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Vintage 1971 Marshall model 1961 "Bluesbreaker" 4x10 combo, 50 watts with tremolo. This amp is super rare and super cool. The condition is very good. The grill looks great, with a few scuffs. The speakers are original with an offset 4x10 configuration. The tolex is fine and looks good. It works great, and it really sounds amazing. Eric Clapton used a four 10" model in the earliest days of John Mayall. A must have for the Marshall enthusiast!

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D'Angelico's flagship archtop—now available in the Premier Series. Crafted from John D’Angelico’s original design, the Premier EXL-1's balanced, organic tone captures the unmistakable sound of a New York jazz box. Couple that with signature D'Angelico features in the Stairstep tailpiece and iconic headstock, the EXL-1 embodies elegance. Its single floating mini-humbucker highlights its naturally punchy mids and warm acoustic edge. Designed for jazzers at every turn, the Premier EXL-1 is the finest archtop in its class.

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Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

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  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

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By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

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The Boogie 1x12 WideBody delivers the best of the open-back world by rear-mounting the speaker and extending the width of the cab to provide more interior low-end resonance while still emphasizing the signature sparkle and chime of an open-back design. Clean, low and medium-gain styles benefit greatly from the open-back format. Those styles benefit even further with the added bass response and overall fullness provided by the WideBody design. Full bass representation, solid midrange and the elusive high end "openness", sparkle and transparency are what the 1x12 WideBody does best!

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-Number 35 of 40
-Nightshade finish
-One-piece mahogany set-neck
-Pattern Regular neck carve
-Madagascar rosewood fingerboard
-Dragon tail fingerboard inlay
-24 frets
-Madagascar headstock veneer
-Green Ripple Private Stock eagle headstock inlay
-Phase III Locking tuners
-Madagascar tuner buttons
-Solid african ribbon mahogany body
-Private Stock grade curly maple top w/ retro carve
-85/15 Treble & Bass humbuckers
-Volume, Push/Pull Tone, & 3-way toggle
-PRS tremolo bridge
-Deluxe PRS case

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• Gain, level and continuously-sweepable EQ tone control
• LED-based gain circuit for smooth, high-output distortion
• 1MEG Ohms input impedance for proper pickup loading
• 10K Ohms output impedance when engaged
• 1% metal-film resistors for consistency
• High-voltage poly caps for better tone
• Military-spec circuit board for reliability
• Blue status LED for high visibility and low power consumption
• Easy access battery compartment
• True hardwire bypass
• 5-year warranty

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• 2 Super Hard On circuits in one
• Channel 1 cascades into Channel 2 for incredibly dangerous amounts of gain
• Master Volume control lets you enjoy the madness at lower volumes

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The Tremolo Probe is a kind of cross between a theremin volume control and a Super Hard-On. There is a 3-5/8" square copper plate mounted on a chunk of 3/8" clear acrylic that passes over the top of the pedal housing, angles down to sharp turn, and goes back to the pedal. Under the whole mess is a 3 5/8" by 7" sheet of aluminum that provides shielding from annoying ground effects and wires under the stage. It also serves to protect the knob from being knocked off if you drop it on that end... and it makes a nice toe chopper if you are barefoot, so (legal disclaimer:) DO NOT DROP THIS PEDAL ON YOUR FOOT! IT IS HEAVY AND HAS VERY POINTY CORNERS THAT COULD DAMAGE LIVING CREATURES AND FINE HARDWOOD FLOORING. ALSO, YOU COULD BREAK SOMETHING. Like your dog. Learn More

This Emperor II 5-string features a gorgeous Walnut Burl solid top and wooden pickup covers. This particular type of figuring can also be referred to as "Marble Cake", which is only fitting for a bass with such a delicous tone!

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