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  Featuring a gorgeous 10-Top in Purple Mist. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

The T58/v-AMB features a hand-rubbed Antique Varnish finish, and TV Jones Classic Pickups. Premium tonewoods and meticulous craftsmanship form a harmonious relationship that made Eastman’s name in the Jazz guitar world. The choice of tonewoods and the time honored processes followed to craft these guitars create an organically acoustic tone that is seldom matched. Chords are full and complex while single notes are crisp and well defined.

  This CE24 features an Eriza Verde Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  The S2 McCarty 594 Singlecut delivers vintage appointments with the precision of PRS’s modern manufacturing techniques and trusted craftsmanship. Whether you are looking for authentic humbucking tones or nuanced, sweet single-coil sounds, the S2 McCarty 594 Singlecut can seamlessly master both sonic territories thanks to its 58/15 "S" pickups and dual volume and push/pull tone controls.
  The warm, familiar tone of the S2 McCarty 594 Singlecut is further supported by its construction specifications and design. Featuring a bound 22-fret Pattern Vintage neck and slightly thicker back for more sustain the S2 McCarty 594 Singlecut feels and sounds like a guitar you’ve been playing forever. It plays
in tune, stays in tune, and is intonated the entire length of the neck. A zinc two-piece bridge and vintage-style tuners anchor this guitar and stay true to the promise of the McCarty family.
  Designed to capture the heart of the McCarty family of instruments and stay true to the S2 Series spirit, the S2 McCarty 594 Singlecut recreates the essence of vintage.

This Eastman SB59 features a Goldburst finish, and Seymour Duncan '59 pickups. Eastman makes an astonishing electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a great guitar with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

This Eastman T64/v features a hand-rubbed Antique Red Varnish finish, Lollar P90 pickups, and Bigsby vibrato. Eastman makes an outstanding hollow-body electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a hollow-body with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

The Valentine Collection is known for effortlessly combining the best of iconic guitar features into the perfect package, and the newest installation in the legacy is no different. The 2023 Valentine stays true to the original specs that made it stand out — White Ash slab body, 12dB push-push boost, roasted maple neck, and locking tuners — while elevating and innovating. This guitar truly shines with its new chambered construction and an f-hole to achieve that semi-hollow tone. Available in Natural.

This Fullerton Deluxe ASAT Special has been upgraded with 3-ply Tortoise pickguard, Satin Vintage Tint neck, and a rear contour. The G&L ASAT Special just might be the quintessential G&L guitar, viewed by many as Leo's ultimate single-cutaway. The ASAT Special features jumbo single-coil Magnetic Field Design pickups, each with a narrow bobbin aperture for a coil which is shallow yet wide. In this regard, an MFD jumbo single coil is similar to a P-90 or Jazzmaster pickup, yet the MFD principle provides a punchier bottom end and brighter top end sparkling with harmonics. Leo further departed with the past with the addition of his innovative Saddle-Lock bridge which transfers string energy right into the body end-grain for an incredibly resonant instrument. The result is one of the most versatile guitars ever, serving up ballsy twang to searing blues to smooth jazz tones.

  This Studio features a gorgeous 10-Top with Yellow Tiger finish, and Pattern neck carve.
  The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking treble pickup, the PRS Studio offers punchy single-coils, vintage scooped tones, and the chunky kick of a treble humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.

This Juliet features a hand-rubbed Antique Black Varnish finish, Bare Knuckle Old Guard humbucking pickups, and a Bigsby vibrato. A new and unique Eastman solid body guitar, Juliet is an evolution of ergonomic carves and graceful curves. Featuring a lightweight Okume body and neck, sculpted for maximum comfort and playability. Striking features include an offset body with raised center bar and laid-in pickguard, making Juliet stand out in any player's rig, on any player's stage.