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  This limited-edition model is exclusive to Bourgeois' Touchstone Series. Salvaged from the ancient Koa forests of the Big Island of Hawaii, the Hawaiian Country Boy's Koa backs and sides sound as good as they look, offering a rich midrange and a touch of island warmth that will deepen over time. Dana Bourgeois has personally selected each old-growth Bearclaw Sitka Spruce top in this series. Chosen for their bright and responsive tap tones, each one was hand-voiced at Dana's small workshop in Maine.

- Nylon-string guitar offers modern classical tone
- Solid torrefied spruce top generates warmth, projection and clarity
- Grand Concert body feels easy to hold and play
- Equipped with specialized bracing for nylon string, and onboard ES-N pickup
- Comes with lightweight, durable AeroCase for protection

The 09 Artist Series is an industry leader in its class and one of the longest-standing models in the Larrivee catalog. The 09 is the genesis of Jean's 'recipe,' which reached perfection with the first L09, initially built in the '70s.  40 years later, not much has changed. It is a perfect combination of East Indian Rosewood back and sides, Sitka spruce top, and powered by Jean's legendary X-Brace system. The 09 Series delivers a powerful yet balanced, dynamic range. Whether in the studio or live, flat-picking or strumming, this versatile American-made workhorse offers a wide range of responses and tones, empowering you to explore your musical potential. Standard features include JCL 18:1 tuners, flamed maple trim, and abalone rosette.

The 09 Artist Series is an industry leader in its class and one of the longest-standing models in the Larrivee catalog. The 09 is the genesis of Jean's 'recipe,' which reached perfection with the first L09, initially built in the '70s.  40 years later, not much has changed. It is a perfect combination of East Indian Rosewood back and sides, Sitka spruce top, and powered by Jean's legendary X-Brace system. The 09 Series delivers a powerful yet balanced, dynamic range. Whether in the studio or live, flat-picking or strumming, this versatile American-made workhorse offers a wide range of responses and tones, empowering you to explore your musical potential. Standard features include JCL 18:1 tuners, flamed maple trim, and abalone rosette.

  Upgraded with Torrefied Sitka Spruce top, Adirondack Spruce Braces, and 1 3/4" nut width.
  The square-shouldered, 14-fret dreadnought is the poster boy of acoustic guitar body shapes. It's classic, but above all, practical. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar.
  Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. Simply put, the Collings D1 will get the job done, and with grace and humility.

The Jumbo, or CJ, is Colling's version of the classic slope-shouldered dreadnought, a shape that has enjoyed renewed popularity in recent years. While the CJ is similar in width and depth to the traditional dreadnought, it has a distinctly different tone. CJ’s voice is deep and full-bodied, maximizing cut and power with a shimmery top end and quick response.

This James Tyler Studio Elite features an insane Alien Guano finish with matching neck and headstock. The Studio Elite models are the pinnacle of form, function, and sound. Years of feedback from revered studio and gigging guitarists culminated into the ultimate in electric guitars.

  This OM2H features a Torrefied Sitka Spruce top, Indian Rosewood back and sides, Adirondack Spruce braces, and a 1 3/4" nut width.
  'OM' stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings; yet flatpickers also find it appealing. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.

  This is a Teye, L-Series Cleopatra: a true work of art that combines breathtaking craftsmanship with exceptional tone and playability. Known for their intricate inlays, ornate engraved aluminum plates, and rich, versatile sounds, Teye guitars are highly sought after by players and collectors alike.
  This Cleopatra is in excellent condition, showing only slight hints of playwear. The finish, hardware, and intricate details are all in great shape, and it has been well cared for. The frets are perfect and show no wear. It has been set up and plays great.
  This Cleopatra also features a Shipwreck finish on its mahogany back and neck, a bound ebony fretboard, Lollar pickups, and Grover Imperial tuners, ensuring premium tone and playability. It comes with a waterproof SKB iSeries hardshell case for ultimate protection.

  This is a 1982 Gibson Firebird II Artist CMT in a beautiful cherry sunburst finish. This is a rare vintage piece with some tasteful modifications to make it more player-friendly. With its Curly Maple Top (CMT) and unique design, this is one of the more distinctive Firebirds Gibson ever made.

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More