Search results for 'taylor gs mini'

The passion evident in John’s playing extends to his attention to detail for the instruments that bear his name. From the voicing of the pickups, to the choice of tonewoods that make up this fine instrument, his involvement in every step of the production leads to a guitar that possess not only the look, but the sound & feel worthy of this iconic musician.

The new 326ce Baritone-8 Special Edition reintroduces players to a truly singular playing experience that bridges the gap between traditional acoustic sounds and specialized tonal flavors. With its B-to-B tuning, longer-than-standard scale and the unique sonic texture generated by the octave pairing of its third and fourth (D and A) strings, this model delivers a rich low-end voice complemented by a touch of 12-string shimmer. The 326ce Baritone-8 Special Edition boasts back, sides and top of solid neo-tropical mahogany crafted in our bold-voiced Grand Symphony body shape, yielding a haymaker of midrange punch that retains exceptional focus alongside its powerful attack. Perfect for any player looking to diversify their musical toolkit, this model will be especially inspiring for guitarists who enjoy experimenting with uncommon sonic palettes. It can also be a useful tool for singers, providing a frequency spectrum that might be more accessible for those with a lower vocal range. Placing a capo at the fifth fret returns the guitar to standard tuning. Visual appointments include a satin finish with a dark stain and a shaded edgeburst top treatment, black binding with a matching three-ring rosette and pickguard, Gemstone fretboard inlays in Italian acrylic, and satin black tuners. It also features a traditional Venetian cutaway for easy access to the guitar’s upper register, along with ES2 electronics for faithful amplified tone. It ships with a Taylor deluxe hardshell case.

The new 326ce Baritone-8 Special Edition reintroduces players to a truly singular playing experience that bridges the gap between traditional acoustic sounds and specialized tonal flavors. With its B-to-B tuning, longer-than-standard scale and the unique sonic texture generated by the octave pairing of its third and fourth (D and A) strings, this model delivers a rich low-end voice complemented by a touch of 12-string shimmer. The 326ce Baritone-8 Special Edition boasts back, sides and top of solid neo-tropical mahogany crafted in our bold-voiced Grand Symphony body shape, yielding a haymaker of midrange punch that retains exceptional focus alongside its powerful attack. Perfect for any player looking to diversify their musical toolkit, this model will be especially inspiring for guitarists who enjoy experimenting with uncommon sonic palettes. It can also be a useful tool for singers, providing a frequency spectrum that might be more accessible for those with a lower vocal range. Placing a capo at the fifth fret returns the guitar to standard tuning. Visual appointments include a satin finish with a dark stain and a shaded edgeburst top treatment, black binding with a matching three-ring rosette and pickguard, Gemstone fretboard inlays in Italian acrylic, and satin black tuners. It also features a traditional Venetian cutaway for easy access to the guitar’s upper register, along with ES2 electronics for faithful amplified tone. It ships with a Taylor deluxe hardshell case.

Urban Ash has carved out a niche for itself in the Taylor line as a premium back and side wood with a dry, focused midrange and balance akin to high-grade mahogany. Now, it’s debuting as a top wood in the 424ce LTD, a Grand Auditorium crafted with back, sides and top of solid Urban Ash. As a hardwood, Urban Ash delivers a natural compression effect that will sound familiar to players of mahogany or koa guitars, smoothing out the initial attack to yield a remarkably balanced profile across the frequency spectrum. This model serves up the same fundamental focus you would expect from mahogany—the note you play is the note you’ll hear, and the restrained overtone response makes the 424ce LTD a superstar in recording applications. Inside, the V-Class bracing generates its trademark blend of enhanced volume and sustain, coaxing greater musicality and tunefulness from this versatile guitar. Appointments for this limited-edition model match its 400 Series counterparts and include black binding, a three-ring black rosette, Renaissance fretboard and peghead inlays in Italian acrylic, a black pickguard, Taylor satin black tuners, and a natural gloss finish that showcases the natural blonde hue and grain of Urban Ash. It ships with ES2 electronics and a deluxe hardshell case.

  The SE Silver Sky Maple is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in three distinct colors, delivering looks, feel, and sound.
  The PRS SE Silver Sky Maple starts with a poplar body, bolt-on maple neck, and maple fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.

  The PRS SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve
and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.

  Featuring a gorgeous 10-Top in Purple Mist. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

The T58/v-AMB features a hand-rubbed Antique Varnish finish, and TV Jones Classic Pickups. Premium tonewoods and meticulous craftsmanship form a harmonious relationship that made Eastman’s name in the Jazz guitar world. The choice of tonewoods and the time honored processes followed to craft these guitars create an organically acoustic tone that is seldom matched. Chords are full and complex while single notes are crisp and well defined.

PRS Private Stock

BuckEye Top
Resin Fill
Black Limba Back
Black Limba Neck
Exotic Ebony Fretboard
Ebony Tuner Buttons
Ebony Rings
MOP Side Dots
Limba Backplates

  Eric GALES and MAGNETO Guitars have been working together for more than 12 years. MAGNETO guitars has produced several custom versions of the Eric GALES “RawDawg” guitar in the past years. From Magneto - "We have always worked on the same type of body and neck combinations but we have tried to add a new feature at every new rendition making it a high grade instrument with a solid price tag. In early 2020, we started to talk about the idea of producing a new Signature guitar that would be made available to a broader audience. We kept on talking with Eric and tried many options and we have also developed specific parts for that guitar. An important part of the plan was to develop a specific range of single coil pickups that would have the dynamics and great midrange response which play an important role in Eric’s guitar tone."
  The MAGNETO Eric GALES RD3 features a basswood body and roasted maple neck with a rosewood fingerboard. Sunset Gold finish with Gold mirror pickguard and backplate, a Gotoh tremolo, Gotoh tuners as well as the new Magneto Metro-Poles EG1 pickups.