Search results for 'gig bag'

This Carr Skylark Special Combo is the all-new updated version of the beloved Skylark - now refined with enhanced features and a fresh new look. This one sports a custom color two-tone Sonic Blue and Gray finish that looks incredible. Designed for expressive low-wattage performance, the Skylark Special delivers rich American-voiced cleans, smooth breakup, and superb dynamics at manageable volumes. Perfect for home, studio, or small gigs, it's powered by 6V6 tubes and features an onboard attenuator and lush reverb, giving you a wide tonal palette to explore. This updated model stays true to the Skylark's reputation for clarity and feel, while offering subtle refinements that make it even more inspiring to play. A boutique combo amp with premium tone and a killer look.

- Modified Grand Pacific body adds remarkable warmth and depth
- Torrefied Sitka spruce top produces rich, sweet projection
- Solid mahogany back and sides for warm, woody tone
- Long-tenon neck joint with exceptional adjustability
- Includes LR Baggs Element VTC pickup and deluxe hardshell case

- Versatile Super Auditorium for warm, room-filling tone
- Torrefied spruce and Indian rosewood for aged-in warmth and lush overtone response
- Fanned V-Class bracing boosts volume, depth and sustain
- Action Control Neck offers easy string height adjustments
- Includes LR Baggs electronics and deluxe hardshell case

- 12-string setup generates shimmering octave tone
- Solid spruce top for projection and clarity
- Taylor Neck for a relaxed fretting hand feel
- Built-in ES2 pickup offers easy amplification
- Padded gig bag for transportation and storage

- Nylon-string model for a classical feel and sound
- Solid torrefied spruce top for warmth, depth and projection
- Compact, comfortable Grand Concert body
- Fan-style internal bracing for a clear, responsive nylon-string voice
- Includes ES-N pickup and ships in a soft gig bag

  Here is a beautiful, custom Tom Anderson Angel, finished in a stunning Transparent Dark Olive with binding. With flame maple top over a Limba body. Resonant and punchy, both acoustically and plugged-in.
  It has a super comfortable Even-Taper neck is made from caramel maple, with a matching caramel maple fingerboard. The neck has a satin natural finish that feels smooth and fast. The compound radius (12"–14") and jumbo stainless steel frets make bending and chording equally easy. The locking Floyd-Rose bridge is dive-bomb ready.
  This is a custom Anderson that can do it all: gigs, recording, or just some serious home playing time. If you know Anderson guitars, you know this is the good stuff.

The Super Bee captures that legendary Fullerton-made black-panel 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school black-panel inspired tone, delivered with new-school usability.

The all-new Pete Thorn Standard HSS Signature has a new pickguard design, as well as a new Pete Thorn & John Suhr design pickup called the ‘Thornbucker II’. The cornerstone of all of Pete Thorn’s guitars is their unmatched versatility, attention to detail and tone.

Featuring a solid Spruce top, and solid Maple back and sides. Individually hand-built using traditional materials & “Old World” craftsmanship with solid Spruce Top, solid Maple back & sides. Ebony fingerboard & adjustable ebony bridge. F-style body with F-holes for superb tone & projection.

Featuring a Thermo Cured Spruce top, solid Sapele back and sides, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo Cured Spruce top, solid Sapele back and sides, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.