Search results for 'Prs sc'

Eastman E2D #1300

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's a D-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's a D-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

Takamine is pleased to introduce the FT341 black dreadnought. It features a solid spruce top with maple sides and back and is featured in Takamine's exquisite black gloss finish and white binding, with appointments that are much like the iconic EF341SC. For ease of amplification, Takamine's retro-inspired CTF-2N preamp is installed. The FT341 is manufactured in limited numbers capped at 300 pieces worldwide.

Looking for the ultimate baritone acoustic? The kind that explodes like a cannon, with seemingly endless depth and headroom? Look no further. Featuring a classic pairing of Sitka Spruce with Mahogany. This is EXACTLY what you want a baritone acoustic to sound like. Get ready to experience the sheer depths of this gorgeous sounding instrument.

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.

Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.