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  The Modern Eagle V is an innovative instrument that offers highly musical tones for both recording and playing live. Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually tap the humbucker coils, for additional single-coil sounds. This electronics design puts a whole set of classic and new tones at your fingertips.
  Additional appointments include a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, and PRS patented Gen III tremolo.

A mid-'50s Danelectro U2 will set you back a pretty penny — provided you can even get your hands on one. Fortunately for players today, the modern Danelectro 57 brings all the style, flair, and tone of the originals to a high-performance modern instrument. The Dano 57's center-blocked, semi-hollow construction and Vintage '50s Lipstick pickups give you the spank, chime, grit, and chunk of a real-deal vintage original. Tone toggling and voice tailoring are easily done using the 57's rugged 3-way switch and space-saving concentric volume/tone controls. Cream-buttoned Gotoh tuning machines, a U3 intonatable saddle bridge, and a dual-action truss rod give the modern '57 a leg up on a true '50s model.

A mid-'50s Danelectro U2 will set you back a pretty penny — provided you can even get your hands on one. Fortunately for players today, the modern Danelectro 57 brings all the style, flair, and tone of the originals to a high-performance modern instrument. The Dano 57's center-blocked, semi-hollow construction and Vintage '50s Lipstick pickups give you the spank, chime, grit, and chunk of a real-deal vintage original. Tone toggling and voice tailoring are easily done using the 57's rugged 3-way switch and space-saving concentric volume/tone controls. Cream-buttoned Gotoh tuning machines, a U3 intonatable saddle bridge, and a dual-action truss rod give the modern '57 a leg up on a true '50s model.

The Tribute Series ASAT Classic Bluesboy Semi-Hollow is dripping with authentic G&L mojo at a price attainable for every working musician. This is a factory-modded version of Leo's final word on the traditional single-cutaway bolt-on guitar, and the semi-hollow version takes it further with G&L’s distinctive twin voice chambers and f-hole added to a beautiful sassafras body. This axe delivers a well-balanced pairing of a G&L alnico humbucker designed by Paul Gagon and a single-coil G&L Magnetic Field Design bridge pickup designed by Leo Fender.

Guitars in the LTD 1000 Series are designed to offer the tone, feel, looks, and quality that working professional musicians need in an instrument. The EC-1000T/CTM is an instant classic, with its traditional full-thickness single-cutaway mahogany body shape (no waist cut) and classy flamed maple top in Violet Shadow finish. The “CTM” stands for its custom multi-ply binding, situated on both the front and back or the body as well as neck and headstock. Details like a matching flamed maple headstock also make this guitar stand out from the crowd. You’ll find that just about any tone is possible on the EC-1000T/CTM with its set of direct-mount Fishman Fluence Open Core Classic Humbucker pickups. Each pickup offers three voicings, selectable with push-pull controls. On the neck pickup, Voice 1 offers the coveted vintage PAF tone, Voice 2 is an airy chime, and Voice 3 is a vintage single-coil. For the bridge pickup, Voice 1 is the PAF, Voice 2 is the classic hot-rodded humbucker, and Voice 3 is an overwound single coil. The resulting sonic versatility of this guitar is astounding. The EC-1000T/CTM also includes a Macassar ebony fingerboard with white pearloid ESP flag inlays and 22 extra-jumbo stainless steel frets, LTD locking tuners, and a TonePro locking TOM bridge and tailpiece.

The EC-256FM is the perfect evidence that a great guitar doesn't have to be prohibitively expensive. A classic shape that's excellent for all musical styles and genres, the EC-256FM is available in multiple finishes and offers features that you normally associate with high-end guitars, like a flamed maple top, binding on the body, neck, and headstock, and set-neck construction for fast and easy access to the highest frets. The EC-256FM also features a mahogany body, a comfortable three-piece thin U-shaped mahogany neck, and a roasted jatoba fingerboard with inlays and 22 extra-jumbo frets. This guitar features our acclaimed ESP Designed LH-150 humbucking pickups that offer great tone for all genres of music, and the tone flexibility of coil-splitting controlled by a push-pull switch on the tone knob.

  Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
  "This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day," said Kennedy.

  This Custom 24 features a Pattern Thin neck carve, and Fire Red Burst Finish
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
  The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.