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The SE Hollowbody Standard features an all-mahogany body with hollow construction for a warm, resonant tone. The 22 fret wide fat neck, PRS adjustable stoptail bridge, and 58/15 “S” pickups further promote the SE Hollowbody Standard’s big, clear, balanced voice. This vintage-inspired instrument combines the power and stability of a solid-body electric guitar with the captivating, resonance of a hollowbody instrument, making the SE Hollowbody Standard at home with players of all styles.

  In the twilight of the 1960s, SF Bay Area amp repairman to the Stars, Randall Smith, was inspired to start building his own amplifiers after coming to a deep appreciation for the '50s Tweed circuits developed by Leo Fender. He loved their organic sounding voice, powerful controls and the way they smoothly transitioned from clean to clip and back again.
  Standing on the shoulders of a giant, Smith’s (and the World’s) first venture into boutique guitar amplification resulted in a new Boogie amp design inspired by that wonderful, timeless sounding preamp. Five Decades later we return to pay homage. Now, drawing on these 50 years of experience, we bring forward an exciting new realm of tweed-based performance and authentic 6V6 character. A beautifully simplistic design that raises the bar in the world of vintage tone. The NEW CALIFORNIA TWEED

Top: Solid Cedar
Back: Solid Sapele
Sides: Sapele
Neck: Mahogany
Fingerboard: Ebony
Scale: 644mm
Nut Width: 42mm
Preamp: CT4-DX (DMP)

D'Angelico's flagship archtop—now available in the Premier Series. Crafted from John D’Angelico’s original design, the Premier EXL-1's balanced, organic tone captures the unmistakable sound of a New York jazz box. Couple that with signature D'Angelico features in the Stairstep tailpiece and iconic headstock, the EXL-1 embodies elegance. Its single floating mini-humbucker highlights its naturally punchy mids and warm acoustic edge. Designed for jazzers at every turn, the Premier EXL-1 is the finest archtop in its class.

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

Model: Classic JM Pro
Body Wood: Alder
Finish Color: 3-Tone Burst
Neck Profile: 60's C Vintage Standard .810-.930
Nut Width: 1.65"
Nut Material: Tusq
# of Frets: 22
Fret Size: Medium
Fret Material: Stainless Steel
Radius: 10" - 14"
Neck Wood: Maple
Fingerboard: Indian Rosewood
Neck Pickup: SSV Neck
Bridge Pickup: SSV Bridge
Pickup Selector: 3-Way
Controls: V/T/T
Bridge: Gotoh 510 - 2 Post, Bent Saddles, Steel Block
Tuners: Suhr Locking
Deluxe Gig Bag

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

Previously owned and in mint condition, this Custom 24 has been upgraded with a 10-Top, Mash Green finish (normally reserved only for Artist Package guitars), Artist Grade flamed maple neck, and Artist Grade flamed maple fingerboard and headstock veneer. Also features a Pattern Thin neck profile.

The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.