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The Grand Concert model is a refined and beautifully proportioned shape, and is everything you could desire from an acoustic and more. Its tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars. While the GC is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the plectrum player. It is prized by Bluegrass flatpickers, and has even been said to surpass large bodied dreadnought guitars with respect to its clarity, sustain and powerful projection.

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.