Search results for 'music man steve morse'

The FN15 AR originates from Takamine's Natural series, combining a solid cedar top and spectacular Amazon rosewood for a powerfully musical combination. It features a new rosette pattern and satin finish recalling the essence of the Natural series guitars. Ease of amplification is achieved with the retro inspired CTF-2N preamp. FN15 AR is manufactured in limited numbers, capping at 300 pieces worldwide. Comes with hardshell case.

The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

Here's a 48 year old S.L. Mossman Flint Hills model Rosewood Dreadnought. Made in 1977. Handmade in Winfield, Kansas the Flint Hills is perhaps the most well known model of the Mossman models, featuring a Sitka Spruce top, East Indian Rosewood Back and Sides, Ebony Fingerboard and Bridge, Grover Rotomatic tuners, 25 3/4" inch scale length, and Mossman’s own proprietary bracing.

  Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
  Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken).

The new 326ce Baritone-8 Special Edition reintroduces players to a truly singular playing experience that bridges the gap between traditional acoustic sounds and specialized tonal flavors. With its B-to-B tuning, longer-than-standard scale and the unique sonic texture generated by the octave pairing of its third and fourth (D and A) strings, this model delivers a rich low-end voice complemented by a touch of 12-string shimmer. The 326ce Baritone-8 Special Edition boasts back, sides and top of solid neo-tropical mahogany crafted in our bold-voiced Grand Symphony body shape, yielding a haymaker of midrange punch that retains exceptional focus alongside its powerful attack. Perfect for any player looking to diversify their musical toolkit, this model will be especially inspiring for guitarists who enjoy experimenting with uncommon sonic palettes. It can also be a useful tool for singers, providing a frequency spectrum that might be more accessible for those with a lower vocal range. Placing a capo at the fifth fret returns the guitar to standard tuning. Visual appointments include a satin finish with a dark stain and a shaded edgeburst top treatment, black binding with a matching three-ring rosette and pickguard, Gemstone fretboard inlays in Italian acrylic, and satin black tuners. It also features a traditional Venetian cutaway for easy access to the guitar’s upper register, along with ES2 electronics for faithful amplified tone. It ships with a Taylor deluxe hardshell case.

The new 326ce Baritone-8 Special Edition reintroduces players to a truly singular playing experience that bridges the gap between traditional acoustic sounds and specialized tonal flavors. With its B-to-B tuning, longer-than-standard scale and the unique sonic texture generated by the octave pairing of its third and fourth (D and A) strings, this model delivers a rich low-end voice complemented by a touch of 12-string shimmer. The 326ce Baritone-8 Special Edition boasts back, sides and top of solid neo-tropical mahogany crafted in our bold-voiced Grand Symphony body shape, yielding a haymaker of midrange punch that retains exceptional focus alongside its powerful attack. Perfect for any player looking to diversify their musical toolkit, this model will be especially inspiring for guitarists who enjoy experimenting with uncommon sonic palettes. It can also be a useful tool for singers, providing a frequency spectrum that might be more accessible for those with a lower vocal range. Placing a capo at the fifth fret returns the guitar to standard tuning. Visual appointments include a satin finish with a dark stain and a shaded edgeburst top treatment, black binding with a matching three-ring rosette and pickguard, Gemstone fretboard inlays in Italian acrylic, and satin black tuners. It also features a traditional Venetian cutaway for easy access to the guitar’s upper register, along with ES2 electronics for faithful amplified tone. It ships with a Taylor deluxe hardshell case.

Urban Ash has carved out a niche for itself in the Taylor line as a premium back and side wood with a dry, focused midrange and balance akin to high-grade mahogany. Now, it’s debuting as a top wood in the 424ce LTD, a Grand Auditorium crafted with back, sides and top of solid Urban Ash. As a hardwood, Urban Ash delivers a natural compression effect that will sound familiar to players of mahogany or koa guitars, smoothing out the initial attack to yield a remarkably balanced profile across the frequency spectrum. This model serves up the same fundamental focus you would expect from mahogany—the note you play is the note you’ll hear, and the restrained overtone response makes the 424ce LTD a superstar in recording applications. Inside, the V-Class bracing generates its trademark blend of enhanced volume and sustain, coaxing greater musicality and tunefulness from this versatile guitar. Appointments for this limited-edition model match its 400 Series counterparts and include black binding, a three-ring black rosette, Renaissance fretboard and peghead inlays in Italian acrylic, a black pickguard, Taylor satin black tuners, and a natural gloss finish that showcases the natural blonde hue and grain of Urban Ash. It ships with ES2 electronics and a deluxe hardshell case.

With its versatile Grand Auditorium body shape and classic tonewood pairing, the 414ce is all set to perform in a wide range of musical applications. Rosewood back and sides matched with a Sitka spruce top serve up warm lows, pristine highs and a slightly scooped midrange, yielding a dynamic tonal character; combined with our tone-enhancing V-Class bracing, this model is ideal for working musicians in virtually any style. A striking sunburst top finish and new Finial fretboard inlays ensure the 414ce looks great wherever you take it, and with built-in ES2 electronics and the included hardshell case, you're ready for any musical scenario.