Search results for 'Taylor 12 string'

Meet the Ernie Ball Music Man StingRay II, designed in collaboration with Cory Wong to deliver clarity, versatility, and precision for every performance. Featuring a figured roasted maple neck with a hand-rubbed oil and wax finish, a rosewood fretboard with 22 stainless steel frets, and an ergonomic body design, it ensures smooth playability and effortless access to every fret. The sleek styling draws inspiration from the iconic StingRay Bass, enhanced by a redesigned larger headstock, custom Cory Wong neck plate, and gold hardware for a sophisticated finish. The ultra-clean Cory Wong HT humbuckers are engineered for players seeking pristine articulation and exceptional tonal balance, offering a dynamic response that captures every detail of your playing with an expanded frequency range for maximum versatility. This guitar combines style, tone, and functionality.

The PRS CE 24-08 Black Limba Limited Edition blends style and performance for players who demand excellence. The black limba body will turn heads with its unique grain, rich color, and powerful but warm voice. Equipped with PRS’s intuitive 24-08 switching system, the CE 24-08 offers a wide array of tonal possibilities. With eight different pickup configurations at your fingertips, you can effortlessly transition from powerful humbucking tones to crisp single-coil sounds. Whether you’re shredding through a hard rock anthem or laying down a smooth jazz line, this guitar adapts to your style with ease.

  This OM2H features a Torrefied Sitka Spruce top, Indian Rosewood back and sides, Adirondack Spruce braces, and a 1 3/4" nut width.
  'OM' stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings; yet flatpickers also find it appealing. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.

Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide. Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec’d by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

  Featuring a gorgeous 10-Top in Yellow Tiger. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

  Here's a 2006 Gretsch Chet Atkins Country Classic G6122-1962. Made in 2006. This is a reissue of the double-cutaway version of the Country Gentleman that George Harrison used on the Ed Sullivan show all those years ago. This is the guitar that many people imagine when they think of a Gretsch "Country Gentleman". This one sounds and plays as amazingly as it looks.

- Jumbo acoustic inspired by Bob Taylor's original design
- Indian rosewood back and sides for warmth, clear trebles
- Sitka spruce top delivers power and projection
- Adjustable, easy-playing modern Taylor neck
- Includes LR Baggs Element VTC pickup

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More

  The Bourgeois HSV-D features extraordinary Brazilian Rosewood back and sides, showcasing a stunning palette of colors: from deep browns to reddish hues, with distinctive spider webbing and a striking sapwood center. The Brazilian Rosewood on this guitar has a unique provenance: it was acquired by Dana Bourgeois from the estate of the late Don Sharp, a legendary master luthier. Don Sharp, who tragically passed away in November 2021, was celebrated for his exquisite custom handmade acoustic guitars, including his renowned harp guitars valued between $8,000 and $12,000. His legacy of craftsmanship adds a rich historical significance to this exceptional instrument.
  Paired with an Adirondack Spruce top, this guitar delivers amazing power, clarity, and responsiveness. The Adirondack top, famous for its wide dynamic range, gives you crisp attack and sparkling trebles that shine whether you’re flatpicking or fingerpicking. It's a guitar that not only looks incredible but sounds just as inspiring.

Designed for players who crave the rich octave shimmer of a 12-string, the all-koa 264ce-K DLX serves up a vibrant, punchy tone and a gorgeous visual aesthetic. With a solid koa top and layered koa back and sides, this versatile Grand Auditorium yields a bright, focused tone that matures with play into an increasingly warm, rich, sweet sound. The slender, comfortable Taylor neck boasts a 1-7/8" nut width, inviting effortless fretting, while the Venetian cutaway provides easy access to the upper frets. A full-body gloss finish and shaded edgeburst accentuate koa's natural allure. The 264ce-K DLX ships with built-in ES2 electronics and a deluxe hardshell case.