Search results for 'classic vibe'

As pedalboard space becomes more and more limited, lots of companies have been offering mini pedals that do the same thing as their big brother, but take up a lot less space. The Ibanez Tube Screamer mini is no exception. You get everything you would get from the classic in a smaller footprint. One of our most purchased pedals! Learn More

-Updated version of the industry-standard DD-3, with enhanced functionality for modern players -Ultra-easy operation for fast sound creation -Delay time of 12.5 to 800 ms, divided into three ranges for quick setup -Tap in tempos with the onboard pedal switch or an external footswitch -Short Loop setting for creating phrase loops (same as the Hold function on the original DD-3) -Direct output for sending dry and wet sounds to separate amps -Main and direct output jacks now positioned on one side of the pedal -BOSS five-year warranty Learn More

The new Classic S features a new 60’s C vintage standard neck profile, maple fingerboard, and V60LP single coils. The Classic S retains many of the original specifications of the Classic Pro including the SSCII hum cancelling system, stainless steel frets, proprietary Suhr locking tuners, and the Gotoh 510 tremolo that provides superior tuning stability.

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Riverside’s cascading gain stages create harmonically rich tones that are immensely musical and natural—from silky clean overdrive to colossal distortion, and all points between. Our analog JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your amp to places you never knew it could go.

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Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. blueSky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. blueSky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you’re in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, blueSky is equally at home on top of a studio console as it is in front of a tube amp.

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Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. You also get the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, and the nostalgic ’80s Hall Rack Reverb.

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This Classic T features n Even C Medium neck profile. The Classic T retains many of the original specifications of the Classic T Pro including the SSCII hum canceling system and stainless steel frets. The Wilkinson compensated 3-saddle bridge provides classic 3-saddle tone with superior intonation.

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Model: Classic JM Pro
Body Wood: Alder
Finish Color: 3-Tone Burst
Neck Profile: 60's C Vintage Standard .810-.930
Nut Width: 1.65"
Nut Material: Tusq
# of Frets: 22
Fret Size: Medium
Fret Material: Stainless Steel
Radius: 10" - 14"
Neck Wood: Maple
Fingerboard: Indian Rosewood
Neck Pickup: SSV Neck
Bridge Pickup: SSV Bridge
Pickup Selector: 3-Way
Controls: V/T/T
Bridge: Gotoh 510 - 2 Post, Bent Saddles, Steel Block
Tuners: Suhr Locking
Deluxe Gig Bag

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  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

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The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

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In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

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