that shine whether you’re flatpicking or fingerpicking.
  This is a forever guitar that gives you MORE of everything you want from a Dreadnought. It truly lives up to its "Heirloom" status.

Upgraded with a Torrefied Sitka Spruce top.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.