Search results for 'red'

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass, some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass, some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass, some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

  Colling's Traditional Series or “T” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection.

Named after Ted McCarty, a pioneer of the electric guitar and musical instrument industry, the McCarty model embodies the most up-to-date findings from PRS and looks back to the golden age of the guitar. This vintage-appointed guitar features a bound, 22-fret Pattern neck and a slightly thicker back for enhanced tone and sustain. The PRS McCarty model is anchored by a stoptail bridge with brass inserts and non-locking PRS Phase III tuners with brass shafts for added resonance and sustain.

  This Thompson D-MA features an Adirondack Spruce Top, Adirondack braces, and Sunburst Top.
  Preston Thompson Dreadnought models are all crafted to produce the tone and volume that the dreadnought guitar was originally designed to achieve. These are powerful instruments that, when needed, stand up to the volume of a mandolin, fiddle and banjo. They have the bass response that provides an almost full orchestral backing to vocals. Their mid-range response and bright trebles take flatpicking and lead playing to new levels of achievement.
  These are traditional instruments and all models are based on the famous 1937 Herringbone Dreadnought, owned by the late, great Charles Sawtelle of the award winning bluegrass band, Hot Rize. All feature Red spruce (Adirondack) tops chosen for tap tone and stiffness, advanced X brace placement, hand graduated top thickness, pre-war hand carved scalloped braces, nitro-cellulose lacquer finishes and time tested design features such as dovetail neck joints.

  Here is a near-mint 2024 Collings D1AT with an Adirondack top that looks, feels, and sounds phenomenal. Frets are spotless, and the tone is everything you would expect from Collings - clear, powerful, and balanced. A strap button has been added at the neck heel, and it comes with the original hardshell case and papers.
  This is the classic dreadnought done the Collings way —extremely loud, powerful, balanced, and clear. The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar shape in the world, and while many builders make them, Collings brings unmatched tonal clarity and refinement to the big-bodied design. Its strong bass response makes it perfect for vocal accompaniment, while its articulate projection makes it a favorite of bluegrass flatpickers who need to cut through banjos and fiddles.

  Here is a Fender Custom Shop 1952 Telecaster “Chicago Special” Heavy Relic in Faded Butterscotch Blonde. Built in 2021, it has all the vibe of a well-worn blackguard with the punch and clarity of Fender's hand-wound Chicago Special pickups.
  The “Chicago Special” series was put together with the team at Chicago Music Exchange to capture the best of Fender's golden era while sneaking in a few modern touches. Light weight, resonant, and loaded with killer hand-wound pickups, this one is a blast to play and a looker too.
  At just 7lbs 3oz, this Tele is lightweight, very comfortable, and super resonant. Recently set up, it plays great. It is currently wired with modern Tele controls, but the original ’51 Mod Nocaster harness is included in the case if you want to swap it back. Comes with the original tweed hardshell case, COA, build sheet, bridge cover, and paperwork.

Built on the comfortable, versatile foundation of our Grand Auditorium body shape, this 300 Series 12-string acoustic-electric guitar serves up a rich octave voice that adapts beautifully across styles and genres. Back and sides of solid sapele paired with a Sitka spruce top yield a bold midrange character with minimal overtones, maintaining clarity along with the double-course sound while our V-Class bracing adds more volume, longer sustain and improved harmony all the way up the neck. Players are sure to appreciate the slender, easy-playing neck, which offers relaxed fretting across the entire tonal spectrum. This model features sleek black binding, a Venetian cutaway, Gemstone fretboard inlays, a firestripe pickguard and a gloss-finished top with a satin finish for the back and sides.

  Here's a 1976 Fender Telecaster in Blonde finish. This one is all original and in excellent shape, especially for being nearly 50 years old. It's a two-owner guitar that was played lightly early on, then spent the majority of the next 40-plus years tucked safely under a bed. It is incredibly well-preserved, showing with very light cosmetic wear and the original frets that show very little use. It plays and sounds great.
  Not only does it come with the original hardshell case, but the original bridge cover and owner's manual are also included. Both very cool to have and pretty rare to still be with the guitar after all these years.

Simple. Clean. Versatile. It's your daily driver. Everything you need. Nothing you don't. With a name suggested by Ricky Skaggs in the late 90's, the Country Boy features a AAAA grade Sitka Spruce top paired with premium Mahogany back and sides to create a versatile platform agreeable with any playing style. This PS-S version features Bourgeois' newest satin finish lacquer, offering vintage tone with a refined, traditional finish.