Search results for 'taylor gs mini'

The all-new 12-string version of the E1D. Big, huge, wide-frequency 12-string, dreadnought tone! This is what a 12-string is supposed to sound like. Featuring Fishman electronics, and deluxe padded Eastman gig-bag.

The 50th Anniversary 314ce LTD elevates one of the world's best-selling U.S.-made acoustic guitars to new heights. Featuring a torrefied Sitka spruce top and solid sapele back and sides, this versatile Grand Auditorium produces a punchy midrange with a warm, woody low end to balance its sparkling trebles. Our V-Class bracing generates greater volume, sustain and harmony down the neck, while our special roasting process for the top adds a touch of aged-in depth and sweetness. We've enhanced the vintage character of the slightly darkened top with a subtle shaded edgeburst around the body and neck, while a firestripe faux-tortoiseshell pickguard adds a bold visual touch. Other aesthetic details include gold tuners and ebony bridge pins with gold acrylic dots. All 50th Anniversary Collection models feature a celebratory limited-edition label. This model also includes ES2 electronics and a hardshell case.

Crafted with hand-friendly design features, an inspiring tonewood pairing and a suite of celebratory appointments, the 50th Anniversary Builder’s Edition 314ce LTD offers exceptional comfort, playability, tone and aesthetics. This ultra-refined version of one of the best-selling U.S.-made acoustics boasts a bevy of comfort-enhancing features: a beveled armrest and cutaway, chamfered body edges and a contoured Curve Wing bridge. Urban Ash back and sides, responsibly sourced from Southern California, produce midrange power and balance akin to high-quality Honduran mahogany. Its solid Sitka spruce top offers a warm, punchy midrange, crisp trebles and impressive low-end presence. The body, which sports a firestripe pickguard, is finished with a vintage-vibed Kona burst and our smooth Silent Satin sheen. Like other 50th Anniversary Collection guitars, this versatile cutaway Grand Auditorium features a commemorative label inside, ebony bridge pins with gold acrylic dots and premium Gotoh 510 antique gold tuners. It comes with ES2 electronics and ships in a Taylor deluxe hardshell case.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.
  Bryan Sutton has this to say: "From the first time I played the Slope-D Bourgeois that would come to be known as the "Banjo Killer", I was amazed at the range of tone and volume the guitar could produce. The guitar always seems to be to able to handle any dynamic level of play. I can hear the guitar clearly in a loud jam session without feeling like I have to overplay and also enjoy a full and sustained tone when I want to play softly.”

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

  Upgraded with Adirondack Spruce Braces, and 1 3/4" nut width.
  The square-shouldered, 14-fret dreadnought is the poster boy of acoustic guitar body shapes. It's classic, but above all, practical. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar.
  Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. Simply put, the Collings D1 will get the job done, and with grace and humility.

The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's an OM-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's a OM-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.