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This Slope-Shouldered E6 features a solid Thermo-Cured Sitka Spruce top, and Mahogany back & sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

This gorgeous all-koa model elevates the popular scaled-back GS Mini design to new aesthetic heights. The GS Mini-e Koa Plus boasts a solid Hawaiian koa top with layered koa back and sides, serving up a vibrant, punchy tone with plenty of power despite its compact size. The Taylor neck adds another dimension of playing comfort with easy fretting for players of all skill levels, making it a great choice for virtually any musical scenario. An alluring matte finish treatment draws out koa's visual character, and ES2 electronics provide quick plug-and-play utility in amplified situations. The GS Mini-e Koa Plus ships with a durable AeroCase that's one-third the weight of a hardshell case.

Boasting a transparent white top color treatment that reveals grain lines of its spruce soundboard beneath, the GS Mini-e Special Edition, Trans White presents an attention-grabbing, head-turning visual aesthetic. A vivid focal point for its eye-catching design, a vibrant firestripe pickguard creates a striking contrast against the white soundboard. Layered sapele back and sides are paired with a solid torrefied Sitka spruce top in Taylor's scaled-down, matte-finished Grand Symphony body. The result is a travel-friendly guitar that offers bold projection and a rich, balanced tone profile with a sweet, played-in sound. Thanks to its slender Taylor neck, low action and compact 23 1-2 inch scale length, it's no wonder the award-winning GS Mini is so comfortable and fun to play. A built-in ES-B pickup, which includes a digital tuner, delivers clear, natural amplified tones for players who want to plug in. With the included gig bag, you and your GS Mini are set to hit the road for all your musical adventures.

Shows a little shelf wear. New with warranty.

Taylor's first Grand Auditorium guitar featuring back and sides of Urban Ironbark, the 514ce delivers a sweet, muscular sound that combines rosewood's high-fidelity voice with mahogany's warm and punchy midrange and spectrum-wide sonic balance. Paired with a torrefied Sitka spruce top for a played-in, mature sound and V-Class bracing for improved volume and sustain, the 514ce yields power ideal for heavy strummers along with touch sensitivity that gives it a wide dynamic range that's great for fingerstyle players. With new Aerial inlays in Italian acrylic, a single-ring abalone rosette, a subtle stain that highlights Urban Ironbark's rich red hues, a lightly shaded edgeburst and gloss-finish body, the 514ce blends traditional and contemporary visual styles. It ships with ES2 electronics and a deluxe hardshell case.

Sapele, often compared to mahogany because of its look and sound, first joined the Taylor lineup in 1998. Since then, our sapele/spruce 300 Series guitars have welcomed countless players to the all-solid-wood acoustic experience. The limited-edition 50th Anniversary 312ce LTD celebrates and continues that tradition. The cutaway Grand Concert features solid sapele back and sides paired with a torrefied Sitka spruce top. This combination produces a balanced, resonant tone with clarity, warmth and responsiveness. Our special roasting process slightly darkens the soundboard and adds touches of aged-in sweetness and depth from the first time the guitar is played. V-Class voicing architecture inside improves pitch accuracy up and down the neck while boosting volume and sustain. Its slim neck and low action ensure familiar Taylor playability. A shorter, finger-friendly scale length makes fretting easier and reduces string tension, making for an even more inviting playing experience. Gemstone inlays, a bold firestripe pickguard, a shaded edgeburst and gloss-finished body add distinctive visual appeal. Other 50th Anniversary touches include a commemorative label inside, gold Taylor tuners and ebony bridge pins with gold acrylic dots. The guitar comes equipped with an onboard ES2 pickup and ships in a Deluxe Hardshell Case.

Upgraded wtih an Adirondack Spruce top and 1-3/4" nut width.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

A great 12-string playing experience starts with a comfortable neck. That puts the Taylor 150ce ahead of the pack, with a slender neck profile that's accommodating to all types of players and makes it easy to hold notes and chords. A solid spruce top delivers a satisfyingly textured 12-string tone, clear and balanced with a rich low-end response thanks to the Dreadnought body style. With a dynamic sound that boasts plenty of volume as well as a pleasing soft-touch response, it's easy to see why the Taylor 150ce is one of the world's most popular 12-string guitars for budget-minded players.

Players who love the sound and look of Hawaiian koa will appreciate the Taylor 224ce-K DLX, a Grand Auditorium acoustic-electric guitar with a solid koa top and layered koa back and sides. Tonally, expect koa's lustrous midrange and top-end sparkle, plus a dash of warmth in the low end that keeps things remarkably balanced. The slender Taylor neck makes for comfortable fretting, while the Venetian cutaway provides access to the highest frets on the genuine ebony fretboard. This model ships with ES2 electronics and a deluxe hardshell case.

Players who love the sound and look of Hawaiian koa will appreciate the Taylor 224ce-K DLX, a Grand Auditorium acoustic-electric guitar with a solid koa top and layered koa back and sides. Tonally, expect koa's lustrous midrange and top-end sparkle, plus a dash of warmth in the low end that keeps things remarkably balanced. The slender Taylor neck makes for comfortable fretting, while the Venetian cutaway provides access to the highest frets on the genuine ebony fretboard. Featuring a beautiful natural satin finish, the 224ce-K DLX is a real stunner. This model ships with ES2 electronics and a deluxe hardshell case.

Crafted with hand-friendly design features, an inspiring tonewood pairing and a suite of celebratory appointments, the 50th Anniversary Builder’s Edition 314ce LTD offers exceptional comfort, playability, tone and aesthetics. This ultra-refined version of one of the best-selling U.S.-made acoustics boasts a bevy of comfort-enhancing features: a beveled armrest and cutaway, chamfered body edges and a contoured Curve Wing bridge. Urban Ash back and sides, responsibly sourced from Southern California, produce midrange power and balance akin to high-quality Honduran mahogany. Its solid Sitka spruce top offers a warm, punchy midrange, crisp trebles and impressive low-end presence. The body, which sports a firestripe pickguard, is finished with a vintage-vibed Kona burst and our smooth Silent Satin sheen. Like other 50th Anniversary Collection guitars, this versatile cutaway Grand Auditorium features a commemorative label inside, ebony bridge pins with gold acrylic dots and premium Gotoh 510 antique gold tuners. It comes with ES2 electronics and ships in a Taylor deluxe hardshell case.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.
  Bryan Sutton has this to say: "From the first time I played the Slope-D Bourgeois that would come to be known as the "Banjo Killer", I was amazed at the range of tone and volume the guitar could produce. The guitar always seems to be to able to handle any dynamic level of play. I can hear the guitar clearly in a loud jam session without feeling like I have to overplay and also enjoy a full and sustained tone when I want to play softly.”