Search results for 'Custom 24 Floyd Rose'

Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. blueSky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. blueSky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you’re in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, blueSky is equally at home on top of a studio console as it is in front of a tube amp.

Here's a cool guitar. A really cool guitar. A true one of a kind. We are offering a 1981 Mossman Guitar Golden Era model custom made for Bob Shane by Stuart Mossman to commemorate 25 years of the The Kingston Trio. This guitar was a collaborative effort between Bob and Stuart Mossman. Bob personally selected the Brazilian rosewood and spruce top from Mossman's private stash, (Remember the word "stash"...you'll understand in a minute). Bob played this guitar for three years on the road before he retired it. Kingston Trio was the the preeminent folk band in the early sixties and spearheaded the massive, folk boom. These guys are the Beatles of folk music. This is a fantastic guitar and a great piece of American music history.

This Classic T features n Even C Medium neck profile. The Classic T retains many of the original specifications of the Classic T Pro including the SSCII hum canceling system and stainless steel frets. The Wilkinson compensated 3-saddle bridge provides classic 3-saddle tone with superior intonation.

The Large Soundhole Dreadnought is a flatpicking cannon inspired by some of our favorite bluegrass legends. Featuring an AT Adirondack top and stunning Madagascar Rosewood back & sides, this guitar has an extra dose of projection and maintains all of the punch of our standard Dreadnoughts.

  In the twilight of the 1960s, SF Bay Area amp repairman to the Stars, Randall Smith, was inspired to start building his own amplifiers after coming to a deep appreciation for the '50s Tweed circuits developed by Leo Fender. He loved their organic sounding voice, powerful controls and the way they smoothly transitioned from clean to clip and back again.
  Standing on the shoulders of a giant, Smith’s (and the World’s) first venture into boutique guitar amplification resulted in a new Boogie amp design inspired by that wonderful, timeless sounding preamp. Five Decades later we return to pay homage. Now, drawing on these 50 years of experience, we bring forward an exciting new realm of tweed-based performance and authentic 6V6 character. A beautifully simplistic design that raises the bar in the world of vintage tone. The NEW CALIFORNIA TWEED

-EL84 British inspired tube circuitry
-Master volume for versatility and performance
-Speaker emulated headphone out for silent practice
-Custom British style speaker by Warehouse Guitar Speakers
-Finger jointed birch ply cabinets with wrap around woven -fiberglass grill cloth
-100% cotton textile black covering
-Nickel plated vents and glass beaded chevrons
-Custom made knobs with etched control plate
-100% designed and made in the USA

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

Model: Classic JM Pro
Body Wood: Alder
Finish Color: 3-Tone Burst
Neck Profile: 60's C Vintage Standard .810-.930
Nut Width: 1.65"
Nut Material: Tusq
# of Frets: 22
Fret Size: Medium
Fret Material: Stainless Steel
Radius: 10" - 14"
Neck Wood: Maple
Fingerboard: Indian Rosewood
Neck Pickup: SSV Neck
Bridge Pickup: SSV Bridge
Pickup Selector: 3-Way
Controls: V/T/T
Bridge: Gotoh 510 - 2 Post, Bent Saddles, Steel Block
Tuners: Suhr Locking
Deluxe Gig Bag

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.