Search results for 'Super eagle'

Urban Ash has carved out a niche for itself in the Taylor line as a premium back and side wood with a dry, focused midrange and balance akin to high-grade mahogany. Now, it’s debuting as a top wood in the 424ce LTD, a Grand Auditorium crafted with back, sides and top of solid Urban Ash. As a hardwood, Urban Ash delivers a natural compression effect that will sound familiar to players of mahogany or koa guitars, smoothing out the initial attack to yield a remarkably balanced profile across the frequency spectrum. This model serves up the same fundamental focus you would expect from mahogany—the note you play is the note you’ll hear, and the restrained overtone response makes the 424ce LTD a superstar in recording applications. Inside, the V-Class bracing generates its trademark blend of enhanced volume and sustain, coaxing greater musicality and tunefulness from this versatile guitar. Appointments for this limited-edition model match its 400 Series counterparts and include black binding, a three-ring black rosette, Renaissance fretboard and peghead inlays in Italian acrylic, a black pickguard, Taylor satin black tuners, and a natural gloss finish that showcases the natural blonde hue and grain of Urban Ash. It ships with ES2 electronics and a deluxe hardshell case.

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Larrivee's biggest body style, with a BIG, bold, deep tone to match!
Built to the exact standards you would find on their much higher series, the 03 is built in America using all solid wood and features Larrivee's hand-fit dovetail neck joint for superior fit and sustain. This series truly stands out as an industry leader for price and quality. The 03 Rosewood Series is built from solid East Indian rosewood, kiln dried for maximum tone. Maple bound trim, herringbone purfling, rosette and satin finish are standard features on 03 Series.

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The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

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Larrivee's biggest body style, with a BIG, bold, deep tone to match!
Built to the exact standards you would find on their much higher series, the 03 is built in America using all solid wood and features Larrivee's hand-fit dovetail neck joint for superior fit and sustain. This series truly stands out as an industry leader for price and quality. The 03 Mahogany Series is built from solid African Khaya mahogany, kiln dried for maximum tone. Maple bound trim, herringbone purfling, rosette and satin finish are standard features on 03 Series.

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The Classic S Antique features a 60’s C vintage medium neck profile with indian rosewood or maple fingerboard and V63 single coils. The Classic S Antique retains many of the original specifications of the Classic Antique including the SSCII hum cancelling system, nitrocellulose finish, and stainless steel frets. Proprietary Suhr locking tuners and the Gotoh 510 tremolo provides superior tuning stability.

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The Classic S Antique features a 60’s C vintage medium neck profile with indian rosewood or maple fingerboard and V63 single coils. The Classic S Antique retains many of the original specifications of the Classic Antique including the SSCII hum cancelling system, nitrocellulose finish, and stainless steel frets. Proprietary Suhr locking tuners and the Gotoh 510 tremolo provides superior tuning stability.

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The Classic S Antique features a 60’s C vintage medium neck profile with indian rosewood or maple fingerboard and V63 single coils. The Classic S Antique retains many of the original specifications of the Classic Antique including the SSCII hum cancelling system, nitrocellulose finish, and stainless steel frets. Proprietary Suhr locking tuners and the Gotoh 510 tremolo provides superior tuning stability.

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A superb OM from Preston Thompson. Featuring a fantastic Red Spruce (Adirondack) top chosen for tap tone and stiffness, East Indian Rosewood back and sides, advanced X brace placement, hand graduated top thickness, pre-war hand carved scalloped braces, nitro-cellulose lacquer finish and time-tested design features such as dovetail neck joint. Upgraded with a beautiful Regency Torch headstock inlay.

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Features Power Output: 700 watts @ 2.67 or 4 ohms, 350 watts @ 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) EQ Section: Bass: +/- 17 dB @ 40 Hz Mid Level: +/- 16 dB Mid Frequency: 180 Hz – 1 kHz Treble: +/- 14 dB @ 4 kHz Drive Control: Fully adjustable, featuring Aguilar’s proprietary AGS (adaptive gain shaping) circuit Effects Loop: Series operation. Adds 6 dB of additional gain, making it useful for a broad range of effects units. Inputs: One 1/4″ input jack, compatible with all active and passive basses Speaker Outputs: Two Neutrik Speakon speaker outputs Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Tuner output Cooling: Two high-quality whisper fans with thermal speed control Dimensions: 12″ W x 9″ D x 3″ H Weight: 4.9 lbs (2.22 kg) Warranty: Three year limited Learn More

Features Power Output: 700 watts @ 2.67 or 4 ohms, 350 watts @ 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) EQ Section: Bass: +/- 17 dB @ 40 Hz Deep: +6 dB <250 Hz Low Mid: +/- 15 dB @ 300 Hz High Mid: +/- 14dB @ 800 Hz Treble: +/- 14 dB @ 4 kHz Bright: +6 dB >3 kHz, shelving -10dB input pad Tuner output Inputs: One 1/4″ input jack, compatible with all active and passive basses Speaker Outputs: Two Neutrik Speakon speaker outputs Effects Loop: Series operation. Adds 6 dB of additional gain, making it useful for a broad range of effects units Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Cooling: Two high-quality whisper fans with thermal speed control Dimensions: 12″ W x 9″ D x 3″ H Weight: 4.9 lbs Warranty: Three year limited Learn More

The UAFX Woodrow '55 Instrument Amplifier pedal gives you the legendary American tweed tube amp sounds used by artists and producers for decades, from The Eagles to Chuck Berry to Neil Young. Built on powerful dual-engine processing and UAD modeling expertise, the Woodrow '55 effects pedal packs sweet cleans, rich overdrive, and grungy distortion. Whether it's replacing your amp rig and going direct to front‑of‑house on stage, or recording tracks into your DAW — Woodrow '55 gives you the inspiring, album‑ready tones of an expertly miked "golden unit" vintage tweed amp, within seconds. Take your rowdy tweed tones further using tried-and-true British speaker swaps and boosts — including preamps from the iconic KORG SDD-3000 rack unit and Maestro EP-3 tape delay — at the flip of a switch.* Only Woodrow '55 puts authentic tube growl and hot‑rod mods under your chucks, docs, or crocs. Woodrow '55 gets even better with the UAFX Control mobile app. Download custom artist tones, recall and archive your presets, and delve into the tweed amp that started it all. Learn More