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  This is a 1982 Gibson Firebird II Artist CMT in a beautiful cherry sunburst finish. This is a rare vintage piece with some tasteful modifications to make it more player-friendly. With its Curly Maple Top (CMT) and unique design, this is one of the more distinctive Firebirds Gibson ever made.

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More

This XTC-1 is incredibly lightweight at 5 lb, 6 oz. Amazingly balanced as well. An absolutely killer T-style guitar. The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

  The Bourgeois HSV-D features extraordinary Brazilian Rosewood back and sides, showcasing a stunning palette of colors: from deep browns to reddish hues, with distinctive spider webbing and a striking sapwood center. The Brazilian Rosewood on this guitar has a unique provenance: it was acquired by Dana Bourgeois from the estate of the late Don Sharp, a legendary master luthier. Don Sharp, who tragically passed away in November 2021, was celebrated for his exquisite custom handmade acoustic guitars, including his renowned harp guitars valued between $8,000 and $12,000. His legacy of craftsmanship adds a rich historical significance to this exceptional instrument.
  Paired with an Adirondack Spruce top, this guitar delivers amazing power, clarity, and responsiveness. The Adirondack top, famous for its wide dynamic range, gives you crisp attack and sparkling trebles that shine whether you’re flatpicking or fingerpicking. It's a guitar that not only looks incredible but sounds just as inspiring.

Designed for players who crave the rich octave shimmer of a 12-string, the all-koa 264ce-K DLX serves up a vibrant, punchy tone and a gorgeous visual aesthetic. With a solid koa top and layered koa back and sides, this versatile Grand Auditorium yields a bright, focused tone that matures with play into an increasingly warm, rich, sweet sound. The slender, comfortable Taylor neck boasts a 1-7/8" nut width, inviting effortless fretting, while the Venetian cutaway provides easy access to the upper frets. A full-body gloss finish and shaded edgeburst accentuate koa's natural allure. The 264ce-K DLX ships with built-in ES2 electronics and a deluxe hardshell case.

Crafted with all-solid tonewoods, tone-enhancing interior bracing and a striking sunburst finish, the Taylor 314ce Studio makes pro-quality sound more accessible than ever. This versatile, comfortable Grand Auditorium acoustic-electric boasts back and sides of solid sapele, a mahogany-like tonewood with a warm, punchy midrange voice. A solid top of torrefied Sitka spruce yields bold projection and a warm, aged-in quality thanks to our special roasting recipe, while our V-Class bracing adds more volume, longer sustain and clearer harmony between notes all the way up the neck. A narrower nut width of 1-11/16 inches and our slender neck profile makes for buttery-smooth fretting at any skill level, and the onboard ES2 electronics make it easy to plug in and play with clear amplified tone. This model is finished with an attractive shaded edgeburst top treatment and an all-gloss body, and includes a structured gig bag for convenient storage and portability.

For players seeking the rich, sophisticated acoustic tone and bold projection that comes with an all-solid-wood guitar, there may be no better value than the Taylor 314ce Studio. Now the lowest-priced gateway to the solid-wood experience in the Taylor line, this Grand Auditorium acoustic-electric combines back and sides of sapele with a torrefied spruce top, adding up to a punchy midrange response with a clear, woody character and an added dash of warmth and sweetness from our special roasting recipe. Inside, our V-Class bracing dials up more volume, longer sustain and improved harmony all the way up the neck. This model also features comfort-enhancing chamfered body edges and a slightly narrower fretboard of 1-11/16 inches, offering a hand-friendly feel that makes fretting a breeze regardless of your skill level. Finished off with a full-body gloss, nickel hardware and a faux tortoiseshell pickguard, the 314ce Studio includes ES2 electronics for faithful plugged-in tone and a structured gig bag.

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

  Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide, this special edition features both traditional design features and new appointments, making it an essential piece for serious musicians and collectors alike.
  Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec'd by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

The PRS CE 24-08 Black Limba Limited Edition blends style and performance for players who demand excellence. The black limba body will turn heads with its unique grain, rich color, and powerful but warm voice. Equipped with PRS’s intuitive 24-08 switching system, the CE 24-08 offers a wide array of tonal possibilities. With eight different pickup configurations at your fingertips, you can effortlessly transition from powerful humbucking tones to crisp single-coil sounds. Whether you’re shredding through a hard rock anthem or laying down a smooth jazz line, this guitar adapts to your style with ease.

Salvaged from the ancient Koa forests of the Big Island of Hawaii, the Hawaiian Country Boy’s Koa backs and sides sound as good as they look, offering a rich midrange and a touch of island warmth that will deepen over time. Dana Bourgeois has personally selected each old-growth Bearclaw Sitka Spruce top in this series. Chosen for their bright and responsive tap tones, each one was hand-voiced at Dana’s small workshop in Maine. By combining the warmth of Island Koa with the sparkle of winter spruce, the Touchstone Hawaiian Country Boy has been designed to respond equally well to delicate fingerpicking and lively strumming.