Search results for 'bass head'

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's a D-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's a D-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

Looking for the ultimate baritone acoustic? The kind that explodes like a cannon, with seemingly endless depth and headroom? Look no further. Featuring a classic pairing of Sitka Spruce with Mahogany. This is EXACTLY what you want a baritone acoustic to sound like. Get ready to experience the sheer depths of this gorgeous sounding instrument.

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.

Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Adopting exciting, forward-thinking design improvements, the new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

Adopting exciting, forward-thinking design improvements, Eastman's new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

Adopting exciting, forward-thinking design improvements, the new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

It’s your daily driver. Everything you need. Nothing you don’t. With a name suggested by Ricky Skaggs in the late 90’s, the Country Boy features a AAAA grade Sitka Spruce top paired with premium Mahogany back and sides to create a versatile platform agreeable with any playing style.

The Large Soundhole Dreadnought is a flatpicking cannon inspired by some of our favorite bluegrass legends. Featuring a Sitka Spruce top, and beautiful Indian Rosewood back & sides, this guitar has an extra dose of projection and maintains all of the punch of Bourgeois' standard Dreadnoughts.

"When we string up an OM it's hard to distinguish from the Traditional Dreadnought"
-Goodall Guitars

The Orchestra Model is a greatly favored shape amongst Goodall's Traditional lineup. It features a smaller, more comfortable to hold body size than the popular dreadnought body shape. Its tone is extremely powerful in the bass and midrange, with an emphasis on a broad warmth without lacking treble. All of Goodall's Traditional series models features a custom, partially scalloped bracing pattern which produces a bit more 'boominess' in the bass and midrange. The peghead and bridge have been redesigned for a more conservative visual appeal, with open gear Waverly tuning machines contributing to its charm. It is attractively arrayed with a herringbone marquetry rosette and top purfling, and a chevron marquetry backstrip. It has been designed especially with the flatpicker and the bluegrass player in mind.