Search results for 'music man steve morse'

  Here's a 2006 Gretsch Chet Atkins Country Classic G6122-1962. Made in 2006. This is a reissue of the double-cutaway version of the Country Gentleman that George Harrison used on the Ed Sullivan show all those years ago. This is the guitar that many people imagine when they think of a Gretsch "Country Gentleman". This one sounds and plays as amazingly as it looks.

- Jumbo acoustic inspired by Bob Taylor's original design
- Indian rosewood back and sides for warmth, clear trebles
- Sitka spruce top delivers power and projection
- Adjustable, easy-playing modern Taylor neck
- Includes LR Baggs Element VTC pickup

  This is a Teye, L-Series Cleopatra: a true work of art that combines breathtaking craftsmanship with exceptional tone and playability. Known for their intricate inlays, ornate engraved aluminum plates, and rich, versatile sounds, Teye guitars are highly sought after by players and collectors alike.
  This Cleopatra is in excellent condition, showing only slight hints of playwear. The finish, hardware, and intricate details are all in great shape, and it has been well cared for. The frets are perfect and show no wear. It has been set up and plays great.
  This Cleopatra also features a Shipwreck finish on its mahogany back and neck, a bound ebony fretboard, Lollar pickups, and Grover Imperial tuners, ensuring premium tone and playability. It comes with a waterproof SKB iSeries hardshell case for ultimate protection.

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More

  The Bourgeois HSV-D features extraordinary Brazilian Rosewood back and sides, showcasing a stunning palette of colors: from deep browns to reddish hues, with distinctive spider webbing and a striking sapwood center. The Brazilian Rosewood on this guitar has a unique provenance: it was acquired by Dana Bourgeois from the estate of the late Don Sharp, a legendary master luthier. Don Sharp, who tragically passed away in November 2021, was celebrated for his exquisite custom handmade acoustic guitars, including his renowned harp guitars valued between $8,000 and $12,000. His legacy of craftsmanship adds a rich historical significance to this exceptional instrument.
  Paired with an Adirondack Spruce top, this guitar delivers amazing power, clarity, and responsiveness. The Adirondack top, famous for its wide dynamic range, gives you crisp attack and sparkling trebles that shine whether you’re flatpicking or fingerpicking. It's a guitar that not only looks incredible but sounds just as inspiring.

Designed for players who crave the rich octave shimmer of a 12-string, the all-koa 264ce-K DLX serves up a vibrant, punchy tone and a gorgeous visual aesthetic. With a solid koa top and layered koa back and sides, this versatile Grand Auditorium yields a bright, focused tone that matures with play into an increasingly warm, rich, sweet sound. The slender, comfortable Taylor neck boasts a 1-7/8" nut width, inviting effortless fretting, while the Venetian cutaway provides easy access to the upper frets. A full-body gloss finish and shaded edgeburst accentuate koa's natural allure. The 264ce-K DLX ships with built-in ES2 electronics and a deluxe hardshell case.

Larrivee's Traditional Series was created with two things in mind: Create an instrument with traditional 'vintage' features like a flat-top headstock, hand-carved volute, and diamond inlays; but at the same time maintain the unique tonal balance of the standard Larrivée symmetrical parabolic bracing system. An enlarged soundhole allows significantly greater mid-range punch, emphasizing the low end, and increasing overall volume. This 50 Series features Larrivee's highest grade mahogany, herringbone trim, and traditional angled bone nut. The casted bronze open-back tuners feature engraved design work by Wendy Larrivee. One of the many fine details that put this series in a category of their own.

  Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide, this special edition features both traditional design features and new appointments, making it an essential piece for serious musicians and collectors alike.
  Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec'd by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

The PRS CE 24-08 Black Limba Limited Edition blends style and performance for players who demand excellence. The black limba body will turn heads with its unique grain, rich color, and powerful but warm voice. Equipped with PRS’s intuitive 24-08 switching system, the CE 24-08 offers a wide array of tonal possibilities. With eight different pickup configurations at your fingertips, you can effortlessly transition from powerful humbucking tones to crisp single-coil sounds. Whether you’re shredding through a hard rock anthem or laying down a smooth jazz line, this guitar adapts to your style with ease.

  The PRS S2 Series is now updated with USA-made pickup and electronics. PRS is proud to bring this added value to what has become a fully integrated part of their manufacturing line and product offering.
  The S2 Custom 24 takes the original PRS guitar, the Custom 24, and re-imagines it with stripped-down features and a new aesthetic. Retaining the classic maple top/mahogany back combination with our classic body shape and an asymmetrical beveled top, this guitar has a resonant, powerful voice. Its versatility comes from its Maryland, USA-wound 85/15 pickups and 5-way blade switch, offering all the same sounds as the flagship Custom 24. Familiar for PRS players of old, and a fresh take for players of all types.

The PRS Private Stock 40th Anniversary McCarty Dragon embodies the spirit of PRS, showcasing stunning visual design and uncompromised playability and tone.
“When I was a teenager, I had a dream about a guitar with a dragon inlaid down the neck. That dream became reality for the first time in 1992 and has since become an important part of our history. For our 40th Anniversary, we have chosen a McCarty model as the foundation of the Dragon, which is only fitting considering the original 1992 Dragon was the beginning of what would become the McCarty model. I'm proud to bring these two, now-historic, PRS designs together.”

– Paul Reed Smith, Founder & Managing General Partner, PRS Guitars